The list starts from 2015, a religious celebration of the festival of love and lights- Deepawali. Well, I’m not a religious person who would indulge in ritualistic prayers and pooja on any festival. But what started as travelling during this season to utilise my unused leaves combined with maintenance shutdown period at my workplace, has somehow religiously stuck on as a ritual of travelling to a new place, every year.
Circa 2015- Tamil Nadu: My brother and I ventured out on our backpacking roadtrip to Tamil Nadu, Kumbakonam to Pondicherry. Well, this was an adventurous start I guess, we had to cut short our trip due to a cyclone that had battered the east coast. Result: Crazy floods and crazy drive through the flooded areas. On the main festival day, we had reached Chidambaram- a must read post about our experience. A bad one then, a memorable one now.
Circa 2017- Karnataka: After a crazy long year of travelling across India, my friends and I decided to have a simple deepawali roadtrip, closer home in the western ghats. We drove to the famous Agumbe ghats and the places around.
Circa 2018- Himachal Pradesh: One of THE best solo trips of my life, where I couldn’t find a single traveller to tag along through the entire trip. This thus, became a thorough personal and local experience in the Spiti valley. On the day of Deepawali, I was on my way back with a brief stopover at Shimla. A trip that made an impact on me, perhaps forever.
Circa 2020- Karnataka: Fears of travelling afar due to Covid-19, personal commitments and taking advantage of working from home, this was the longest duration I spent in my hometown in the last 15 years. Quite unlikely to mention the highlights, but the Deepawali of 2020 indeed tops all the above from the list.
What are your stories about celebrating Deepawali / Diwali? What do you do normally?
With Social distancing becoming the new normal, the world and its people are never going to be the same again. Whilst at this, I consider myself fortunate for having some of the finest experiences during my travel in India, prior to Covid-19. Mostly village fairs and religious congregations are something that draw most crowds, world over. Apart from them, there are yet a few non-religious events that are extremely popular in India and are crowd-pullers.
Here is my list of five such events which perhaps are never going to be the same when normalcy sets in again.
1. The Live rocket launch viewing in Andhra Pradesh: With a seating capacity of over 10000 spectators, witnessing a rocket launch at Sriharikota is once in a lifetime thing. I was fortunate to see the biggest space vehicle yet from the Indian stables (the GSLV) roar into space. The launch of ‘Chandrayaan-2’ was the last biggest event from ISRO before lockdown. Click here to read further.
2. The Republic day parade at New Delhi:One of the largest displays of the Indian might in terms of culture alongside the discipline and strength of the combined defense forces, people throng the Rajpath road at New Delhi in thousands every year. I’m guessing that it may never be the same again.
3. The Boat race of Kerala: This event is a sporting event that’s more of a prestige to win and a craze to watch. I had the opportunity to witness this madness in the biggest festival of them all- The Nehru boat race. Click here to read further.
4. The hornbill festival of Nagaland: An event to celebrate the amalgamation of cultures of all tribes of Nagaland, this annual event is a must be at-least once. I was fortunate to be there in the December of 2019, the last event before the world went under lockdown.
5. The Kodava hockey festival in Karnataka: The world knows that India is a frenzy nation when it comes to cricket. The madness at the stadium is on a next level. But the national sport of India- Hockey is celebrated at an altogether different high in Kodagu district of Karnataka. This congregation holds the Guinness record for being the largest festival dedicated to Hockey in the world. Click here to read further.
Come the night of Mahashivaratri, there will be festivities across the country. People stay up all night and participate in bhajans, pooja offerings, chariot pulling etc. all to keep themselves awake for the night, so that their beloved Lord, Shiva gets good rest after taking care of them all year. But it is the day that follows the revered night, that is the essence to this story of mine. The day that follows Mahashivaratri is when Shakthi, the consort of Shiva and thus, the female power is celebrated across the Northern part of Tamil Nadu. The companionship of Mother Angalamman to Shiva, the graveyard dweller is celebrated with a festival called the ‘Mayana Kollai’. As a friend explains, Mayana Kollai translates to the ‘Raid of the graveyard’ in Tamil. I had planned to witness this festival at one such temple dedicated to Angalamman, closer home, at Kaveripattinam.
The festivities had started as early as the sunrise at the Angalamman temple, with the Goddess being taken on a temple car/ chariot. She is supposed to travel along the streets of the town, to the graveyard by evening from where she returns to the temple by night. All other rituals that are part of this journey of her’s are what make this festival more interesting. It is a festival where the entire town / village participates with no barrier of caste or societal status. The chariot leaves the temple with the idol of Angalamman.
She is greeted by devotees who throw a mixture of salt crystals and black pepper or beans all along her way. She is hailed as a symbol of fertility who is calm throughout the year and takes on her powerful form on this day, once in a year. The villagers get their body pierced with various things near the temple premises and walk across the village to the graveyard, where the piercings are removed. This body paining is what they believe, is a gratitude to the almighty for the wishes that have come true or as a part of a prayer that needs to be fulfilled. The size and things pierced can vary depending on individual’s prayers. While those with tridents pierced around their mouth are a very common sight, the more pious go further to get their torso pierced with hundreds of lemons. Yet, a few pull cars, buses, trucks or large stones with ropes that are hooked through their bare skin.
If u peek into one of the many shops (I don’t know if that is the correct noun for such places) around the town, apart from those getting the body piercings, you will find another set of people. Men and children will be getting their faces painted and dressed up in sarees, a representation of Angalamman. With metal arms attached to the backs, elaborate costumes, jewelry and crown worn, Angalamman is impersonated by these people. They hold tridents and dance to the beats of drums across the streets. Several times on their way, they get possessed or get into a state of trance, until they all finally congregate at the graveyard. Animal sacrifice too is a common sight on the streets on this day.
It is evening by the time the temple car and everyone else reaches the graveyard. That is when the most interesting part of the rituals takes place. The folk impersonating the goddess gather around a random grave and dig it up. The bones from the grave are pulled out and chewed by them. This is called the ‘bone chewing’ ritual or what gives the festival its name: Mayana Kollai or the ‘Raid of the graveyard’.
There are several legends and references that explain the significance of this ritual, depending on the region. Here are some of the references I found on the internet.
Post this ritual, the goddess calms down and returns to the temple on the temple car. The festival culminates when the it reaches its home.
While witnessing all this self-violence, I started to deeply think, why this is necessary to please the gods. Although I couldn’t find a convincing conclusion, what I realized is that this form of ritual is not unique to Hinduism alone. It has been largely practiced worldwide, across all major religions. Some of the closest references are:
Stone pulling Ceremony is an annual traditional event held across the Angami villages to commemorate a certain important day. It takes place in one village per year on a rotational basis. So that way, it takes about 5 to 10 years by the time this ceremony reoccurs in a particular village. This event is usually timed around the Hornbill festival as there will be people from across Nagaland and outside visiting Kohima (The region where the Angami tribe is a majority).
The stone referred here is a large monolith that weighs several tons and the size and shape is not fixed. It is at the villagers’ liberty to pick the monolith they want to use for the occasion and can be either quarried from the village itself or bought from somewhere else depending on the resources. The large stone slab is then placed on a sled that is made of tree trunks and pulled using thick entwined vines from the forest. Thousands of Angami Naga men pull the large monolith over a few kilometers to finally errect it upright, engrave the details of the event and mark the day.
This year, the stone pulling ceremony was held at Mima village. It was organised to commemorate the 75th anniversary of christianity in the village. The monolith was symbolized for forgiveness, friendship and peace to the enmities that the village had with various villages before the coming of the gospel to Mima village.
The typical stone pulling ceremony (Click here to watch the complete video) is solemnised by the pastor from the village’s church with recitals from the Angami bible before the start. It is then followed by firing a round of shots from the muzzle loaded guns in the air. The captain stands on the slab and shouts Angami cheers through a loudspeaker to motivate the pullers. While all the strong and younger men folk of the village join hands to pull the stone, The eldest two men of the clan walk, leading the tribe. The women get dressed in their traditional attire and walk with a khophi (an utility basket woven with bamboo or cane) hung on their back and they stay around as a mark of support to the pullers. A few of these women carry cotton in containers made of dried bottle guard and walk ahead of the pullers as a part of the tradition. And yet, the remaining women go around distributing gruel made of ‘Job’s tears or Chinese pearl barley’ to all the passersby and the participants from their traditional Aluminium pots. It is served in bamboo cups that are carried in the baskets hung around their foreheads. The gruel provides an instant boost of carbohydrates for the toiling men in the hot sun.
In a Christian majority state, the tribal traditions are still thriving. It was a different experience watching the entire village dressed in their ethnic best and gathering to pull the stone uphill from the starting point to its destination. I somehow drew parallels with the chariot pulling tradition of the Puri Jagannath and several other temples of South India.
Isn’t it true that we all somehow follow the same way of life, only with different names for our faith and the process we follow to achieve it?
While on a random drive around the Malenadu region, my curious eyes fell on a family of road-trippers who were out on a rather interesting journey.. It was an unusual sighting of wooden toys with a beautiful backdrop of the Bhadra dam in the backdrop.. I got off the car to click a few pictures of wooden toys consisting of six people riding on a pull cart.. I did not know what it represented and who had left them.. We continued our journey all the way from Bhadravathi to down the hills of Agumbe via Shimoga while spotting several carts carrying different representations, all lying on roadside. My curiosity grew intense and got an insight into what all of these really meant after consulting a friend who happens to be a native of this region.
This is a part of Chowdi- a festival endemic to this region of Malenaadu. Maari is the sister of goddess Durga, she’s the controller of evils. She likes drinking blood and doesn’t spare any evil passing her way. Gadi Maari- the protector of the borders, keeps a vigil on evil entering into the village. During Chowdi, Gadi Maari who is always stationed at the village border is invited into the village and celebrated once in a year. She is represented with a wooden pull cart.
The cart and all other representations on it are made of a special wood called ‘Ghost wood’, painted and decked up. As the cart enters a boundary, the villagers start to collect money from all localites to manage the expenses of the festivities ahead. Animal sacrifice is an important part of this ritual where blood of either sheep or roosters is offered to Maari, the village keeper. All possible things are taken care of to keep this violent diety calm and happy. It culminates in a lavish dinner served to all villagers. This is a rather rude way of telling let the evil eyes (Maari Kannu) not fall on the happiness of the village, we have made Maari happy with all that she likes during the festival, now her job is to guard the boundaries, let her stay there!
Then, the cart is hand-pulled and left at the exit boundary of the village i.e. entrance of the next village. There-on the festival starts at the next village and the cart thus moves forward from one village to the other. The transport of these carts to the next village is mostly done during the night so that the evil doesn’t find its way back into the village. People leave broomsticks, clay pots, umbrellas etc. alongside the cart as weapons of Maari. This trip of the Maari thus traverses all the way from the hills down to finally reach the ocean. This entire cycle repeats in every two years.
So with one cart starting in each village, I wondered how many carts may pass through any given village throughout the 2 years period and how many animal sacrifices need to be done. I was told that some villages may have several carts at a time and some may never have any. For convenience, yet some villages accumulate the carts and celebrate all at once. Spread across the calendar, carts keep coming and carts keep going.. But it’s an opportunity for the entire village for some joyous celebration together!
Holi is Big in Northern India and the most beautiful in the Braj Bhoomi- the Land of Lord Krishna. Festivities start a week in advance with Lath-mar Holi in Barsana and Nandgaon, phoolonwali Holi (Holi played with flowers) and Widow’s Holi in Vrindavan, Huranga at Baldeo and Holika dahan and Rangowali Holi at Mathura and Vrindavan are some of the major parts of the festival. Articles, blogs and photos are all over the internet about how beautiful this celebration is and the fun of participating in the festival of colours. Deeply inspired, a two week trip was planned through the state of Uttar Pradesh whole-ly, to soak in the festive fervor of Holi.
This visit to Mathura is a part of my fortnight long backpacking in the typical pilgrimage circuit of Uttar Pradesh covering Lucknow- Ayodhya- Faizabad– Varanasi- Saranath– Allahabad- Agra- Mathura-Brindavan- Fathehpur Sikri– Delhi
As per plan, we reached Vrindavan to spend the last two days of Holi- the main days and get coloured in different hues of Gulal. The plan was to reach the hotel, change to clothes that we had kept aside specifically for Holi and then go out to the areas where the colours were being thrown at. However, the entire town was already painted with colours by the time we arrived in our delayed train. A samaritan helped us get an e-rickshaw so that we could reach our hotel. The rickshaw had to squeeze its way through the crowd that had already gathered out on all roads. By the time we reached the hotel, we started to feel miserable about having wasted our leaves and having travelled all the way to Mathura from Bangalore was a big mistake. It was very unfortunate that our experience of the famous Vrindavan Holi was no-where close to fun. Although we were inside the rickshaw, we felt more vulnerable to getting coloured than the rickshaw itself. Goon like mobs would specially target people who were new to this kind of celebration. I had atleast 4-5 men together hold me by my head inside the rickshaw and colour my face. Few others even pulled my scarf and shawl to ensure that every inch of skin was coloured. No! It was not a pleasant way to welcome guests to a new place!
Banke Bihari temple in Vrindavan is where Holi is best celebrated with the priests throwing colours at everyone. On the day of Choti Holi, although we managed to go to the temple, we were drenched in wet colours. Leave that, our faces, hands and every bit of skin was chapped because we were smeared either with coloured cement or sand. This mixture is a norm and hurts like hell when it is being thrown at. We somehow managed to catch glimpses of Holika that were being burnt in some interior corners of the town. Women folk had gathered around effigies placed in the middle of firewood, food grains, vegetables and all other important things required for burning the pyre. We were colour soaked till the bone by the time we braved the task of reaching the safe confines of our hotel doorstep amid all the cemented colours and sand. Taking pity at our plight, our hotel incharge asked us to stay indoors the following day, as the last day could get wilder.
Finally, the main day of our fortnight long trip had arrived. But, we could barely think of venturing out on the streets on the day of Rangowali holi. Since our hotel was located in the main city area, we set our chairs out in the balcony of our room on the 3rd floor and watched the frenzy on the streets. It was disappointing to watch the Rangowali Holi turn into an event of Kheechadwali Holi (Holi played with water from the drainage). This kind of celebration can give the worst memories especially for girls and foreigners while goons attempt with ruthless amount of coloured glass powder. It can affect your eyes, skin, blood vessels anything! On top of it all, people are sloshed in Bhang and one cannot be sure of what’s gonna happen next!
Really, I’m not exaggerating the displeasure; the festival of colours is exaggerated through good photography by the photo enthusiasts who are all mostly male. I’d bet you not to plan your Holi trip to Braj with a bunch of girlfriends or with anyone who is new to this area. I strongly recommend you either plan on the day of Phoolon wali Holi or be a part of a private Holi celebration at a friend’s place amidst known crowd. This trip to Mathura has left scars of ir-repairable displeasure and sadness!
The air painted red with romance and roses, the atmosphere illuminated with candles and balloons.. Couples holding hands out on dates- both young and old…. That’s the scene in rest of the world on that day.. But for me, Valentine’s day was an unusual form of celebration amid the Tulu-Naadu people. It was a celebration of folk culture and a celebration of earth’s gifts. While in some parts, it is the celebration post harvest, yet in other parts it is a celebration to commence the sowing season for the next crop. The Dakshina Kannada region, fondly called ‘Tulu-Nadu’ was a place where love and war co-existed on that day.. LOVE for a sport of thousands of passionate spectators and a WAR of prestige for hundreds of participating landlords. And amid all pomp and pride, a buffalo soldier fights it out in glory thus emerging as the showstopper..!!
A rickshaw ride from the Mangalore city centre traversed through some Kuccha roads, then across a highway and completely off-road to reach the banks of river Nethravati. Coconut tree lined mud road flanked with dozens of anchored fishing boats on the river bank ended straight at the arena where the big-event was set to take place. As I stood amid thousands of spectators in the gallery, the air felt heavy with anxiety. The show-stealers of the day walked down the ramp(Read it the slush pool) one-by-one to take their places and get set for their D-day. A day where all the effort and hard-work of hundreds of buffalo owners will be put to test. It was time to score off ‘Kambala’ from my bucket list when I decided to spend my weekend at ‘Joppinamogaru Kambala-2016’ in the coastal stretches of Mangalore.
The ‘Raging bull’, the ’Buffalo skinned’ are idioms that we commonly refer to humans as expressions of exasperation. But when all the action brings forth the literal sense of these words- The event happens to be ‘Kambala’. Kambala is a sport where He-buffaloes are made to run on a mud filled slush track to reach the ‘Nishana’ or the finishing post. In the modern races, there are usually two tracks running parallel and thus called ‘Jodu Kare’ or ‘pair of tracks’. Each track is given a name so that it becomes easy to communicate in events where both the tracks are being used. In Joppinamogaru, the tracks are called Jaya kare and Vijaya kare. A coin is tossed for the team to choose the track. As loud drums beats and hoot sound of the timekeeper goes out, the whip lash of the runner crackles in the air before it hits the buffalo and the action finally takes off… The soldiers begin the battle..
There are different forms of kambala. Firstly, the Negilu category- Here, a representation of a plough is attached to the buffaloes which has evolved over period of modernisation. This is a race mostly for the younger buffaloes. Usually two pairs of buffaloes are made to run at a time and the fastest of the two is considered for the consecutive rounds.
Hagga kambala- This form is similar to the Negilu kambala, only difference being that the negilu or the plough is replaced by a hagga or a rope. Both these forms of the sport requires a great deal of stamina for the runner as he too is expected to run as fast as the buffaloes.
Adda halage kambala- This is a category mainly for the senior buffaloes(decided by age). A cross wooden plank is attached to the buffaloes on which the driver stands firmly and controls the speed and direction of the buffaloes to reach the Nishana. This is mostly a time based event where one pair runs at a time and the fastest pair is awarded.
Kane halage kambala- In this form, a round wooden plank with two holes is tied to the buffalo pair and the driver stands on it to control them. Two strips of white cloth are tied across the track which are used for measurement of the height of water spurt. One cloth is tied at a height of 7.5kolu(9.37mts) and the other at 6.5kolu(8.125mts). Faster the pair runs, higher the water spurts out of the holes on the plank. Here, one pair runs at a time and is specific to the senior buffalo category. It is very difficult to run at the expected speed and hence every team that spurts high enough to wet the cloth is awarded unlike the other forms.
With a history of over 500years, the event is a treat to watch the enthusiasm and the energy of the participants and the spectators. However, it is heart wrenching at the same time to see the welts and the swollen bruises on the buffaloes as a result of continuous whip lashing. For this reason, Kambala has been in the radar of seeing a ban for a while now as demanded by several animal rights activists. We don’t know what the future beholds, but one MUST experience the vibrance of India’s rich folk culture in all forms before its name joins the pages of history..
It was the 2nd Friday of August 2012, a day before the Biiigg sporting event of South India: “The Nehru trophy boat race”. After a long haul of planning, two of my friends and I had alighted at our destination- Allapuzha, a popular little town on a tourist circuit in Kerala. Fondly known as Alleppey, we were there to experience the festivities of ‘The Olympics of Kuttanad’- Vallamkali or the boat race. The Nehru trophy boat race is an annual event held in the Vembanad lake, in the Kuttanad region of Kerala. Vembanad lake is the longest lake in India and spans across several districts of Kerala. Depending on the region, the lake is known by different names. It is called as the Punnamada Lake here in Kuttana, of which Alleppey is a part. Along with the boat race, we wanted to explore the backwaters that’s a popular haunt of the tourists in this region.
Day 0: Leave from Bangalore to Kochi (Overnight train); Day 1: Kochi to Alleppey (local train), Shikara ride in the Vembanad lake, Sunset at Alleppey beach. Day 2: Nehru trophy boat race, Champakulam St. Mary Forane Church, Kalloorkkadu Angadi (local & oldest market in the region), Latin church. Return from Alleyppey to Bengaluru (Overnight Train)
Other Places of Interest: • Karumadi Thodu- famous for the black granite idol of lord Buddha • Ambalapuzha Sree Krishna temple- known for the ‘Palpayasam’ or the milk porridge offered as prasad to the deity. • Kokkothamangalam church- This is one of the seven churches founded by St.Thomas, one of the twelve disciples of Jesus Christ. • Ayyappan temple in Mukkal vattam (near Muhamma)- known for the Kalari from which Lord Ayyappa is believed to have learnt his skills in martial arts. The hermitage where Ayyappan lived during the training period has been preserved in its original form by successive generations of the Cheerappanchira family.
It was noon by the time we checked into our hotel room. We freshened up quickly and set out to explore Alleppey. We walked around a little bit and reached at a small boat jetty. We hired a ‘Shikhara’, a local motorboat to cruise around the narrow canals, passing through several fishing hamlets. While the womenfolk were washing clothes, the men were spiralling their fishing nets into the water and a few kids were diving into the waters for a refreshing swim. It was a nice experience of seeing local lifestyle of the people for whom, the backwaters are a lifeline. Along our ride, we picked up some fresh lobsters and pomfret at a local market and got them cooked in the local style at a fisherman’s house.
Further, we were oared across to the end of the canal which opened into the wide Vembanad lake where all the teams were practising for the boat race and the venue was getting set for the ‘Big’ event. The energy and enthusiasm in the atmosphere was no less than that of the main event itself. Though we wanted to stay there till sunset, the government deadline for all activities in the waters forced us to return to the jetty before 06.00.p.m.
On returning to the mainland, we meandered through the lanes of Alleppey town searching for a dose of Kerala chai and palam-pori (Banana fritters). We then decided to settle down by the beach until dark. While finding our way to the beach, we walked past the coir industries that Alleppey was once known for, and now remained shut and non-functional.
While walking back to the town area from the beach, we happened to see a hoarding of a concert happening at a nearby stadium. Post sunset on normal days, most towns in Kerala sleep to silence after 7.00.p.m. and there will be not many options to see or do after that. Since we did not want to waste the remaining evening by sitting inside our hotel room, we decided to head to the stadium to kill the rest of our evening. ‘Music never disappoints’, all the three of us had the same thought. Upon arrival at the stadium, we enjoyed the on-going performance of ‘Theyyam’, one of the colourful, traditional & spiritual dances of the state. But after some time in the audience gallery, is when we experienced a surprise on the stage. A MIND-BLOWING show by the violin maestro- Balabaskaran and team.. It was there that we were LOST in dreamland..!!
The next morning, we had to reach the racing venue as early as 08.00.a.m. to ensure that we had a place to sit. (Read about the madness of the event). The snake boats are the world’s biggest water vessel used for sports. One by one, they arrived for assembly. Locally called as the Chundan Vallam (Beaked boats), these 100~120 feet long wooden canoes carry 90- 110 rowers and move like snakes through the channels. And soon, the races started under different categories. Every single soul in the arena was singing songs of cheer. All through the event, only one thing echoed in the atmosphere: Vanchipattu or the Boat song. It was a once in a lifetime experience to be a part of that enthusiastic crowd.
Post the event, we still had time to explore the town and hence boarded a bus to Champakulam. As we passed through the waterlogged villages of Kuttanad, we were reminded that the region we were passing through was the ‘granary of Kerala’ or the rice bowl of Kerala. It is one of the few places in the world where farming is done below sea level.
Soon, we reached the St. Mary Forane Church. Since it was a Sunday, we were lucky to take part in the mass. Built in 427A.D., this riverside church is a testimony of time with its finely maintained beautiful mural paintings. From there, we took a boat to reach the other end of the river: the oldest market in the region known as Kalloorkkadu angadi.
With a local bus ride from there, back to the town, we then took a walk to the Latin church in the town. The entire town of Alleppey can be viewed from the terrace of this church (permitted only during visiting hours). What particularly caught our interest was the cemetery where all members of a family were buried in the same pit. Hundreds of such graves laid within the church premises.
We then checked out our lodge and headed to the railway station for our return, scheduled for the night. It was time for us to depart with a mind filled with beautiful memories of sailing afloat on a boat in the backwaters of land that is called ‘God’s own country’ and hope to return soon.
Must dos: Experience the madness of the Snake boat race Must eat: Freshly caught and cooked seafood while on a backwater cruise tour
Army and Hockey runs in Kodava blood.. It is that time of the year again when the schools and colleges are closed for summer.. Bosses have approved the leave requests from their Kodava employees atleast a month in advance.. Schedule is out.. Flight tickets booked in time as a player /Techie/Banker working abroad has to make it for their family match.. Its the biggest and the maddest festival dedicated to a sport anywhere in the world… It’s the ‘Kodava Hockey Festival’ yet again…!!
Over 300 teams participate with players including people of all age groups- right from a 10yr old primary school kid to a 75 yrs old granma.. Anyone with a mere passion for the game are allowed to join the team, only to fight it out for the coveted trophy each year.. Only 2 rules apply to participate- #1. Be a Kodava and represent your family team #2. Play the game with passion.
One Kodava family volunteers to take the ownership to organise this huge event each year. This year- it was the ‘Madanda’ family. Hooked up with too much work, I couldn’t make it to this year’s tournament.
Hence, I’d like to make a mention of the last tournament I had attended- ‘The Iychettira Cup-2012’.
The opening ceremony was a gala event with some of the who’s who of the Indian VVIP league gracing the event.. It was followed by a nail biting, action packed, stiff fight during the exhibition match between the ‘Indian national team’ and the ‘Coorg XI’.. The men in blue(Oops.. in white) battled it out at the end though..
During the 23 days long sporting fiesta, the family where I belong to- The Somayanda family, came through till the 5th round/the quarter finals, but failed to make it further.. The last day was the final fight between Palanganda and Kaliyanda.. The latter lost the cup inspite of a tough fight of 1-2.
One has to experience the madness sitting amidst the crowd cheering for their family teams atleast once in their lifetime.. All up there in the spectator gallery with just one thought in their mind and one feeling in their hearts- ‘HOCKEY’..!!
Very few people know of the grandeur of the Dasara celebrations in Madikeri. Considered next to Mysore Dasara in pomp and celebrations in Karnataka, it is a 9 days long event.
The festivities start off on the day of Mahalaya Amavasya with 4 karagas getting all set at a place called Pampina Kere. These Karagas represent the 4 Mariamma temples of the town: Dandina Mariamma, Kanchi Kamakshi, Kundurumotte Sri Chowti Mariamma and Kote Mariamma. The Vrathadharis or the Karaga holders travel across the town to all households through the next 6 days of Navarathri. They dance and perform a balancing act with the idols(Karaga) on their shaved heads with a knife in one hand and a club(Bettha) in the other.
On the eighth day: people decorate their shops and vehicles to celebrate Ayudha Pooja. Also, vehicles are decorated and assembled at Gandhi Maidan where the best one is awarded in each category.
The 9th night commemorates the last part of the Dasara celebrations where 10 tableaux or Dasha Mantapas are taken out across the main streets. These are one from each temple in Madikeri, and depict a story from one of the epics. Each tableau will be as long as 4-5 trailers connected to a tractor. This inturn, will have separate trucks loaded with sound systems and other backup.
The participating temples in this grand finale of Dasara are: mantapa of Kote Mahaganapathy temple, Sri Kanchikamakshi temple, Pete Sri Rama Mandira, Sri Kote Mariamma temple, Dechoor Sri Rama Mandira temple, Sri Chowdeshwari temple, Sri Dandina Mariamma temple, Sri Karavale Bhagavathi temple, Sri Kodanda Rama temple and Kundurumotte Sri Chowti Mariamma temple.
These mantapas will congregate at the center of the town in late night hours and put up a great show of colour, light, sound and an amazing display of creativity.. People flock to see this splendous show of efforts of over a 100 dedicated minds behind every tableau. The best tableau is awarded each year.. Finally, all the 10 tableaux proceed towards ‘Banni mantap’ and this brings the curtains down on the festivities and marks the dawn of a new day.