For someone visiting Chhattisgarh, experiencing the tribal culture and enjoying the rawness of the natural landscape in Bastar would undeniably be the priority. If you are lucky, then you might get the opportunity to visit a tribal Ghotul. A Ghotul is a structure that accommodates people. It is either an open arena with earthen floors, without walls and with roofs laid with wood and hay or it is a completely closed structure built with earthen walls decorated with various murals. ‘But what is so ho about it?’, one may ask.
The primary purpose of a Ghotul is what makes it important in the regional culture of Bastar in Chhattisgarh. It is a socializing club for the unmarried youth of the Muriya and the Gond tribes which also in some parts, serve as a dormitory for the registered members. Young boys and girls register themselves with a Ghotul of a particular village or area when they hit adolescence and the functioning of this traditional club is presided over by a head boy and a head girl from the respective tribe. Here, every evening, the members gather and learn the essentials of taking up a new life ahead of them. Reaching adolescence means that they have become eligible to get married and take upon the responsibilities of running a family. So, they are taught all the required life skills like managing a house and a family, folk traditions, music, cooking, religion, cleanliness, discipline, sympathy and everything else. The whole idea is to pass on and contain the traditions within the tribe.
This also promotes inter-tribe or inter-Ghotul weddings so that a member of a particular tribe doesn’t leave the community and the strength of the community is sustained. While pre-marital sex is considered as a taboo elsewhere in India, this culture encourages the youth to indulge in sexual activities to find the most compatible life partner. It is said that if a member of a Ghotul gets pregnant and doesn’t know who the father of the baby is, the village will adopt the baby and nurtures it as everyone’s own child.
Due to the rich ideology of conservation of the culture, people from across the globe come to study and understand the functioning of these Ghotuls. The Muriyas indulge in celebration of the little things from their daily lives. For example, after a successful hunt in the wild, a birth in the community, a betrothal, etc. They have about 12-15 different types of dances that they perform to celebrate these everyday joys. There are rituals and a sequential procedure on how the members need to conduct themselves in the course of visiting a Ghotul like getting ready, dressing up, assembly and starting the evening at the Ghotul.
I got an opportunity to visit one such Ghotul and here is a video of a dance they performed for us.
As a small introduction to the video above: In this dance, you can see two hunters dancing around and in between the other members, while musicians are standing in the middle and playing the traditional instruments. There are also a couple of men wearing head gears that look like chital / spotted-deer which indicates that this celebration is after a game was shot-down by the hunters and brought to the Ghotul for a feast.
What are your thoughts and views about the Ghotul system? Share them with me through the comments below.
If you have your own vehicle and planning to do a bit of rural and tribal tourism in Bastar, then you might come across several structures that are endemic to the region. Some are integral to the local culture and a few are modern additions but unique to Bastar. Here are a few such structures that may spike the curiosity of any new person noticing them around.
Mata Mandir: One might be surprised to see random wooden structures lying around by the roadsides or in the middle of some farmlands. No two are similar in appearance. Some maybe fixed structures and some may have wheels like pushcarts. These are temples or places of worship are usually dedicated to Bheema Dev & Godandi Dev, deities of the Muriya Tribes. A godman from the tribe is believed to possess the spirits of the deities and walks with these wooden tools or push carts. If you have a closer look at one of these structures, you will notice that it has been designed to place his legs and walk with it. You will however, come across concrete structures that are influenced by modern construction materials.
Gudi: These are the lesser known wonders of India, also called as the ‘deceased pillars or column of the dead’ in modern terminologies. The dead persons from the Maria and Muriya tribes believe on sending a person happily after his death. Hence, the tradition is that they bury the body in a vertical/ standing position and erect a flat stone slab or a wide pillar at the grave site. These stones are then painted with artistic patterns and nice verses are written about the deceased on these slabs (This is something similar to the of placing a headstone in the burial of some mainstream religious culture).
Gotul: These are traditional centers of socializing and learning for the youth of the Madiya and Muriya tribes. These are spaces either with mud walls or open wooden floored spaces with wood and hay roofs. Unmarried girls and boys congregate every evening at a Gotul where they socialize, indulge in various celebrations and merry making, learn the basic skills of leading a life and managing a family. This is also where they indulge in choosing their own life partners. The basic ideology of a Gotul system is teaching the youth of life and cultural lessons and building and containing the traditions within the community.
Termite hill: If you ever take a drive around the villages of Bastar, you will notice that their houses are unique. They have mud walls, hay roofs and floor and a large front yard neatly smeared with cow dung. I got an opportunity to go inside and take a look at the interiors. That’s when I realized that these tribal houses may even have large termite-hills inside their houses or perhaps in their bedrooms. These tribes are nature worshippers and believe that these termites are gods that have chosen their homes to take shelter. Hence, termite hills are auspicious and cannot be destroyed. Further, after worshipping this anthill all year, there is a specific day in a year when the family prays the almighty, seeks his permission and then removes these dwellings and releases the mud/ clay into a nearby water source. Same is the case before any tree is cut in a Bastar village. The tribes invoke their deities to get permission before axing them.
Gau-Mata chowk: This is a modern addition with a cultural significance that can be found at the entrance of every village in Bastar. ‘Kamdhenu’ the holy cow feeding a calf is a popular representation in Indian culture. Similarly, this image has been a large part of the Bastar culture. You can see it even in their art and crafts. Coming to the Gau-Mata chowk, these are concrete structures around which the cattle of the entire village is assembled together, twice a day. From here, one person or one household from the village takes the responsibility each day to take the assembly of cattle out for grazing and return to the Gau-Mata chowk. From here, the cattle assembly disperses every evening and are then taken back to their respective sheds.
Atal chowk: This is another modern structure named after the former prime-Minister of India, Sri.Atal Bihari Vajpayee. This is just a concrete pillar erected at the entrance of every village in the Kondagaon / Bastar region.
Do you know any other unique structures from Bastar that you think that I have missed out? Do drop in your comments and share the information with me.
Micro-brewing has been a known recipe back in the Vedic era, where Sautramani was sacrificed to the gods. Known evidences have been excavated from the Indus valley civilization sites of fermentation and Distillation. The Indo-Aryans are known to have Madira or Madu, an alcoholic beverage made from fermented honey. Good poetry flowed down as same as liquor, an essential part of the courtly culture of ancient India. Spirit or liquor is a substance that needs no introduction and unarguably is a part of our lives. While the infamous modern ‘Desi daru’ manifests with various names, yet a lot them remain unknown to the outside world and largely endemic to specific regions.
Here is my attempt to enlist the traditional brews from all the states of India that can help you as a ready reckoner while you are out travelling in this beautiful land. I would like to crowdsource the few missing details, please drop in the comments if you have anything to share.
Andhra Pradesh: Kallu- This is fermented palm sap that is consumed as a beverage in most places in Asia. In Andhra, there are mainly two types. Thatti kallu, a fermented beverage made from palmyra tree and Eethe kallu, a fermented version of the silver date palms sap.
Arunachal: Apong- This is a local version of rice beer.
Assam: a. Judima- This is a rice beer that is brewed to a mild yellow colour and a famous drink among the Dimasa tribe. b. Xaj- This version of the rice beer that the fables narrate that it was used by the Ahoms to dip their new-borns to bring good luck.
Bihar: **Need Help**
Chhattisgarh: a. Mahua wine- This is a wine made with a native flower called Mahua. The potent and 1st extract liquor is called Fully. After the Fully is extracted, the sediment is resused and heated with water. This 2nd extract is called Raasi and is considered 2nd quality. b. Landa- Madiya page is a common welcome drink across the state. In it, ragi, tomatoes and onions are boiled together overnight in rice kanji. The fermented form madiya page is called Landa. c. Laungi & Saunfi- These are potent whiskeys consumed together in combination. These are one of the most expensive brews in the Bastar region. It is made with cloves & Saunf respectively and are consumed only for medicinal purposes. It is primarily believed to treat gall stones and will lead to side effects like blisters all over the body if consumed in excess quantity.
Goa: Feni- The party capital of India cannot be without its own potion. Feni is an alcoholic beverage brewed either with coconut palm or cashew apples.
Gujarat: **Need Help**
Haryana: Kanji- This is a speciality consumed during Holi festival. It is a naturally fermented drink made with water, carrot, beetroot, mustard seeds and asafoetida.
Himachal Pradesh: Ghanti- Also called as the Kinnaur Chulli, this local beverage is an apple and apricot based liquor.
Jammu & Kashmir: Lugdi- This beverage is prepared by fermenting cooked cereals.
Jharkhand: Handia- This is a rice beer, popular not only in Jharkhand, but also in Bihar, Madhya Pradesh, Chhattisgarh and Odisha.
Karnataka: a. Fruit wines- The quaint hill station of Kodagu is popular for its homemade wines. You name a fruit and you will get the wine here. Even ginger, betel leaf or bird’s eye chilli wine are available, flavors that will linger in your tastebuds for a while. b. Sendi- This is fermented tree sap from the areca palm. It is largely popular around the coastal and Malnad region.
Kerala: Toddy- This is coconut tree sap which is left to ferment overnight. It is sold in government approved toddy shops across the state.
Madhya Pradesh: a. Hariya- This is a rice beer fermented along with herbs, a speciality of the Santhalias & Mundas tribe. It is offered as a gift to god, dowry during marriages and gifted to relatives on special occasions. b. Sulphi- Pronounced very similar to a selfie, this is a fermented drink made from the sap of a local palm called as a sulphi tree. It is of two types, one white and the other is honey coloured.
Maharashtra: a. Strawberry wine- Satara is the strawberry heartland of India and it is that they have their own version of fruit wine too. b. Orange wine- Nagpur famous for its orange orchards has its own recipe of the love potion too.
Manipur: Sekmai Yu- This local rice beer is potent like the Vodka and is often called as the Indian Sake.
Meghalaya: Kyat- This is a rice beer which was originally introduced as a medicinal remedy to the Pnar people.
Mizoram: Zawlaidi- The name means ‘love potion’ in the local language. It is a local version of grape wine.
Nagaland: Zutho- This is a generic name for rice beer across Nagaland. However, the flavours, ingredients and brewing method varies for each tribe. Some are even millet based. Hence, it is a great idea to taste all of them while you are there!
Odisha: Kosna- This rice beer is like handia and has similar origins. Hence, it is also popular in the states of Bihar, Madhya Pradesh, Chhattisgarh and Jharkhand.
Punjab: Tharra- Also called as Punjabi desi, this is a rum brewed and distilled from sugarcane molasses.
Rajasthan: Kesar Kasturi- Often referred as the ‘Royal brew’, this potion is a blend of saffron, dry fruits, herbs, nuts, roots, spices with milk & sugar which is distilled into alcohol.
Sikkim: a. Chaang- This is a fermented millet drink and is generally served hot. b. Kodo & Tongba- These too are finger millet drinks, like Chaang and are served hot. c. Raksi- This is a local brew that is consumed during local ceremonies, especially before participating in possession of evils.
Tamil Nadu: Kallu kadai- Pathaneer or Neera is the unfermented palm sap which is very sweet and considered very healthy. When this neera is allowed for a few hours, it ferments naturally and then kicks you like any other alcoholic beverage.
Telangana: Gudamba- This is a local liquor made with sugarcane.
Tripura: Chuak / Chuwarak- This is prepared through an elaborate process to intoxicate rice and pineapple or jackfruit.
Uttar Pradesh: Bhang Thandai- This is a milk-based drink that is a concoction of natural herbs, dry fruits & nuts and spiked up with cannabis. It is available in government run Thandai shops across the state and a speciality consumed during the Holi festival.
Uttarakhand: Buransh wine- Buransa is a native rhododendron flower. It is believed to be very juicy and used in local squashes and jams. This is fermented and the rare wine is thus made.
West Bengal: Bangla- This is fermented starch prepared as an offering to Goddess Kali. Often, it is believed to have spurious concoction and usually not advised for consumption.
Aren’t alcoholics the true economic warriors of India? Do you agree or not?
It is that traveling exposes one to a multitude of cultures and people. The diverse geography of India is home to some of the most unheard traditions and untold folklores. During my 10 day stint of backpacking in Nagaland, I was introduced to so many of it all, as this little Indian state, tucked in the far North-east is home to more than 17 tribal sects and sub-tribes; each having their own culture, language, traditions and cuisine. Here, is a small list of indigenous musical instruments used in the folk culture of the Nagas.
Mrabung is an indigenous musical instrument of the Zeliang Nagas. It is a single stringed instrument that is crafted with a hollow/ cured bottle gourd and a fretless wooden neck of about 12 inches long. It is played with hair string bow (Usually a cluster of horse tail tightly tied together to two ends of a thin wooden stick). This bow is used to strike the chords (like a violin) with one hand and the string along the neck is pressed down with the other hand at appropriate places to get the required tune and legato of the song. It is played during merry making in social gatherings and festivals where men and women congregate. I was narrated with a popular folklore of the Nagas wherein, a singer called Arum played the Mrabung. His music captivated the farmers so much that everyone working on the field left their work undone and sat around Arum listening to his songs. Arum had to be barred from playing any songs further just so the people went back to work on their farms. Click below to see an artisan playing the Mrabung.
The Atutu is a handcrafted bamboo trumpet used by the Pochury tribes of Meluri. A particular variety of bamboo is used in making the varied components that are fitted together to make this crafted trumpet. It is played to mark special occasions. For example, blowing of this trumpet towards the end of February means to herald and announce the advent of the Nazhu festival. Also, the male members of the tribe play it in their morungs in the evenings throughout the festival. Apart from this, the trumpet sound is used to ward off birds and animals from the rice fields and prevent from crop damage. In earlier days, trumpeting was a way to alert the collective habitat or a village of a possible enemy attack or as a signal of declaration of a war.
This common musical instrument has its own version and avatar in every region of India. Be it weddings or festivals, it is the most common and almost an essential part of any merry making in Indian celebrations. Similarly, each tribe in Nagaland has its own version of the dholaks or the Indian hand drums. Made with an outer casing of wood, laced tightly with cotton strings and the drumming surfaces made with the locally available materials, more often animal hide. Here are samples of the dholaks used by the Garos (Long slender shaped, narrowing at the ends), the Mech Kacharis (fatter and shorter than the Garos) and the Aao tribes (Shorter and fatter than the previous two types and Uniform sized throughout its length) of Nagaland. (Click the below link to watch the ceremonial dances of the Naga tribes with their dholaks)
This is my humble attempt at documenting some unique musical instruments that are lesser known to the world outside North-east India. These have been listed based on my actual experiences and interactions with the Nagas during the hornbill festival-2020. If you know any such unique musical instruments, please do share in the comments section below. I would be happy to learn it from you 🙂
The air painted red with romance and roses, the atmosphere illuminated with candles and balloons.. Couples holding hands out on dates- both young and old…. That’s the scene in rest of the world on that day.. But for me, Valentine’s day was an unusual form of celebration amid the Tulu-Naadu people. It was a celebration of folk culture and a celebration of earth’s gifts. While in some parts, it is the celebration post harvest, yet in other parts it is a celebration to commence the sowing season for the next crop. The Dakshina Kannada region, fondly called ‘Tulu-Nadu’ was a place where love and war co-existed on that day.. LOVE for a sport of thousands of passionate spectators and a WAR of prestige for hundreds of participating landlords. And amid all pomp and pride, a buffalo soldier fights it out in glory thus emerging as the showstopper..!!
A rickshaw ride from the Mangalore city centre traversed through some Kuccha roads, then across a highway and completely off-road to reach the banks of river Nethravati. Coconut tree lined mud road flanked with dozens of anchored fishing boats on the river bank ended straight at the arena where the big-event was set to take place. As I stood amid thousands of spectators in the gallery, the air felt heavy with anxiety. The show-stealers of the day walked down the ramp(Read it the slush pool) one-by-one to take their places and get set for their D-day. A day where all the effort and hard-work of hundreds of buffalo owners will be put to test. It was time to score off ‘Kambala’ from my bucket list when I decided to spend my weekend at ‘Joppinamogaru Kambala-2016’ in the coastal stretches of Mangalore.
The ‘Raging bull’, the ’Buffalo skinned’ are idioms that we commonly refer to humans as expressions of exasperation. But when all the action brings forth the literal sense of these words- The event happens to be ‘Kambala’. Kambala is a sport where He-buffaloes are made to run on a mud filled slush track to reach the ‘Nishana’ or the finishing post. In the modern races, there are usually two tracks running parallel and thus called ‘Jodu Kare’ or ‘pair of tracks’. Each track is given a name so that it becomes easy to communicate in events where both the tracks are being used. In Joppinamogaru, the tracks are called Jaya kare and Vijaya kare. A coin is tossed for the team to choose the track. As loud drums beats and hoot sound of the timekeeper goes out, the whip lash of the runner crackles in the air before it hits the buffalo and the action finally takes off… The soldiers begin the battle..
There are different forms of kambala. Firstly, the Negilu category- Here, a representation of a plough is attached to the buffaloes which has evolved over period of modernisation. This is a race mostly for the younger buffaloes. Usually two pairs of buffaloes are made to run at a time and the fastest of the two is considered for the consecutive rounds.
Hagga kambala- This form is similar to the Negilu kambala, only difference being that the negilu or the plough is replaced by a hagga or a rope. Both these forms of the sport requires a great deal of stamina for the runner as he too is expected to run as fast as the buffaloes.
Adda halage kambala- This is a category mainly for the senior buffaloes(decided by age). A cross wooden plank is attached to the buffaloes on which the driver stands firmly and controls the speed and direction of the buffaloes to reach the Nishana. This is mostly a time based event where one pair runs at a time and the fastest pair is awarded.
Kane halage kambala- In this form, a round wooden plank with two holes is tied to the buffalo pair and the driver stands on it to control them. Two strips of white cloth are tied across the track which are used for measurement of the height of water spurt. One cloth is tied at a height of 7.5kolu(9.37mts) and the other at 6.5kolu(8.125mts). Faster the pair runs, higher the water spurts out of the holes on the plank. Here, one pair runs at a time and is specific to the senior buffalo category. It is very difficult to run at the expected speed and hence every team that spurts high enough to wet the cloth is awarded unlike the other forms.
With a history of over 500years, the event is a treat to watch the enthusiasm and the energy of the participants and the spectators. However, it is heart wrenching at the same time to see the welts and the swollen bruises on the buffaloes as a result of continuous whip lashing. For this reason, Kambala has been in the radar of seeing a ban for a while now as demanded by several animal rights activists. We don’t know what the future beholds, but one MUST experience the vibrance of India’s rich folk culture in all forms before its name joins the pages of history..
I cannot make justice, but will sum up the entire trip with as less words as possible.. “White sand, Blue sea, crystal clear waters, lashing waves, spotting the flying fishes, sunset from the ship’s deck, diverse deep sea, ever mesmerising beaches, if ever I had a choice to choose my death, I’d love to get washed away by the waves right there.. @ the Andaman sea.”
After a lot of last minute hiccups, the planning of more than 3 months had finally materialised.. And there we were… At Allapuzha.
At 10.a.m we were on the stands looking out for a nice place which would give us a good view of the river. The 60th Annual Nehru Boat Race was scheduled to start at 2.30.p.m. ‘The crowd had started to pour in from as early as 6.a.m., to get a good seat’, we were told.
Pam and I were sitting in the last row (We considered ourselves fortunate enough for getting chairs to sit).. Sam had ventured out of our stands to get some good photographs and to find a better corner seat for all of us.
Just then, this gang of 6 huge Malayali men dressed in their white Lungis came in and stood behind us.. They pushed our chairs forward so that they could accommodate a few more chairs on the already crammed podium. We barely had space to keep our legs and we were wondering what they were upto. Without knowing the language, we only ended up giving them some wild stares. Pam belted out a few words in Kannada.
Next thing we saw was: Each of these men placing biiig hand bags in between their legs, covered by their lungis and each- pulling out a bottle of local brew (the tags on the bottle indicated that it was pure-strong-local). They pulled out a glass from their bag and poured the drink and gulped it all down RAW in the blink of an eye (It was faster than that of one drinking water). And then… One of them started to utter something to us- From the fact that he had just finished a bottoms up and the tone of his speech, we knew for sure that we were being verbally abused. Although with my little knowledge of the language, I managed to understand a few swears, I instructed Pam not to react. We would surely be outnumbered by men there, in God’s own country. Like a call from God himself- Sam called us to inform us that he had found a better place for all of us to sit. We vacated the spot in the very same minute.
On the way, Pam walked upto a cop and said, “Those men in the last row there, are boozing; Each man is carrying at least a bottle which they are not supposed to possess in a public gathering”. The cop replied an apologetic “OK, OK Sir, We will look into it” and walked off as if Pam had just spoken to deaf ears.
We met Sam and just as we were narrating the scene to him- We saw 2 more men carrying handbags and settling down right beside us. And soon they pulled out a bottle each, bottoms up, gobbled up some minced beef and then started cheering at the water in front of them, where the race was yet to begin. Even before we reacted, Sam pointed at the platform onto our left. More than 10 men were repeating the same procedure- handbags covered by lungis- bottoms up- cheer out loud. And then we looked behind at the gallery- and we were like “What the F***…??”. Every lungi fellow had a glass in his hand..!!! And then we knew, the exact reason for getting such a vague response from that cop. The Policemen were clearly outnumbered by those drunkards and that seemed like quite a normal phenomenon to the cops to take any action. And we too quickly learnt to live with it..!! Soon, the crowd of drunkards increased and also the excitement.
And.. The boat race had a roaring start with a lot of frenzy and madness.. We too were at the peak of our excitement.. And suddenly this scuffle started between 2 groups. The next thing we saw was random people being thrown into the river by random people… Typical to any Indian movie, the cops gave a late entry. They arrived in speed boats and pulled out a couple of them from the water and sped away..
The below picture shows:
A hard core fan who watched the match sitting on a coconut tree from 10.a.m to 7.00.p.m.
A drunk fan standing on a pole and cheering for his team whose limbs finally gave way into the water after 5hrs.
Another bunch of fans seated in the gallery who are supporting themselves by holding onto the electric lines.
This was definitely one hell of a maddening-superbly-awesomeness-crazy-experience that I am going to cherish for life.
Kerala: “The Land Of Lungis” is truly God’s own Country… L.O.L. 😀
Have you ever experienced any such psychotic crowds? Share it with me.. 🙂