Lockdown 5.0. simply put, was just another normal day in Karnataka, except that the educational institutions were still under lockdown. So, unwinding on a weekend after a long work week was normal too. With friends, I chose to hike on a Sunday morning to Madhugiri betta, the second highest monolithic hill in Asia. We started from Bangalore at 04.30.am. hoping to start the hike as soon as the gates were opened. While KSTDC has been abundantly promoting post-Covid tourism in the state, we had a surprise awaiting us at the trek base. Since Madhugiri fort comes under ASI’s protected monuments (controlled by the central government), we were told that trekking wasn’t permitted by the Central government. Hence, we were left with two options. Either return home or find another hill nearby where we could hike.
We chose the latter. So instant suggestions that came from someone in the group was Devarayanadurga and Siddarabetta. Then, we decided to give Devarayanadurga a miss as we all favoured a hike over a flight of stairs. We arrived at the base of Siddarabetta where we noticed a board that said, ‘climbing the hill with footwear was a sin’. Since many people use this path to visit a temple situated halfway, we didn’t want to hurt the local sentiments by wearing our shoes. Thinking that ‘a barefoot hike was definitely going to be an experience’ in our heads, we left our shoes back in our car.
The initial part of the climb, until the Siddeshwara Swamy temple was steep but easy with well laid out steps and iron rods to hold onto. When we reached a small temple kind of a spot, the path split into two. The Siddeshwara Swamy temple was to the left, where too many people seemed to be as if there was no pandemic going on and there exists no concept called ‘Social distancing’. We decided to distance ourselves from the gathering and took the path to the right. With having to pass between too many boulders, it did seem a little confusing initially. The distant passing clouds now seemed as if they had come to meet and greet us. But after walking a little ahead, we reached an area that was a transition from dry rocky mountain to rain soaked green forests. The real challenge of walking barefoot started there, with unassumed ground with gravel and possible thorns from the shrubs.
A little further, we reached an open rocky area where the view in front of us was playing hide and seek with each passing cloud. Apart from the drizzle and gusty winds that made it difficult for us to stand, we were mind-blown by the view we saw each time the clouds cleared out. There exists a small rain fed pond, a couple of meditating chambers that house Shiva Lingas (history unknown) and dilapidated remains of an old fortress. There was nobody else other than us in this entire stretch. We walked further and crossed two more hills before deciding to return, or else we would lose our way back.
It started to rain on our return, and we were quite drenched by the time we made it to the car that was parked just at the base point. The small eateries and stalls were slowly opening by that time which we chose not to visit, in order to avoid any social contacts with anyone else outside the group that we had gone in. We ate a few biscuits as a substitute for breakfast that we had carried from home and decided to stop the car next, only at home. It was a much-needed break and a pleasant little hike.
It is an easy hike and very good for beginners.
Be careful to carry all snacks only in a closed backpack as there are too many monkeys on the way.
Art is an integral part of human life. Paintings are yet another form of expressing imaginations. The history of paintings in India dates to pre-historic times where there are several rock and cave paintings scattered across the sub-continent. Painted pottery on terracotta and ceramic too have been excavated at several sites. Eventually, it became an attempt to bring the storytelling of the Indian epics to a visual form, each one using the material available locally for colour and canvas. Some forms were patronized by the kingdoms that ruled India and yet a few, used by the local tribes to decorate their dwellings. The use of natural colours on naturally available surfaces has evolved with the generations, picking up influences from various events, people along the way.
This is the land of great artists like Nainsukh, Raja Ravi Varma. Bright and rich colours are now an inseparable part of vibrant culture and lifestyle of being Indian. Here is my attempt to enlist the traditional and folk paintings from all the states of India that can help you as a ready reckoner while you are out travelling in this beautiful land. A few, I would like to crowdsource the details wherever I failed.
These paintings can be strategically used in our daily life that will help revive, sustain and promote these ancient art and rural economy.
a). Deccani paintings- are miniatures which predominantly feature palm trees, men & women. The art has a significant influence by the Deccan sultanates who ruled around this area.
b). Nirmal art- is where the artisans have developed their own canvas using cardboard and luppam. The striking designs in the form of creepers, flowers etc. have evolved on furniture today.
c). Savara paintings- This wall art is practiced by the Savaras tribe around Vishakhapatnam. The wall is readied with a mixture of red soil and paper. The painting is done with brush prepared by chewing tender bamboo into various thickness. White colour is derived from rice powder and black colour is derived with a mixture of coconut ash & castor oil.
d). Kalamkari- This is a fabric painting form popular in the rural parts around Machilipatnam. Primarily human faces are block printed using vegetable colours.
e). Tholu Bommalaata- This is an art of making leather puppets that are hand painted using vegetable colours, mainly found in the region around Adilabad.
Kuthang strolls- These are intricate religious paintings of the Buddhists. These are derived from the Tangkha paintings that are auspicious symbols hung in every monastery and houses.
a). Khanikar art- These are religious paintings that adorn the monasteries & Satras around the state.
b). Assamese silk scrolls- Traditional colours of Hangool & Haital are used to draw representations from Ramayana and Mahabharata on silk strolls. This is practiced in the upper Assam region.
a). Mithila or Madhubani- These are originally intricate wall paintings that depict Ramayana & Mahabharata adorning walls across the rural parts of Mithila region and have now become synonymous with the state.
b). Patna Kalam- this is also another art form largely patronised during the Gupta era. Several paintings have been found in the Nalanda excavations.
Godna- This is a primitive art form that has been largely in practice as body tattoos by the women folk in the Jamgula and Bastar region. It has found acceptance in the form of motifs on textile with natural colours mixed with acrylic paints.
Kaavi mural paintings- is largely popular in the Konkan region. As the colour says, Kaavi is a single colour- red pigment derived from laterite soil. Several structures, churches and temples are coloured with red paint on a white background.
Gujarat: This state is sort of a mélange with vibrant colours used across a range of art forms.
a). Pithora- These are wall paintings practiced by the Rathwa & Bhilala tribes
b). Miniature paintings- This art has been used to depict epics and large stories under the Jain patronage in 11th century.
c). Glass painting- It is believed that the earliest form of painting on glass (Belgium glass) originated in Gujarat.
d). Kalampari art- This is a fabric painting technique practiced by the Chitara community.
With many tribal communities living around the Kutch area, each tribe have their own unique art, patterns and colourations used in their daily life like walls, huts, attire, jewellery, pottery etc. It is an endless list but here are some of them from the Rann of Kutch.
e). Rogan painting
f). Terracotta paintings like Kavda pottery is believed to have techniques dating back to the Indus Valley civilization.
This is probably the only Indian state that doesn’t have a native art form. With several dynasties and rulers who came and went in this region, there has never been any specific art style that found patrons among who were always busy in fighting battles.
Kangra & Chamba miniature painting- Although largely spread across all the Himalayan states and largely coming under the Pahari paintings umbrella, the region of Kangra gave its name to the paintings that was largely promoted and patronised by the Rajputs. However, each ruler gave the art form its own twist and called it a different name.
Jammu & Kashmir:
Basohli miniatures- Again a part of the Pahari painting, the famous artist Nainsukh is believed to have moved from Chamba and have settled in this region during his last days. Thus, giving its name to the bold and intense form of painting the Ramayana and Mahabharata. Hence, Basohli is the first school of Pahari paintings.
a). Paitkar scrolls- Ramayana & Mahabharata stories are depicted on paper with colour made from vermillion. Fine brush is made using goat hair.
b). Jadopatia scrolls- This form of paintings is used for story telling which are believed to have healing effects on people.
c). Sohrai, Kohver, Ganju, Rana, Teli, Prajapati, Kurmi, Mundas, Turi, Birhor & Bhuiya, Ghatwal- these are mural paintings used to decorate the walls of the tribal houses. Each, representing a tribe and have their own style. The common factor between all these styles are that the designs comprise of animals & plants depictions thus indicating the connection of nature and the tribe.
Mysore Royal painting- influenced by the Vijayanagar school of painting, this art flourished under the Mysore Wodeyars. Bright natural colours obtained from vegetables, organic, minerals were painted using natural brushes. Squirrel hair was used for finer strokes and brushes made with a specific grass was used for various thickness and strokes.
a). Kalam- This is a short name for Kalamezhuthu, a rural art of painting.
b). Face painting- with various traditional dance forms and ritualistic prayers, face painting is an essential part of art in Kerala. Largely seen in its vibrant designs and patterns during Theyyams, Kathakali etc.
c). Oil paintings- These murals are very elaborate piece of portraits largely practiced in the Northern part of Kerala.
a). Gond art- A painting style that is used by the Gond tribes. This largely comprises of finely drawn lines in a picture that encompasses animals and plants.
b). Pithora wall paintings- this form of art is inspired by various myths and is used by the Bhilala tribe to keep away evils. You can often see walls and both sides of the doors painted with patterns that are believed to protect them.
c). Malwa painting- This folk art can be found on floors and walls and practiced by the Chitera community. Chalk powder blended with turmeric & saffron for suitable shades of the colour is used in doing these paintings.
Mandana paintings- This art is used to depict special occasions and festivals and used only during specific events.
a). Warli- Used to adorn walls by the tribe, this painting uses patterns like triangles and circles to represent community living, human being, trees, animals and everything in general.
b). Chitrakathi paper paintings- as the name suggests, Chitra (picture) + Katha (story)- These are single sheet paintings used by a specific migrating community of Thakkar tribe for storytelling. Local version of Ramayana & Mahabharata and other myths are painted using colours made from stones. These are also called as Paithani paintings.
Naga cloth painting- Several Naga tribes reside in Nagaland and each have their own designs in their houses, dresses and morungs. However, the Lotha, Ao and Rengma tribes have their traditional designs painted on fabric. Fine bamboo brushes are used to transfer colours that are made by mixing tree sap, leaf ash and local beer.
Patachitra- These are traditional cloth-based scroll painting from rural parts of eastern Odisha. It is inspired by Mythic elements like Lord Jagannath and is derived from ancient Bengali art which is used for narration in the visual form when a song is performed.
Sikh miniature painting- This an influence of the Kangra paintings and is used as a narrative of various stories from the life of Guru Nanak. Hence, has a vital role in Sikhism.
Rajasthan: The list of painting related art forms from this state is endless. Here is a small compilation of the same.
a). Phad cloth scrolls- These paintings are based on stories from Ramayana & Mahabharata. They have influences of both religious and folk performances by the local priests.
b). Rajasthani miniature paintings- When the Mughal artisans dispersed from the Northern India, they were sheltered and patronised by various Rajput kings. Individual ruler had his influence on the style, and it evolved into individual styles, largely coming under a common umbrella called as Rajasthani school of paintings.
c). Wall & ground paintings- Various styles like Devra, Pathwari, Sanjhi, Mandav etc. can be seen based on the individual communities.
d). Cloth paintings- like Pat, Picchwai, Phad scrolls etc.
e).Paane paper paintings.
f). Kavad wooden paintings.
g). Body paintings- various designs are drawn on human skin using natural colours like Mehndi & Godana
h). Thape paintings- This is a wall & door painting style that is used to invoke deities. Natural colours like turmeric, henna, vermillion is used.
i). Badaley paintings- These are either cloth or leather paintings that are used to cover metal utensils. It is prominent around Jodhpur.
j). Thewa art- This is a form of painting small pieces of glass with gold. It is a famous art around Pratapgarh in Bhilwara region.
Thangka painting- These are religious strolls that depict important lessons from Buddhism. This uses organic colours and even gold dust and adorns walls, roof and mural in Buddhist houses and monasteries.
Tanjavur paintings- This is a classical art form that has a 3-D effect with embellished with precious stones, glass pieces & pearls. It has been largely patronized by the Cholas and then have influences from the Marathas and others who ruled the region.
Cherial scroll painting- This is a folk art on very long cloths used for story telling that can sometimes run into several meters. It is painted specifically by the Kako Padagollu community.
Mughal/ Persian painting style- The Mughals got artisans from Persia and used their designs and patterns in all their structures across. Art flourished especially during the reign of Jehangir.
Garhwal painting- Again, something that has been a part of the Pahari school, this form largely uses characters that depict romance.
a). Patua art- This is a traditional narrative paper scroll painting style done by a community called the Patuas. The speciality of the art is its people who are mainly Muslim and paint Hindu religious figures in their artwork.
b). Kalighat painting- This started as paintings in items that were taken as offerings to Kali temple at Kalighat and has now become a specific form of painting.
And how not to forget the wonderful patterns in bright colours adorning the front yards of all Indian homes? Rangoli as it is commonly called, this art is called with different names depending on the region you are in. But is a representation of the artist that dwells in every Indian household.
You have probably read my earlier post on exploring the offbeat landmarks of Old Bengaluru. Here is another one. This time, it was a culinary trip of Old Bengaluru to a friend who had flown down to this southern metropolis, from the so-called Northern part of India. I had been asked to take him on a gastronomic tour of my city. For someone who has a penchant for everything old school, I thought Old Bengaluru would be perfect to call it a day. ‘From vintage automobiles, architecture, iconic restaurants serving traditional recipes to by lanes and alleys that narrate their own individual story of the city, this section of Bengaluru has everything that would tickle a bone or two of this mad man’, I thought.
Having largely spent my teenage in North Bengaluru and given my familiarity with the area, Malleswaram was my first choice. However, given the convenience of commutation from my current place of stay, I chose to show him around South Bengaluru. But when one says South Bengaluru, it is a world in itself and the geographical area is large to fit all in one day. Hence, I took time to mark a quick map of restaurants to cover, along with giving a peak into the cultural heart of the city. This part of the metro lays in stark contrast to the Bengaluru, that the millennials from Whitefield and Marathahalli know of.
The obvious choice was a walk tour of Basavanagudi and the Pete area. These are the two most important clusters of true Bengaluru that have held onto the roots, despite the rapid and traumatic transition this city has seen in the last decade in the name of urbanization and modernization. Under the canopy of massive native trees, the aroma of the by-two filter kaapis shared at the numerous Shanti Sagar and darshini food joints, the air here feels different from anywhere else. With almost every street dotted with Classical dance and music schools and happy nonagenarian couples whizzing in their Padminis and Ambassadors, it has a different vibe here. One can find some of the traditional old houses and landmark restaurants only in these localities to really experience old Bengaluru. Each of these iconic eateries have a near century old history and their old school ambience is still intact inside the heritage structures that house them. With a small appetite for food and a big quest for exploration, the portions of food were limited only to the signature dishes of each restaurant, to accommodate more places. So, here is my itinerary of a gastronomic tour of Bangalore of yore.
Meet-up point: Basavanagudi is the name of a temple (It translates to ‘Bull- Temple’). Basavanagudi is the name of a locality in South Bangalore, named after the temple. It is an extension of the Pete area, which was specifically created to accommodate the upper class, and more-specifically the Brahmin community. No trip to South Bengaluru is complete without a visit to this landmark temple built by Kempegowda, the founder of Bengaluru. Apart from the Big Bull temple, the Dodda Ganapathi and the Bugle rock (a small watch tower from the Kempegowda era) are a must visit on the same premises. If you time it up well, you can part-take in the annual groundnut fair in the locality. (Read here to know more about the history of the Kadlekai Parishe). After meeting my friend here, we started our gastronomic tour to our first food stop.
Food stop 1 (Breakfast): As synonymous as Dosa is with South India, Vidyarthi Bhavan is with South Bengaluru. Ask anyone for the best Dosa in the city and this place scores on top unanimously. It is a restaurant started initially to cater to the student community of the area which started a new culture of a hangout place for friends in those days. On most days, the queue can extend well up to a kilometer. My friend and I wiped off our plates of their signature Masala dosa for breakfast. (Click here to read further about the history of Vidyarthi Bhavan)
Food stop 2 (Light eats): No foodie who visits Bangalore is satisfied without taking an evening walk on the Eat street at VV-Puram. However, I decided to go here in the morning, in order to avoid the maddening rush. Honey cake and Congress bun at the iconic VB Bakery was what we needed. This is the first Iyengar bakery to be established in Karnataka which has paved a new culture in baking (Read here for more about V.B.Bakery). Avarebele (Val bean) is a favorite ingredient of the Bengalureans, who have a dedicated annual fair to celebrate this pulse (Click here to read further about Avarekai mela). Hence, picking up a packet of avarebele mixture for home from one of the stores there was an obvious choice.
Food stop 3 (11 o clock, coffee): It is an important break time for the employed section of the society. Brahmin’s Coffee bar is a household name for their filter coffee and the delectable chutney served with idly on their very limited menu. This tiny eatery is in a corner of Shankarapuram, which is also famed for the Shankaramatha, a learning center of the advaitha philosophy. We had a quick stopover for a hot cuppa this little place is known for, before heading to Pete. (Read further about Brahmin’s coffee bar here)
Food stop 4 (Lunch): To satiate the hunger pangs, I planned to treat my friend with an authentic Bangalorean affair. With multiple theories surrounding the origin of the military hotel culture, the history of these restaurants dotting across the southern part of Karnataka is unclear. Bangalore is home to some of the best in the state. I don’t think there would be any better meal than ‘Ragi Mudde oota’ savored at a military hotel to get a peek into the local flavor, including the ambience. Hence, we were lunching that afternoon at S.G. Rao’s military hotel, located in the cotton Pete area. A typical military hotel meal includes Kaal soup, Ragi Mudde and Mutton biriyani. (Click here to read further about S.G. Rao’s military hotel)
Food stop 5 (dessert): A meal is complete only with a nice dessert. If there is one sweet meat that is synonymous with Karnataka (Mysore state), it is Mysore pak. Since I couldn’t take my guest to Mysore for that, the closest I could get is at Sri Venkateshwara sweet meat stall located at Bale Pete, a short walk away from cotton Pete. Their Mysore pak and dumroot are the sweets my friend packed for his roommates back in his hometown. (Click here to read about Sri Venkateshwara sweet meat stall).
The Pete walk: An old Bengaluru exploration is nothing without a walk along the narrow snaking lanes of the Pete area, the true business epicenter of both New and Old Bengaluru. This area is segmented into various sections and named according to the commodity sold and the communities that resided there in the yester years. From green groceries, handloom, steel, plastic to precious metal, everything is available in this locality. An early morning walk in the famed flower market is an experience in itself. We limited ourselves to just the mainstream sections while exploring some of the ancient temples, mosques and heritage houses of the Kempegowda era. In the meanwhile, we kept munching on numerous snacks from several popular stalls on our way. Although these eateries are old, the flavors are largely north Indian, owing to the Marwari and Baniya community that reside here in majority.
The heritage structures of the Victoria hospital, Bangalore fort and Tippu Sultan’s summer palace all lay on the side of the road for the history and architecture buffs who have a little more time in hand. But this is all we could fit in our day. Thus, ended a gastronomic tour of South Bengaluru.
I hope you enjoyed this virtual tour with me too… did you? Or did you not? Share your thoughts with me…
There are many other iconic restaurants in Basavanagudi if you have a larger appetite. These are a few other places that you must check out when you are here: The new modern hotel, Mahalakshmi Tiffin room, Janata Tiffin rooms are a few among many others.
Souvenirs to buy:
Coffee filter and freshly roasted coffee powder: The best filter coffee is available only in South Bengaluru, and hence my friend thought this was a more significant thing to buy from here.
Channapatna wooden toys: These are GI tagged handicrafts made with organic colors and largely popular in the western market, it comprises a large collection of traditional toys.
HAL (Hindustan Aeronautics Limited), Asia’s largest and India’s first aerospace establishment was founded and is headquartered in Bangalore. If you want to walk down this journey of how aviation industry has evolved in India, a visit to the HAL Aerospace Museum, India’s first aviation museum located at the HAL premises is highly recommended. From the first aircraft, Harlow PC to be assembled at its stables to manufacturing the most modern helicopters, planes and equipment for present day requirements of the Indian airfare, navy, railways and space research, HAL’s journey has been a long one. One is bound to get amused in another world by taking a walk between vintage planes, flight simulators, mock ATC and all things associated in this subject of fantasy at the museum hall. Now, this place leads me to my next destination: The IISc (Indian Institute of Science).
That morning, I had ordered a plate of idlis at this little restaurant on the IISc campus. Just like any other day at that restaurant, the environment was abuzz with the chitter chatter of the people I was surrounded by. A typical scene on any given day includes the best scientists of India and abroad discussing new experiments over a plate of food in what is one of the premier research institutes in the country! Irony has it that similar discussions happened under the same roof, sometime in history. But back then, the discussions were about something more strategic and destructive. It was right here that a bunch of people discussed a war plot. What is now the top-of-the-notch science and technology institution in India, served as a hub for maintenance and repairs of the aircrafts during World-War II.
In the late 1930s, a factory meant for automobile maintenance was setup by an industrialist named Walchand Hirachand in the present day IISc campus. History has it that on his way to China, Hirachand chanced upon a meeting with William D. Pawley who was attached to the Intercontinental Aircraft Corporation of New York, an American aircraft exporter. This connection lead to the procurement of the necessary tools and equipment from the US to setup an aircraft production line in India. It was in December 1940, with funds from the Mysore state, the Hindustan Aircraft Private Limited came into being. The plan was to manufacture the Harlow trainer, Hawk fighter and the Vultee attack bombers at this factory. However, this required huge manpower that was trained in Aeronautics which lead to the establishment of the department of Aeronautical engineering.
The structure that housed the aeronautical engineering department was designed by German architect Otto Koenigsberger. Otto Koenigsberger was a young Jew who had fled his country during the Nazi regime and was later in time, employed as the government architect of the erstwhile Mysore state. His architectural design is an amalgamation of European and traditional Indian styles and can also be seen in the present-day metallurgical department and the hostel office on the IISc campus along with many structures across India. Talking about the aeronautical engineering building- it is an oblong structure with high ceilings and narrow corridors that integrated natural climate control. He has also designed the closed-circuit wind Tunnel, the first of its kind in India and hydrogen plant among other things that are associated with aircrafts. With all the technical back up from IISc, it was in 1941 that Hindustan Aircraft Limited (HAL) assembled the first aircraft in India: A Harlow PC-5.
Meanwhile, the threat posed by Imperial Japan loomed large in the on-going World War II because of which there was a need by the British Royal Air Force to boost its military hardware supplies in Asia. With all likelihood, HAL was most suitable as a base for the South East Asia Command of the allied forces for servicing their aircrafts. Hence, all the aircraft manufacturing plans in India were abandoned to support the repair and overhaul services of the American aircrafts and the factory was eventually taken over by the US Army Air Forces in 1943. This led to rapid expansion in the facilities and became the 84th Air depot for overhaul and repair of American aircrafts during WWII. The very same hydrogen plant on the IISc premises was used as a loading dock to supply hydrogen for the American aircrafts. Later in 1964, the factory was taken over by the Government of India and has morphed into the modern-day Hindustan Aeronautics Limited (HAL) in its present-day location. However, the original Aeronautical engineering department continues to contribute enormously towards research and has its own little airstrip on the present day IISc campus.
As I finished my plate of idlis, I wondered how unassuming I was. This deceptively functional place had just served my meal that had just been cooked inside a hydrogen plant that powered the military aircrafts during WWII.
With the city growing into being popularly called as the IT city, Silicon city and the Pub city of India, a pub-crawl to one of the hundreds of breweries and restaurants in the city is a must on every visitor’s list to do in Bangalore. But these are for the millennials of Bengaluru. If your visitor is someone from the 90s or perhaps older, the pubs might be of little interest to them. They have probably grown up hearing about the garden city’s rich green and red canopies of Gulmohars, filter coffees and pleasant weather. They perhaps had relatives from yester years either working or studying in Bangalore as it was reckoned with talented people, better job opportunities, some of the premier organisations of the country, rich cultural heritage, polite and soft-spoken folks etc. In either case, anybody who has lived in this city for a little over a couple of years likes to call him/herself as a ‘Bengalurean’. That’s like adding a price-tag, it kind of gives them a sense of pride!
Talking about the second category of visitors, often when friends and relatives visited Bangalore with 2-3 days in hand and asked me to take them around, I used to wonder as to what’s there to show them around for so many days. The hugely popular Vidhana Soudha and high court complexes, the Lalbagh and Glasshouse, Tippu’s summer palace and the Bangalore palace are landmarks and historical monuments that can all be done in a day. The old charm of Cubbon park and the famous Boulevard of MG Road that boasted of being the city’s lung-space and shopping hubs aren’t the same any longer.
So, this led me to exploring the city and what I found is something that EVERYONE who claims to be a Bengalurean must know! What’s the use of associating with a place or thing when you don’t have enough knowledge of what you proudly brag about in your social circle? Isn’t it?
Bangalore (as every someone from the Old Bengaluru likes to still call it) is a city that has witnessed its growth through harmony between technology and rich history. It is one of the earliest technical hubs and home to some of the premier institutions of the country. The museums in Bengaluru are proof of its association with science and the heritage buildings scattered across the city are testimony to it’s history. You are not a true-blooded Bengalurean if you haven’t been to these places in the city!
• These places are picked from across categories and hence are listed in no specific order or choice. Rating them against each other would not mean any justice.
• All these places have been personally visited, studied and documented by me. However, these are places of certain confidentiality and hence, photography is prohibited.
∆• What if dinosaurs were replaced by aeroplanes in Jurassic park?
HAL (Hindustan Aeronautics Limited), Asia’s largest and India’s first aerospace establishment was founded and is headquartered in Bangalore. If you want to walk down this journey of how aviation industry has evolved in India, a visit to the HAL Aerospace Museum, India’s first aviation museum located at the HAL premises is highly recommended. Get yourself amused in another world by taking a walk between vintage planes, flight simulators, mock ATC and all the things associated in this subject of fantasy. Now, this place leads me to my next destination: The IISc (Indian Institute of Science).
>• How about a meal cooked in a Hydrogen plant?
Well, I didn’t even know this thing all the while as I feasted on the sumptuous plate of idlis for 5Rs. every morning for breakfast during my fellowship at the Indian Institute of Science. Interestingly, I used to be surrounded by the best scientists of India and abroad discussing new experiments over a plate of food cooked at the same place where a bunch of people discussed a war plot in history. What is now the top-of-the-notch science and technology institution in India, served as a hub for maintenance and repairs of US aircrafts during World-War II. And, the kitchen of this tiny vegetarian restaurant on campus made hydrogen gas to supply for the US fighters during their battle with the Japanese. Eventually, the need for skilled personnel in aeronautics by the HAL workforce at this facility to help the US forces, lead to the establishment of what is today known as the Aeronautical engineering department at IISc campus.
∆• Ever wondered how you could touch someone’s heart and tickle a human brain?
A visit to India’s first ‘Human Brain Museum’ located on the premises of NIMHANS (National Institute of Mental Health and Neuro Sciences) can help you do just that. NIMHANS is India’s premier and apex medical institution for mental health. The museum has a large collection of brain samples of several animals and human beings suffering from various forms of mental and neurological disorders. Not just that, the visitors taking a guided tour of the museum get to hold and feel various human body parts, ranging from brain, spinal cord, heart, lungs and the like. It was indeed an experience of a lifetime for me to hold it in my palms (without a degree in medicine :P). Another information centre on the same campus gave me a walk through the history of NIMHANS thus leading me to my next destination: The Mysore Bank building.
>• What if you were counting coins at a Lunatic Asylum?
Don’t be surprised! Mysore Bank is a popular landmark located at Bank circle in Gandhinagar and is one of those few places in the city where a vending machine dispenses coins of various denominations if you fed it with currency notes. While you were busy at it, you might not have taken note of the fact that the very building where the bank functions today used to be the first mental hospital in India, established in the 1800s by the Mysore Kings. Country’s first institution for Post-graduation in Psychiatry was started here eventually leading to the establishment of NIMHANS.
∆• How does a ticking clock look if all characters from fairy tales danced around it?
People from far and near flocked to Lalbagh as the word about ‘The Garden clock’ spread wide back in those days without YouTube and WhatsApp. That scientific marvel was a seven-meter-wide solar powered clock ticking on a dial made with flowering plants and popular characters from fairy tales like snow-white and the dwarfs dancing around it. This is a functional clock till date and speaks volume of our country’s strength in technological evolution. The creator of this unique time-machine pulls me down to my next destination: HMT watch factory.
>• Have you stacked up your ‘time-machine’ to go back in time?
While I spent a couple of years living in this locality surrounded by the HMT(Hindustan Machine Tools) properties like the HMT officers’ quarters, HMT sports club, HMT theatre etc., I also remember the time when I was brought back to time (read it- ‘Back to life’) by the doctors at the HMT hospital when I had once gone into coma or my blood pressure plummeted down or whatever that was! All the memories aside, HMT has opened their museum in the locality to showcase the journey of the company. HMT watches are those perfect souvenirs that truly represent Old-Bengaluru as they say it was the country’s timekeeper (Read complete article). Since the original manufacturing company of these watches has shut its functions at their facility at Jalahalli, the last few pieces are being assembled at their factory outlet/showroom itself. Go, grab your piece of old times from Bengaluru before stocks last.
∆• How often do you come across a Military museum?
Well… Bangalore’s association with Indian Military system dates to centuries and what’s of my particular interest is that India’s oldest regiment of the Corps of army engineers is headquartered in Bangalore. The Madras Engineer Group (affectionately called as the ‘Thambis’ of the Indian Army) have their regiment’s history and achievements chronicled at the ‘Madras Sappers Museum’ located within the premises of MEG centre. However, it is not open to general public and special permission from the Army is required for entry. Once an opportunity had struck me to participate in a city walk tour to this area and the army blood inside me had this Bengalurean beaming high in pride. So, here is one thing from MEG centre walk tour that led me to my last but most important bits of Bengaluru’s history: The Kempegowda towers.
>• So, that brings me to my last question: How big is Bengaluru?
It is believed that Kempegowda, the founder of Bengaluru had got four watch towers installed to mark the four corners of the original Bengaluru. These towers were located at elevated places so that he could get a good view of the entire city from these points. One is installed within the MEG premises near Ulsoor, one at Mahakali temple near Hanumanthanagar, one atop the Gneiss rock inside the Lalbagh gardens and the last one inside the Ramana Maharshi ashram near Palace Orchards. Well, it is unimaginable how this city has grown beyond these corners today, but our pride of ‘Namma Bengaluru’ knows no boundaries…
Do you agree?
getting lost in traveling through places and time…