Dense canopy of trees, swaying coconut palms, houseboats cruising through the pristine backwaters, wooden canoes of the locals fishing in narrow canals- Well, does this paint a picture of Gods own country? When opportunity struck, I decided to give the usual things a miss and explore a region that is least spoken about in the tourist circuit. A land where art is considered divine and celebrated in all its form- Pathanamthitta.
First thing I did while approaching Pathanamthitta was lowering all the windows of my car, to breathe in some clean air. With almost two third of the district comprising of forest cover, it is no wonder that Pathanamthitta is the least polluted city in India. The remaining one third is a combination of the city and plantations. We were heading to the homestay we had booked, not very far from the city centre. It was nestled in what the locals call as a residential area that was far from imagination of a city soul. The narrow roads were flanked by rubber, tapioca and banana plantations for most stretch and marsh lands for the rest. Bunches of jackfruits hung down from tall trees among several other tropical trees like litchi, rambutan etc. that had the fruit lover in me all drooling. My stay was at a traditional Kerala house nestled amidst a huge garden. Its wooden portico with clay tiled roof had me fancy struck.
Surprisingly for me, Pathanamthitta hosts some of the largest annual religious congregations in the world. The Sabarimala yatra and Maramon convention are next only to the Haj. Giving a pass to the famous backwaters of Kerala, I had driven this far to explore its vibrant and divine culture and art. My plan for the first day was to visit two of the 108 Divyadesams, both located in Pathanamthitta. I had arrived at the Aranmula Parthasarthy temple, particularly for a tour of a foundry that makes the historical ‘Aranmula Kannadi’ (Click to watch the video). This GI tagged handicraft is culturally important in the state of Kerala. The know-how of making it is endemic to Aranmula and limited to the descendants of only one family who now live around this temple. Unlike the familiar glass mirrors, these are finely polished metal sheets. Watching these men toiling in their workshop to bring an alloy to life, which is integral in all Malayali celebrations was like living a dream for me.
A short drive away from there was my next destination: Thiruvalla Srivallabha temple. With its ancient wooden architecture, this beautiful temple sprawls on a huge area. Here, the prayers are offered five times a day and the last prayer was specifically that interested me the most to visit here. Kathakali is performed inside the temple premises everyday as a form of prayer to put the deity to sleep. I was like a little child in wonderland who lost track of time watching this performance that went late into the night.
An early morning drive to Gavi or Konni elephant camp is what I was recommended for finding a piece of nature. Charalkunnu, Kakki reservoir, Perunthenaruvi waterfalls are few of the other nearby places that tourists usually visit. But I decided against it all and while away some time exploring the neighbourhood of my homestay before checkout. It was as calm and peaceful as anywhere else. While sipping a cup of Kattan chai, I was reminded of my previous trip to Alleppey. Hundreds of wooden canoes measuring over 100 feet, long enough to be called snake boats, gather from across Kerala to compete for the coveted title. Each boat carries at least hundred oarsmen, all singing the Vanchipattu in chorus. Breathing the heavy air filled with anxiety of the spectators, it was a lifetime experience. Like Alleppey, Aranmula too hosts one of the largest boat races in Kerala. The Aranmula race is held on the last day of Onam as a celebration of Lord Krishna crossing river Pampa.
I had planned my return route to Kochi such that I could cover some of the interesting landmarks along the way. The first stop was at Kalloppara, where an ancient Hindu inscription exists inside a church. I had read about how two faiths co-exist under the same roof that houses a Bhagavati temple and a Mary’s church. But my drive through the streets of a residential area ended at a bridge that connected Kalloppara. It had collapsed during the floods that ravaged Kerala last year. Having three rivers flowing through it, Pathanamthitta was one of the worst affected.
I hit the main road again and headed to Thiruvalla. Since it was dark the previous night, I was there again to have a look at the famed mural paintings on the altar of the Paliakkara Church. The church at Paliakkara and Niranam (my next destination) both have their history dating back to the arrival of St.Thomas in India in 54.A.D. This trip was all about an amalgamation of art and tradition. Be it wildlife, religion, architecture, history, art or culture, I believe Pathanamthitta has something for everyone.
(P.S.: I’m against the idea of taking photos inside any place of worship, as a form of respect to its sanctity. Hence, I do not have any pictures from the interiors of any place of worship)
- How to reach: The nearest airports are at Kochi and Trivandrum. Kottayam and Alleppey are the nearest Railway stations. KSRTC buses and taxis are available from these places to reach Pathanamthitta by road.
- Get around: local buses are quite frequent; Taxis can be easily availed.
- Best time to visit: September to May (Anytime apart from monsoon)
- Stay: Luxury hotels are sparse. Cheap and Budget hotels are available in plenty considering the pilgrims who come here for Sabarimala yatra. Homestays are available to experience the true essence of Kerala.
- Must do: Attend a Kathakali performance, visit a mirror foundry, Bathe elephants at Konni.