Continued from Goa backpacking: Mahavir National Park.
I returned to Goa with a friend to spend our Dasara vacation and we chose to stay put at the same homestay in Colva that was our base while my family and I had explored Madgaon, Old Goa, and its surroundings during our earlier visit. Everybody associates Goa with the yuletide cheer, but my friend and I were more inclined towards experiencing Goa’s unique tradition of Makarotsav as part of the Dasara festival celebration. We had heard about it through our friends belonging to the Saraswat Brahmin communities, most of whose Kula devata (patron God of their community) happen to be in Goa.
What is Makarotsav?
“Makar’ is a boxy frame like swing decorated beautifully and carries the idol of the deity. It is rocked to the rhythmic beats of dhols, Tasha, temple bells along with Aarti. The history of this unique Dasara tradition dates to the 16th Century. During the Portuguese rule, several Hindu temples were destroyed across Goa. Many people fled these places overnight and arrived at the forests of Ponda region to take refuge.
It is said that these Hindus also carried their deities along with them which were installed across the region. Since then, Makarotsav has become a symbolic celebration. The act of ‘Swinging the deity’ is a representation of their God being with them in times of hardship, moving, swaying and living among the people.
The original sites at which the idols were installed eventually saw significant renovations under the Maratha rule. The style of temple architecture is typical to the region and is a blend of domes, pillars, and large lamp posts/towers in the courtyard. Some of the oldest structures that still stand strong bear the original wooden bars, intricate paintings alongside reliefs and carvings in their original condition. Water tanks or Kalyanis, are integral to the vast premises housing these temples.
Where can I witness Makarotsav?
Today, Ponda has the highest density of Hindu temples across the state of Goa and therefore revered as the Temple town of Goa. ‘Makarotsav’ is celebrated in most temples in and around Ponda which can be broadly classified into three categories. Temples that worship Shiva, Temples that worship Vishnu and Temples that worship Parvathi (Shakthi). Goddess Parvathi is worshipped as Shanta Durga and is believed to be the guardian of every village.
The legend has it that Goddess Shantadurga is the one who mediated peace between Shiva & Vishnu when they fought to establish who was the greatest among the two of them. Hence, her name is Shanta+Durga, a combination of two words ‘Shanthi+Shakthi. The Goddess is (Peaceful) Gentle enough to resolve any egos and (Brave) fierce enough to slay any demons. There are over 20 temples dedicated to Shantadurga located across Ponda and its surroundings where one can participate in Makarotsav.
The celebration happens simultaneously at different temples on all nine days of the Navaratri /Dasara festival, usually starting by 08.00.p.m. and finishing by 11.00.p.m. Hence, it is difficult to cover all temples in just 1 or 2 days, and requires detailed scheduling to take part in as many Makarotsavs as possible.
Below is the list of temples we visited on one of the evenings. We had planned them considering their proximity to each other and before knowing the timing of the Makarotsav at each temple.
1. Shree Shanta Durga, Kavalem (Temple dedicated to goddess Parvathi): This was our first stop by around 08.00.p.m. The outside of this temple felt like a village fair with lot of makeshift stalls selling things. It was crowded at the time of our visit, and we saw the Makar still being decorated extremely elaborately. We waited for some time in the belief that the utsav would start but we were told that it was scheduled for later at 10.30.p.m. Meanwhile, we were invited for dinner at the temple’s dining hall. However, we chose to politely reject since we had eaten a light meal before arriving. We decided to visit other temples in our list without spending further time waiting there. Our plan was to witness the utsav at whichever temple we arrived at, at the time or return to this place by 10.30.p.m as the case may turn out.
2. Shri Shanta Durga Shankleshwari temple, Veling (Temple dedicated to goddess Parvathi): It was roughly 09.30.p.m. when we arrived here by chance, on our pursuit to a different temple. But we considered ourselves most fortunate as we had come just in time before the Makarotsav started. We found ourselves on the floor, somewhere in the front with a good view of the Makar. The celebration lasted for about 45 minutes post which a large queue was formed to distribute the prasada offerings comprising of Black-chana dal salad, cut fruits and whole fruits. We devoured them and quickly proceeded towards the next temple located a short distance away where we were told that the Makarotsav was about to begin.
3. Shree Lakshmi Narasimha temple, Veling (Temple dedicated to Vishnu): The most beautiful temple I have been to on this trip, the temple complex has retained most of its old-world feel. The smell of seasoned wood used in its constructions, the frescos and paintings and the moss-laden temple tank with a backdrop of coconut and banana trees had all my heart. The Makarotsav began by 10.00.p.m. with the idol of Lord Narasimha and it was a transcending experience. The prasada was distributed to all devotees to wherever they were seated and the crowd dispersed immediately after the utsav had ended.
4. Shree Mahalasa Narayani, Mardol (Temple dedicated to Shakthi): Mahalasa is venerated in two forms in Goa. Mahalasa Narayani to be a female avatar (Mohin) of Vishnu and as a form of Parvathi, consort of Khandoba (a form of Shiva). One of the must-visit temples in this circuit, we missed the Makarotsav as the timing overlapped with Shree Lakshmi Narasimha temple and hence, we could only see the temple by requesting us get a glimpse while the security guards were closing the gates and not witness the Utsav.
5. Shree Mangesh temple, Mardol (Temple dedicated to Shiva): Our next stop was at yet another famous temple in this circuit, well after everything had wrapped up for the day. It was well past 11.30.p.m and hence, I had to make peace just seeing the temple arch.
6. Shree Kamakshi, Shirodha (Temple dedicated to goddess Parvathi): We visited this temple around afternoon, hence could not see the Makarotsav. However, the Makar was available but closed for viewing until evening. But for us the visit, though in the afternoon was still a highlight of temple hopping thus far because we had ended up here by chance on a random countryside exploration of Rachol (Written about in a separate post). But I got lucky to devour the hearty lunch at the temple distributed to everybody who came. Genuinely, it was unexpected and tasted so divine. We spent enough time resting on its courtyard before proceeding towards our next destination.
7. Vimleshwar temple, Rivona (Temple dedicated to Shiva): We arrived at this temple just when it had opened early in the evening and while we were on our way back from our Netravali exploration (Written about in a separate post). We did see the Makar carrying the idol of Lord Vimleshwar and all decorated for the Utsav but were quite early for the Utsav which was scheduled to start later around 08.00.p.m. as per the priest with whom we got talking. Without anybody else at the time of our visit and the strong energy of the temple itself, it was truly a wonderful time.
8. Damodar Sansthan, Fatorda (Temple dedicated to Shiva): Despite Damodar recognized as one of the names of Lord Vishnu elsewhere across regions where Hinduism is practiced, it is a reference to Lord Shiva in Goa. A massive temple complex in expanse, we happened to drop by here while on our way to Colva from Netravall. Our visit was unplanned. Hence, our attire was messy, and rain soaked but not as bad that we had to be chased out of the temple by the presiding priest. Therefore, we left without seeing the idol or anything else inside the temple despite having stepped inside.
What happens at the Makarotsav?
The main deity inside the sanctum sanctorum is worshipped in various forms like anthill, wooden sculpture, Kalasa, brass, bronze idols etc. depending on the local legend about the deity. However, the Utsava Moorthi (idol) placed in the Makar is different from that worshipped inside the sanctum.
As a basic feature of all Makarotsavs, the rocking/ swinging of the wooden frame (Makar) to rhythmic sound of the instruments and Aarti is same across all temples. However, the beats of the music and the procedures preceding or succeeding the Utsav differ slightly from temple to temple. Once the swinging ceremony is completed, the following rituals may vary from temple to temple. For example, we witnessed it at two temples.
At the Shri Shanta Durga Shankleshwari temple in Veling, the floral decorations adorning the deity are auctioned among the gathered people. This is a way of raising funds for the upkeep of the temple and its maintenance. The prasad was served where in the devotees had to stand in queue to collect it. At the Shree Lakshmi Narasimha temple, The Prasada was distributed in pre-packed disposable leaf bowls to wherever the devotees were seated even as the Makarotsav was going on. There was no auctioning of anything associated with the temple or the Pooja. Even waste bins were kept across the main hall to collect the waste so that all could leave the premises as soon as the celebration was over and the gates were quickly closed for the day.
While the Makar was adorned and kept ready for viewing of everyone at the Vimleshwar temple by 05.00.p.m., at the other Shanta Durga temples that we visited, the decorated Makar was closed with a curtain and opened for public viewing just before the start of the Aarti. This might be something else in other temples.
If you know any other practice at any other temple that celebrates Makarotsav, share it with me in the comments below.
To be continued as Goa backpacking: Netravali Wildlife Sanctuary.
The Lost Lander 