The list starts from 2015, a religious celebration of the festival of love and lights- Deepawali. Well, I’m not a religious person who would indulge in ritualistic prayers and pooja on any festival. But what started as travelling during this season to utilise my unused leaves combined with maintenance shutdown period at my workplace, has somehow religiously stuck on as a ritual of travelling to a new place, every year.
Circa 2015- Tamil Nadu: My brother and I ventured out on our backpacking roadtrip to Tamil Nadu, Kumbakonam to Pondicherry. Well, this was an adventurous start I guess, we had to cut short our trip due to a cyclone that had battered the east coast. Result: Crazy floods and crazy drive through the flooded areas. On the main festival day, we had reached Chidambaram- a must read post about our experience. A bad one then, a memorable one now.
Circa 2017- Karnataka: After a crazy long year of travelling across India, my friends and I decided to have a simple deepawali roadtrip, closer home in the western ghats. We drove to the famous Agumbe ghats and the places around.
Circa 2018- Himachal Pradesh: One of THE best solo trips of my life, where I couldn’t find a single traveller to tag along through the entire trip. This thus, became a thorough personal and local experience in the Spiti valley. On the day of Deepawali, I was on my way back with a brief stopover at Shimla. A trip that made an impact on me, perhaps forever.
Circa 2020- Karnataka: Fears of travelling afar due to Covid-19, personal commitments and taking advantage of working from home, this was the longest duration I spent in my hometown in the last 15 years. Quite unlikely to mention the highlights, but the Deepawali of 2020 indeed tops all the above from the list.
So… I headed straight from office to Bengaluru Airport to catch a late-night flight. Just so that I could make it to the railway station to catch the early morning ‘Himalayan Queen’ on time. Just so that I could reach Kalka on time. My friend in Delhi helped me in my commutation juggle between the airport and the railway station. Then, the Himalayan Queen chugged off from Delhi. Apart from seeing a hazy sunrise through the windows, I slept through most of the journey until I reached my first destination in my 10-day long tour, that afternoon. I ran to the special platform in the other end of the station at Kalka to board the ‘Himalayan Queen’ that ran on a narrow-gauge thereafter. Only to realise that it was delayed by an hour.
Anyway, the ride in this train which is a part of UNESCO Heritage was a different experience. The 1st class bogie had old cushioned wooden adjustable chairs like you would have at old single screen cinemas, an unfamiliar thing for those familiar with the regular compartments of Indian Railways. The route was scenic as the train passed through hills, forests, tunnels and cliffs. It stops at several stations that allows ample time for photography and for exploration for passengers who are mostly foreigners. One such stop was the halt at the Railway museum at Barog. But yeah, the initial excitement of experiencing a narrow-gauge waned down soon as the journey got monotonous and long having none of the co-passengers to talk to. It was dark and cold by the time I alighted at Shimla. That’s where my real trip began…
After searching multiple online sites and walking around in the unknown city in search of a suitable place to stay, I was still clueless of where to go. I finally settled down at a rather shady looking place when I realized that the backpack was quite heavy, and the cold was becoming unbearable for me. The guest house was old and the things in the room were unkempt too… Anyway, I had settled there as the caretaker seemed okay to believe in. I locked myself up in the room, used my sleeping bag inside the warm blankets that were provided and tried to sleep (although I didn’t!).
I checked out of the place at 05.00.a.m. on the following morning and started to walk towards the HSRTC bus-stand based on directions given by the caretaker. I took the wrong deviation and lost my way. I saw that I was reaching the city central area and continued to walk as I hoped to find someone. I heaved a sigh when I saw the army command building. I stopped by to enquire the guard outside for directions. Since I was carrying a large backpack, walking with a face covered with a balaclava, all alone on the empty dark roads, he began to question me suspiciously. Once he heard the girl’s voice and I told him that I was traveling from South India, he introduced himself as a Tamilian who had been posted there just a couple of days ago. He was of little help and I proceeded. Google maps didn’t seem to be of any help either, as the distance only increased every time I walked ahead. I then came across a man on his morning walk who guided me through what he called was the shortest walk path. It was long, dark and scary initially. Although there didn’t exist an official road, the distance (may be aerial) on google map kept shortening. It was a descent downhill and I did back and forth when I had my doubts. Finally, it had dawned when I reached the bus stand and relieved when I saw a few newspaper distributors sorting their dispatches. I had missed the first bus that was heading towards Sangla. They introduced me to a man in a tea stall, whom they said was the driver of the next bus which was scheduled an hour later. The driver offered me chai and asked me to stay around.
Finally, the bus started. It would drop me until Karccham from where I had to board another one. The journey to my destination was going to be a long one. Amidst the early morning rays, the verdant hills looked amazing and I was excited about the road. The bus conductor and the driver were both nice people who kept checking on me every now and then as I was alone and new. They even bought me peanuts to munch along for my journey. An hour on the road, our bus halted. There was a massive traffic jam due to an accident on the highway. A car had gone almost completely under a lorry that came from the opposite side. It was over an hour by the time the police arrived and cleared the spot after inspection. Meanwhile, the hospitable people in the hills obliged to allow me inside their house when I wanted to use a washroom. Would you allow a random person on the road enter your house? I’m certainly not sure if I’d do that myself.
By around noon, the bus that I was travelling in broke down. Given that Rampur Bushar was the nearest town where he could find a mechanic, our driver somehow managed to negotiate the ride till there. Also, the passengers could board another bus from the large terminus in the town. He ensured that I sat in a spot, informed the bus station master to keep an eye on my safety and to guide me to the right bus when it arrived. These are the kind of interactions that make you feel confident about having a safe journey ahead. isn’t it?
That said, I sat in the next bus a good 2 hours later. It was a direct bus to my destination: Sangla. But I had a carry-over ticket from the previous bus only until Karccham. The conductor of that bus was fussy about considering the carry-over ticket until Karccham. But I stuck to what I was instructed by the previous driver. A good argument later, I got my ticket extended by paying only for the journey between Karccham to Sangla. The sun was slowly coming down as I approached my destination.
Finally, when I alighted at the Sangla bus stand, it was by far the most magical sunset I had witnessed all my life until that day. Right in front of me lied the snow-capped Kinnaur Kailash mountains and the peaks had turned golden. The rest is for another story!
Micro-brewing has been a known recipe back in the Vedic era, where Sautramani was sacrificed to the gods. Known evidences have been excavated from the Indus valley civilization sites of fermentation and Distillation. The Indo-Aryans are known to have Madira or Madu, an alcoholic beverage made from fermented honey. Good poetry flowed down as same as liquor, an essential part of the courtly culture of ancient India. Spirit or liquor is a substance that needs no introduction and unarguably is a part of our lives. While the infamous modern ‘Desi daru’ manifests with various names, yet a lot them remain unknown to the outside world and largely endemic to specific regions.
Here is my attempt to enlist the traditional brews from all the states of India that can help you as a ready reckoner while you are out travelling in this beautiful land. I would like to crowdsource the few missing details, please drop in the comments if you have anything to share.
Andhra Pradesh: Kallu- This is fermented palm sap that is consumed as a beverage in most places in Asia. In Andhra, there are mainly two types. Thatti kallu, a fermented beverage made from palmyra tree and Eethe kallu, a fermented version of the silver date palms sap.
Arunachal: Apong- This is a local version of rice beer.
Assam: a. Judima- This is a rice beer that is brewed to a mild yellow colour and a famous drink among the Dimasa tribe. b. Xaj- This version of the rice beer that the fables narrate that it was used by the Ahoms to dip their new-borns to bring good luck.
Bihar: **Need Help**
Chhattisgarh: a. Mahua wine- This is a wine made with a native flower called Mahua. The potent and 1st extract liquor is called Fully. After the Fully is extracted, the sediment is resused and heated with water. This 2nd extract is called Raasi and is considered 2nd quality. b. Landa- Madiya page is a common welcome drink across the state. In it, ragi, tomatoes and onions are boiled together overnight in rice kanji. The fermented form madiya page is called Landa. c. Laungi & Saunfi- These are potent whiskeys consumed together in combination. These are one of the most expensive brews in the Bastar region. It is made with cloves & Saunf respectively and are consumed only for medicinal purposes. It is primarily believed to treat gall stones and will lead to side effects like blisters all over the body if consumed in excess quantity.
Goa: Feni- The party capital of India cannot be without its own potion. Feni is an alcoholic beverage brewed either with coconut palm or cashew apples.
Gujarat: **Need Help**
Haryana: Kanji- This is a speciality consumed during Holi festival. It is a naturally fermented drink made with water, carrot, beetroot, mustard seeds and asafoetida.
Himachal Pradesh: Ghanti- Also called as the Kinnaur Chulli, this local beverage is an apple and apricot based liquor.
Jammu & Kashmir: Lugdi- This beverage is prepared by fermenting cooked cereals.
Jharkhand: Handia- This is a rice beer, popular not only in Jharkhand, but also in Bihar, Madhya Pradesh, Chhattisgarh and Odisha.
Karnataka: a. Fruit wines- The quaint hill station of Kodagu is popular for its homemade wines. You name a fruit and you will get the wine here. Even ginger, betel leaf or bird’s eye chilli wine are available, flavors that will linger in your tastebuds for a while. b. Sendi- This is fermented tree sap from the areca palm. It is largely popular around the coastal and Malnad region.
Kerala: Toddy- This is coconut tree sap which is left to ferment overnight. It is sold in government approved toddy shops across the state.
Madhya Pradesh: a. Hariya- This is a rice beer fermented along with herbs, a speciality of the Santhalias & Mundas tribe. It is offered as a gift to god, dowry during marriages and gifted to relatives on special occasions. b. Sulphi- Pronounced very similar to a selfie, this is a fermented drink made from the sap of a local palm called as a sulphi tree. It is of two types, one white and the other is honey coloured.
Maharashtra: a. Strawberry wine- Satara is the strawberry heartland of India and it is that they have their own version of fruit wine too. b. Orange wine- Nagpur famous for its orange orchards has its own recipe of the love potion too.
Manipur: Sekmai Yu- This local rice beer is potent like the Vodka and is often called as the Indian Sake.
Meghalaya: Kyat- This is a rice beer which was originally introduced as a medicinal remedy to the Pnar people.
Mizoram: Zawlaidi- The name means ‘love potion’ in the local language. It is a local version of grape wine.
Nagaland: Zutho- This is a generic name for rice beer across Nagaland. However, the flavours, ingredients and brewing method varies for each tribe. Some are even millet based. Hence, it is a great idea to taste all of them while you are there!
Odisha: Kosna- This rice beer is like handia and has similar origins. Hence, it is also popular in the states of Bihar, Madhya Pradesh, Chhattisgarh and Jharkhand.
Punjab: Tharra- Also called as Punjabi desi, this is a rum brewed and distilled from sugarcane molasses.
Rajasthan: Kesar Kasturi- Often referred as the ‘Royal brew’, this potion is a blend of saffron, dry fruits, herbs, nuts, roots, spices with milk & sugar which is distilled into alcohol.
Sikkim: a. Chaang- This is a fermented millet drink and is generally served hot. b. Kodo- This too is a finger millet drink, like Chaang and is served hot. c. Raksi- This is a local brew that is consumed during local ceremonies, especially before participating in possession of evils.
Tamil Nadu: Kallu kadai- Pathaneer or Neera is the unfermented palm sap which is very sweet and considered very healthy. When this neera is allowed for a few hours, it ferments naturally and then kicks you like any other alcoholic beverage.
Telangana: Gudamba- This is a local liquor made with sugarcane.
Tripura: Chuwarak- This is prepared through an elaborate process to intoxicate rice and pineapple or jackfruit.
Uttar Pradesh: Bhang Thandai- This is a milk-based drink that is a concoction of natural herbs, dry fruits & nuts and spiked up with cannabis. It is available in government run Thandai shops across the state and a speciality consumed during the Holi festival.
Uttarakhand: Buransh wine- Buransa is a native rhododendron flower. It is believed to be very juicy and used in local squashes and jams. This is fermented and the rare wine is thus made.
West Bengal: Bangla- This is fermented starch prepared as an offering to Goddess Kali. Often, it is believed to have spurious concoction and usually not advised for consumption.
Aren’t alcoholics the true economic warriors of India? Do you agree or not?
Art is an integral part of human life. Paintings are yet another form of expressing imaginations. The history of paintings in India dates to pre-historic times where there are several rock and cave paintings scattered across the sub-continent. Painted pottery on terracotta and ceramic too have been excavated at several sites. Eventually, it became an attempt to bring the storytelling of the Indian epics to a visual form, each one using the material available locally for colour and canvas. Some forms were patronized by the kingdoms that ruled India and yet a few, used by the local tribes to decorate their dwellings. The use of natural colours on naturally available surfaces has evolved with the generations, picking up influences from various events, people along the way.
This is the land of great artists like Nainsukh, Raja Ravi Varma. Bright and rich colours are now an inseparable part of vibrant culture and lifestyle of being Indian. Here is my attempt to enlist the traditional and folk paintings from all the states of India that can help you as a ready reckoner while you are out travelling in this beautiful land. A few, I would like to crowdsource the details wherever I failed.
These paintings can be strategically used in our daily life that will help revive, sustain and promote these ancient art and rural economy.
a). Deccani paintings- are miniatures which predominantly feature palm trees, men & women. The art has a significant influence by the Deccan sultanates who ruled around this area.
b). Nirmal art- is where the artisans have developed their own canvas using cardboard and luppam. The striking designs in the form of creepers, flowers etc. have evolved on furniture today.
c). Savara paintings- This wall art is practiced by the Savaras tribe around Vishakhapatnam. The wall is readied with a mixture of red soil and paper. The painting is done with brush prepared by chewing tender bamboo into various thickness. White colour is derived from rice powder and black colour is derived with a mixture of coconut ash & castor oil.
d). Kalamkari- This is a fabric painting form popular in the rural parts around Machilipatnam. Primarily human faces are block printed using vegetable colours.
e). Tholu Bommalaata- This is an art of making leather puppets that are hand painted using vegetable colours, mainly found in the region around Adilabad.
Kuthang strolls- These are intricate religious paintings of the Buddhists. These are derived from the Tangkha paintings that are auspicious symbols hung in every monastery and houses.
a). Khanikar art- These are religious paintings that adorn the monasteries & Satras around the state.
b). Assamese silk scrolls- Traditional colours of Hangool & Haital are used to draw representations from Ramayana and Mahabharata on silk strolls. This is practiced in the upper Assam region.
a). Mithila or Madhubani- These are originally intricate wall paintings that depict Ramayana & Mahabharata adorning walls across the rural parts of Mithila region and have now become synonymous with the state.
b). Patna Kalam- this is also another art form largely patronised during the Gupta era. Several paintings have been found in the Nalanda excavations.
Godna- This is a primitive art form that has been largely in practice as body tattoos by the women folk in the Jamgula and Bastar region. It has found acceptance in the form of motifs on textile with natural colours mixed with acrylic paints.
Kaavi mural paintings- is largely popular in the Konkan region. As the colour says, Kaavi is a single colour- red pigment derived from laterite soil. Several structures, churches and temples are coloured with red paint on a white background.
Gujarat: This state is sort of a mélange with vibrant colours used across a range of art forms.
a). Pithora- These are wall paintings practiced by the Rathwa & Bhilala tribes
b). Miniature paintings- This art has been used to depict epics and large stories under the Jain patronage in 11th century.
c). Glass painting- It is believed that the earliest form of painting on glass (Belgium glass) originated in Gujarat.
d). Kalampari art- This is a fabric painting technique practiced by the Chitara community.
With many tribal communities living around the Kutch area, each tribe have their own unique art, patterns and colourations used in their daily life like walls, huts, attire, jewellery, pottery etc. It is an endless list but here are some of them from the Rann of Kutch.
e). Rogan painting
f). Terracotta paintings like Kavda pottery is believed to have techniques dating back to the Indus Valley civilization.
This is probably the only Indian state that doesn’t have a native art form. With several dynasties and rulers who came and went in this region, there has never been any specific art style that found patrons among who were always busy in fighting battles.
Kangra & Chamba miniature painting- Although largely spread across all the Himalayan states and largely coming under the Pahari paintings umbrella, the region of Kangra gave its name to the paintings that was largely promoted and patronised by the Rajputs. However, each ruler gave the art form its own twist and called it a different name.
Jammu & Kashmir:
Basohli miniatures- Again a part of the Pahari painting, the famous artist Nainsukh is believed to have moved from Chamba and have settled in this region during his last days. Thus, giving its name to the bold and intense form of painting the Ramayana and Mahabharata. Hence, Basohli is the first school of Pahari paintings.
a). Paitkar scrolls- Ramayana & Mahabharata stories are depicted on paper with colour made from vermillion. Fine brush is made using goat hair.
b). Jadopatia scrolls- This form of paintings is used for story telling which are believed to have healing effects on people.
c). Sohrai, Kohver, Ganju, Rana, Teli, Prajapati, Kurmi, Mundas, Turi, Birhor & Bhuiya, Ghatwal- these are mural paintings used to decorate the walls of the tribal houses. Each, representing a tribe and have their own style. The common factor between all these styles are that the designs comprise of animals & plants depictions thus indicating the connection of nature and the tribe.
Mysore Royal painting- influenced by the Vijayanagar school of painting, this art flourished under the Mysore Wodeyars. Bright natural colours obtained from vegetables, organic, minerals were painted using natural brushes. Squirrel hair was used for finer strokes and brushes made with a specific grass was used for various thickness and strokes.
a). Kalam- This is a short name for Kalamezhuthu, a rural art of painting.
b). Face painting- with various traditional dance forms and ritualistic prayers, face painting is an essential part of art in Kerala. Largely seen in its vibrant designs and patterns during Theyyams, Kathakali etc.
c). Oil paintings- These murals are very elaborate piece of portraits largely practiced in the Northern part of Kerala.
a). Gond art- A painting style that is used by the Gond tribes. This largely comprises of finely drawn lines in a picture that encompasses animals and plants.
b). Pithora wall paintings- this form of art is inspired by various myths and is used by the Bhilala tribe to keep away evils. You can often see walls and both sides of the doors painted with patterns that are believed to protect them.
c). Malwa painting- This folk art can be found on floors and walls and practiced by the Chitera community. Chalk powder blended with turmeric & saffron for suitable shades of the colour is used in doing these paintings.
Mandana paintings- This art is used to depict special occasions and festivals and used only during specific events.
a). Warli- Used to adorn walls by the tribe, this painting uses patterns like triangles and circles to represent community living, human being, trees, animals and everything in general.
b). Chitrakathi paper paintings- as the name suggests, Chitra (picture) + Katha (story)- These are single sheet paintings used by a specific migrating community of Thakkar tribe for storytelling. Local version of Ramayana & Mahabharata and other myths are painted using colours made from stones. These are also called as Paithani paintings.
Naga cloth painting- Several Naga tribes reside in Nagaland and each have their own designs in their houses, dresses and morungs. However, the Lotha, Ao and Rengma tribes have their traditional designs painted on fabric. Fine bamboo brushes are used to transfer colours that are made by mixing tree sap, leaf ash and local beer.
Patachitra- These are traditional cloth-based scroll painting from rural parts of eastern Odisha. It is inspired by Mythic elements like Lord Jagannath and is derived from ancient Bengali art which is used for narration in the visual form when a song is performed.
Sikh miniature painting- This an influence of the Kangra paintings and is used as a narrative of various stories from the life of Guru Nanak. Hence, has a vital role in Sikhism.
Rajasthan: The list of painting related art forms from this state is endless. Here is a small compilation of the same.
a). Phad cloth scrolls- These paintings are based on stories from Ramayana & Mahabharata. They have influences of both religious and folk performances by the local priests.
b). Rajasthani miniature paintings- When the Mughal artisans dispersed from the Northern India, they were sheltered and patronised by various Rajput kings. Individual ruler had his influence on the style, and it evolved into individual styles, largely coming under a common umbrella called as Rajasthani school of paintings.
c). Wall & ground paintings- Various styles like Devra, Pathwari, Sanjhi, Mandav etc. can be seen based on the individual communities.
d). Cloth paintings- like Pat, Picchwai, Phad scrolls etc.
e).Paane paper paintings.
f). Kavad wooden paintings.
g). Body paintings- various designs are drawn on human skin using natural colours like Mehndi & Godana
h). Thape paintings- This is a wall & door painting style that is used to invoke deities. Natural colours like turmeric, henna, vermillion is used.
i). Badaley paintings- These are either cloth or leather paintings that are used to cover metal utensils. It is prominent around Jodhpur.
j). Thewa art- This is a form of painting small pieces of glass with gold. It is a famous art around Pratapgarh in Bhilwara region.
Thangka painting- These are religious strolls that depict important lessons from Buddhism. This uses organic colours and even gold dust and adorns walls, roof and mural in Buddhist houses and monasteries.
Tanjavur paintings- This is a classical art form that has a 3-D effect with embellished with precious stones, glass pieces & pearls. It has been largely patronized by the Cholas and then have influences from the Marathas and others who ruled the region.
Cherial scroll painting- This is a folk art on very long cloths used for story telling that can sometimes run into several meters. It is painted specifically by the Kako Padagollu community.
Mughal/ Persian painting style- The Mughals got artisans from Persia and used their designs and patterns in all their structures across. Art flourished especially during the reign of Jehangir.
Garhwal painting- Again, something that has been a part of the Pahari school, this form largely uses characters that depict romance.
a). Patua art- This is a traditional narrative paper scroll painting style done by a community called the Patuas. The speciality of the art is its people who are mainly Muslim and paint Hindu religious figures in their artwork.
b). Kalighat painting- This started as paintings in items that were taken as offerings to Kali temple at Kalighat and has now become a specific form of painting.
And how not to forget the wonderful patterns in bright colours adorning the front yards of all Indian homes? Rangoli as it is commonly called, this art is called with different names depending on the region you are in. But is a representation of the artist that dwells in every Indian household.
Being an Influencer is a BIG responsibility. It means, that person has the power to ‘INFLUENCE’ people. It doesn’t matter if you are a nano, micro or a mainstream- fully-fledged influencer, it only means that you have the POWER to influence a certain group of people in a domain of your expertise. So, every person with this power has to be EXTREMELY careful and responsible about what you are going to communicate to your followers because they follow you for the knowledge that they will gain from you in YOUR area of expertise. (Click on the below image to know how social media influencing is used for marketing products & services)
I am a travel influencer. I write about travelling in INDIA!
So, when I write, I shall be RESPONSIBLE to share what is relevant and falls within my forte ONLY. That said, I’m writing this long post because I am deeply saddened about how travel is taken for granted and how the generation is being WRONGLY misguided by some of the top Travel influencers. So, here are some SERIOUS Stuff that I want to discuss about becoming a travel blogger! Let me break them down into parts…
Part 1: Becoming a Travel blogger
1. Myth: They left their high paying corporate job to travel the world Fact: A paratrooper or skydiving trainer will take you high up in the air and teach you how to jump or fly. But what he never tells you is that if things go wrong, he will have a backup parachute. Similarly, what these top travel influencers don’t tell you is they are ALL from affluent families who have strong financial backup. If their experiment on the road fails, they always have a family to support them financially and to help them start afresh. Ask me- I have a full-time job and I slog my ass through the entire week to make ends meet and to support my family financially. I save up a portion of my salary to travel and build connections with local people about whom, I can then write.
2. Myth: They sold their house and all the belongings and lead a nomadic life with just two backpacks Fact: Not every monk will sell his Ferrari! Now that all these nomads without houses are not travelling because of Covid-19, tell me which road are they sleeping on? They are ALL back in India, living in their parents’ houses which probably you hadn’t given a thought prior to this lockdown. So technically, they have a house of THEIR own. They did not have to buy one or spend on renting one because they are not going to be using it while they are travelling. But you perhaps thought it was easy to give up everything and go one day.
3. Myth: They get to travel to all fairy tale places. Fact: No doubt traveling offers surprises at every step, but what a follower doesn’t see is that MOST of these travel posts are sponsored. Hence, the influencer comes under an obligation to write all things nice about the place where they are getting their payments from. Social media influencing is their “Profession” at the end. They must abide by their sponsors’ terms and condition, no matter how natural their smile in the photo may seem to be like!
Part 2: Becoming an influencer
Creating content and manipulating behavioral patterns of followers using data Analytics: This is the single most important factor that brands ask for while working with an influencer. Their target reach and engagement ratio (You can look up on google to learn more on these terms). Take for example, the below graph of the analytics of my Instagram page. It shows the age group that is MOST responsive to feeds from all TRAVEL bloggers. So, the content created will be considering the psychology of people who fall under this target group. These insights are the basis on which these professionals (Social media influencers) try to manipulate the thoughts of their followers and thus influence them into buying whatever they want to sell (or Tell)! Remember, they are showing you what they are paid to sell.
Part 3: Indian travel influencers on Social media
1. They are not true experts: Yes, they have gained certain experience over time, but they are glasses that are half empty. For example, here is a screenshot (taken on 11-Apr-20) of my reply to a TOP traveler’s post. The person had posted an animal’s photo and said how (he/she) empathized the spotted deer’s death. I corrected the influencer telling it was a sambar deer. Do you see how well informed they are about their posts? If probably wildlife was your forte, you would perhaps know the difference and know how one of the most commonly seen species of wild animals looked like! PS: You shouldn’t post something that is not from your field of influencing.
2. They do selective replies and reposts: They don’t like to acknowledge when they are corrected. They get offended when their mistakes are being pointed out. My message above has never been read (even after 2 months!). But every day, I see them reposting stories and appreciation about them that were in someone’s story. (FYI, story lasts only for 24hrs and all the tags get delivered as messages in the inbox). How possible is it that my message went unnoticed, till date? No, they did see it. They chose to keep it unread. I get replies from influencers who probably have 3-4 times more followers and spend most of their lives without network. PS: Be just and fair to all followers.
3. India and its’ government have NEVER given them enough: Tell me how often do they travel in India, on a self-sponsored trip? As fancy as their life seems, they have travelled the GLOBE on freebies. Tourism promoters of various countries invite them with free tickets, free stay, free food and everything else that’s nice, for FREE. Which happy person doesn’t speak nice things when they’ve been given a free meal? Another country and its people will SURELY seem better than theirs, because their poor country doesn’t give them freebies to explore it. PS: Don’t mis-lead your followers about India and its capacities.
4. They care SHIT about Indian economy: I took the ‘Dekho Apna Desh pledge’ to travel to at least 15 places within India. It is my service to MY country to promote tourism and thus aid local economy (Click here to read how traveling local contributes to economy). Can you name at least five among the TOP travel influencers of India who pledged this for INDIA’s economy? I save up my leaves (and a portion of my earnings) every year and manage my exploration of INDIA as much as possible. I want to do my bit to promote domestic tourism by writing about how MUCH more my motherland has to offer, that no one place in the world has. PS: I don’t take free tickets to travel and I promote local artisans in India, sorry!
5. They never feel ‘belonged’ in India: The feeling of belongingness should start from “HOME”. As the saying ‘Ghar Ki baat Ghar main hi rehna Hai’ goes, ‘we should not bring our family matters to the streets’. We should rather sit at home and discuss jointly and find a solution. But the people who refused to call their parents’ home as theirs, would never feel belonged to a ‘Motherland’. If you feel there isn’t enough justice, there isn’t enough equality, there isn’t enough security in India, will you give up your Indian passport that bears the emblem of integrity and sovereignty? Nope, I’m sure you flaunt around the passport when you are abroad. PS: I would never let go of the perks and the attention I get of being called an ‘Indian’ after all!
6. They give a damn about India’s image in the global front: They sit in foreign countries either with a free ticket or have fled India to work for another country. But what they do is, call out on mistakes from their home country’s governance. Can you imagine the amount of negativity this is spreading about your home? They sit in a distant country and instigate their followers to participate in protests for which they won’t be able to come. Why? Because their tickets are not sponsored, know? Rather than picking out mistakes, how often have these people suggested solutions? PS: If you can’t be a part of the solution, then you are the problem!
With reference to influencers off-late posting about politics, You can’t always pick on ONE person in the government for all the wrong that happens. Do you think the team of technical experts across all domains who are in the advisory team of the government are also half empty glasses like you? Do you think the 100+ million citizen of democratic are dumb to have unanimously elected their representatives? And you are the ONLY intelligent alien here?
It is disheartening to see influencers leaving their field and misusing their powers to call out anti-national slogans (against the ruling government) even in this testing times where the entire country is required to stand as ONE! Oh, come on… to err is human. Small minds discuss people, Average minds discuss events, Great minds discuss ideas! As Gurdas Maan sings in ‘Ki Bannu Duniya da’, the lines ”Par pakki vekh ke kacchi nai dhai di” translates to: Don’t demolish the old foundation for the new and fancy.
As responsible influencers, we must subside picking up negativity. This creates sense of differences. Instead, pick up positive stories and try to unite the people. Both are different ways of approaching the same problem!
It is that traveling exposes one to a multitude of cultures and people. The diverse geography of India is home to some of the most unheard traditions and untold folklores. During my 10 day stint of backpacking in Nagaland, I was introduced to so many of it all, as this little Indian state, tucked in the far North-east is home to more than 17 tribal sects and sub-tribes; each having their own culture, language, traditions and cuisine. Here, is a small list of indigenous musical instruments used in the folk culture of the Nagas.
Mrabung: Mrabung is an indigenous musical instrument of the Zeliang Nagas. It is a single stringed instrument that is crafted with a hollow/ cured bottle gourd and a fretless wooden neck of about 12 inches long. It is played with hair string bow (Usually a cluster of horse tail tightly tied together to two ends of a thin wooden stick). This bow is used to strike the chords (like a violin) with one hand and the string along the neck is pressed down with the other hand at appropriate places to get the required tune and legato of the song. It is played during merry making in social gatherings and festivals where men and women congregate. I was narrated with a popular folklore of the Nagas wherein, a singer called Arum played the Mrabung. His music captivated the farmers so much that everyone working on the field left their work undone and sat around Arum listening to his songs. Arum had to be barred from playing any songs further just so the people went back to work on their farms. Click below to see an artisan playing the Mrabung.
Atutu: The Atutu is a handcrafted bamboo trumpet used by the Pochury tribes of Meluri. A particular variety of bamboo is used in making the varied components that are fitted together to make this crafted trumpet. It is played to mark special occasions. For example, blowing of this trumpet towards the end of February means to herald and announce the advent of the Nazhu festival. Also, the male members of the tribe play it in their morungs in the evenings throughout the festival. Apart from this, the trumpet sound is used to ward off birds and animals from the rice fields and prevent from crop damage. In earlier days, trumpeting was a way to alert the collective habitat or a village of a possible enemy attack or as a signal of declaration of a war.
Dholak: This common musical instrument has its own version and avatar in every region of India. Be it weddings or festivals, it is the most common and almost an essential part of any merry making in Indian celebrations. Similarly, each tribe in Nagaland has its own version of the dholaks or the Indian hand drums. Made with an outer casing of wood, laced tightly with cotton strings and the drumming surfaces made with the locally available materials, more often animal hide. Here are samples of the dholaks used by the Garos (Long slender shaped, narrowing at the ends), the Mech Kacharis (fatter and shorter than the Garos) and the Aao tribes (Shorter and fatter than the previous two types and Uniform sized throughout its length) of Nagaland. (Click the below link to watch the ceremonial dances of the Naga tribes with their dholaks)
Before planning my visit to Nagaland, I had followed a few bloggers who had posted encaptivating photos of what they called the ‘Greenest village in India’. My friend and I had our stay booked at a homestay in this little-known village and were supposed to head there on the first day of our arrival in Nagaland. It was past noon by the time our shared taxi from Dimapur reached Kohima and the temperature had started to drop. Khonoma village, our destination was 20kms away and we stood on the highway, clueless about how we were supposed to get there. The connectivity through public transportation across Nagaland is something that needs the attention of the authorities. Meanwhile, without being able to find an honest taxi driver among all those who were quoting higher than what I had read about, we had started to feel stranded.
We finally managed to get a taxi and the courteous driver ensured our ride on the roadless path was comfortable and entertaining. On our request, the best Nagamese songs from his playlist were streamed and he made humble efforts to explain the meaning of each song and its relevance in Naga culture. It was a long ride considering that we took over an hour to cover the short distance. In Nagaland, each district is inhabited by a particular Tribe in majority and each village represents a particular clan within the tribe. Every tribe has its own language and surprisingly, each village has its own dialect which another clan might struggle to understand. ‘Khonoma is inhabited by the Kuthotsu clan of the Angami Tribe’, we were told.
Watch the video here:
On reaching Khonoma, we registered our entry at the tourism office from where we took directions to our homestay. As a first impression, it felt like it was just another settlement on the hills, something similar to my hometown. But as I began to walk towards the homestay along the narrow lanes and past the tourism office- a new world started to unfold. The entire village is built on a slope, overlooking the paddy fields. The slope makes it a requirement to climb winding stairs to get from one house to another, from one street to another. As you do this, you will not just pass by umpteen number of morungs but also walk through gardens full of colourful flowers and traditional Angami Naga gates. All this, while you are being mind-blown by the gorgeous view of the never-ending terraced fields of paddy and vegetables. If not the same, I bet this is far better and untouched than the terraced farms of Bali that has flooded the Instagram feeds. The guava trees around every corner of the village and the widely covered creepers of the Chayote squash added a vibrant hue of green to the entire valley. The extremely warm and obliging villagers allowed me to pluck a few guavas that tasted like nectar. Those were definitely the best guavas I had in my life till date. We then walked down the streets to our homestay, a cozy simple house that stood overlooking the terraced fields. Since we had little time before sunset (The sun sets by 04.00.p.m.), we dropped our luggage, freshened up quickly and ventured out to explore the village and make the most of the daylight.
As we strolled around the lanes, we were intrigued by the several morungs and the traditional Angami houses that we passed by. Morungs are Naga structures that are comparable to Gurukuls of olden days. The elders of the village would pass on their knowledge about life skills and tradition to the younger generations here, usually in the evenings after finishing their day’s chores. Although the Morung system is slowly passing into oblivion in modern days, Khonoma is one of the few places where these structures are conserved in their entirety. Every Morung and house had animal skulls (ranging from one to hundreds in number) hanging around their roofs and walls. We were quite fascinated with the collection that ranged from Mithuns and mountains goats to boars and other cattle. As we stood there, watching a few women who were busy with their job of de-husking paddy with a large pestle and stone, we were greeted by them with warm smiles to have a cup of tea in their house. I instantly accepted their invitation, jumping into the idea of seeing how a traditional Angami Naga house looked like inside.
Basic mud-smeared walls with knitted bamboo doors and their wooden roofs adorned with hundreds of skulls all around. “These skulls are prized possessions that represent the heroics of our ancestors. The Nagas are primarily hunters and our forefathers saved up the skulls of all their kills. The larger the collection, higher was his societal stature until the government brought a ban on hunting. Given the history of Nagas being head-hunters before the coming of missionaries, don’t be surprised if you bump into human skulls in some of the remote villages elsewhere”, explained a member of that house. Although the other members in that family couldn’t speak English or Hindi, they continued to smile at us for as long as we were there. However, communication is never a problem in Nagaland with almost 90% being proficient in either English or Hindi.
We visited the Naga heritage museum and then walked up to a small hill where the church stands at a vantage point, outside the village entrance, overlooking the entire hill range. From there, we walked back to the village and climbed up a few stairs to reach the highest point of the village. The setting sun let the hills in the background cast their shadow on the undulating green paddy terrace. The view of the range of hills and the entire village from there was a sight to behold for which, we had lost our senses and not to the dropping temperatures that had started to numb our skin 😃 After the sun had called it a day behind the hills, we munched on some local snacks like sticky rice roti, pakora at a café at the village entrance. We grabbed a few packets of Puffed sticky rice and Naga chilli smeared channa from a small shop before heading to the homestay. We hurried up to warm ourselves in the comfort of our homestay’s kitchen where firewood was setup to cook the night’s supper. Sips of hot tea and long conversations with our Angami host and other guests culminated with a delicious Angami meal that comprised of boiled vegetables and steamed rice with vegetable stew- all grown organically in our host’s backyard. The country chicken curry was a bonus for the non-vegetarian in me 😊
The plan for the next morning was to catch the sunrise from the paddy fields by walking along the stream that flowed down the valley. However, the freezing temperature made it impossible for us to get out of our cozy layers of blankets. The plan that had to follow our breakfast was a visit to Dzuleke, a quaint little village located 10kms away. It consists of merely 32 houses and the residents are also from Kuthotsu clan who decided to move out from Khonoma to a more secluded place when the land on the outskirts were open for new settlements. Today, it is supposed to be one of the prettiest villages that is promoted by the state’s tourism board and accessible only by foot or one’s own vehicle. Since a one-way ride was costing us 1500Rs., we dropped our plan of a day trip to Dzuleke.
There is one NST bus (Nagaland State Transport) that connects Khonoma to Kohima every morning. But the state is largely shut on a Sunday and it is an important note to consider if you are planning your travel/stay in Nagaland. After the day got a bit warmer, we packed our bags and headed out in a personal taxi to our next destination- Naga heritage village at Kisama, the main arena of the Hornbill festival.
Meanwhile, some interesting things I found in this village:
Large bird feathers are made into a garland and hung high around the farms. “It is just for decoration purpose”, I was told on asking what it signified.
There a large stone erected which signifies the previous rift between the Nagas and the Indians on the mainland (It is quite an interesting read how the Nagas fought the Indian army)
Well… Heading to seek blessings from Lord Venkateshwara at Tirumala Tirupati Devasthanam? I’m not a religious person and I’m someone who seeks variety in my travels… The same route and same destination- I have sometimes felt myself being forced into a pilgrimage sort… No doubt, I have loved my general hike up the stairs to the venkateshwara hill, more for the beautiful views, stopover points like deer park, waterfalls and so many eateries all the way up. I have even tried the not-so-pious option of the quick VIP entry for the darshan. But, over time when the route becomes so predictable, even the journey kinda starts to hit you when everyone is sleeping on family vacations that are occasional and are spent on familiar roads!!! So that’s when I started to explore alternate routes and make family road trips more interesting!
While travelling to Tirupati, the usual route one tends to drive through, is the
But the nice, straight, adventure less route has sometimes made my brother to doze off at the steering. So, the last time we planned to go, we tried taking a slightly longer but interesting route via
Although this national highway was a single lane, it was absolutely scenic and had so many elements in the travelling. From barren flatlands to lush green hill stations, rustic countryside huts to erstwhile forts, scattered rocky hills to tempting mango orchards and horticultural farms, the route took us through several hues of the deccan plateau. To make it more interesting, we saw milestones with Karnataka’s Kannada and Andhra’s Telugu on either side of the same road marking the boundary of the two states. For the thought of knowing absolutely no words of the language on the other side of this state border, it felt like I was crossing an international border without a passport 😀
So our itinerary was something like this:
Start from Bangalore by early morning (To avoid the traffic choc-o-bloc at KR Puram)
Reach Horsley hills for a late breakfast or a brunch (before the day trippers, riders and families pour in for lunch)- It is a short ride up but the view up there is worth it.
As we descended the hill, the drive further from there was gorgeous forcing us to take several photo stops.
Drive up to Talakona, the highest waterfall in Andhra. You can book your meal at the forest run jungle resort there before heading out to indulge yourself in some fun activities or getting drenched in the waterfall depending on the water level there. It is also wiser to leave from there before it is dark as it is a national park area and the wild animals get on the road post sunset (Click here for a detailed post on Talakona).
Reach Tirupati and take rest for the night.
Plan your darshan of the deity based on your convenience- a quick visit or a hike up to the temple and return to the room to rest.
It is quite usual that a lot of people extend their pilgrimage until Srikalahasti. They combine the Vaishnavism faith (Lord Venkateshwara at Tirupati) and Shaivism faith (Lord Shiva at Srikalahasti) in the same trip since both are located not far from each other (More details on Srikalahasti in a separate post).
On the way to Kalahasti with a small deviation, is what I figured out was, that there is a 11th century fort at Chandragiri, the erstwhile capital of the Vijayanagar dynasty. It is beautiful and you will not regret the deviation.
Reach Kalahasti for the evening prayers and find an accommodation there.
So, are you done with the pilgrimage? Is your family feeling all blessed and happy now?
Good morning! Save your sleep for some other day and Buckle up. For I’m going to take you through a different route as you return home. You can thank me later 😉
Drive through eucalyptus and teak groves on a scenic off-road to reach Sullurpeta, Your only place to find decent food before you embark on a long day ahead.
Your next destination is 20kms away- thank me later. Drive through a straight dead road, cutting through what is the second largest Salt Lake in India- the Pulicat lake. You will love the drive and the destination.
Welcome, you have arrived at SHAR, Sriharikota island. India’s Large Rockets’ launching station (Click here to read my struggle to finally get there!). The space museum located on its premises is open to public with online registration. You can witness a rocket launch too if you time your trip well.
Coming back to the drive, on either side of this straight road you see is this never-ending stretch of salt. Depending on what season you are traveling, you will be warmly greeted by bright white dried salt flats or brackish molten salt. Spend some time at the watch tower there and you will not be disappointed by the variety of migratory birds you encounter. The entire area is declared as the Pulicat birds’ sanctuary.
Got fuel? Drive another 60 kms. to a tiny fishing hamlet called Pulicat located towards Chennai. The Pulicat lake is situated between two states, Andhra and Tamil Nadu. Flamingoes and Pelicans are a highlight here along with several other migratory birds that flock the swampy lake every season. Get yourself a boat ride with the local fisherman there and he will take you around the swamy waters. Watching the sunset at the beach will be a perfect way to wind up your day!
From Pulicat, you can take one of the below three highways to head back home:
Drive through Tada and follow google maps to reach the Chittoor highway. Tada has a waterfall to visit and some decent places to stay overnight. It is a village/ township created for the tribes who were relocated from the Sriharikota island when the space station was established and human settlements had to be cordoned off in that island.
Take the Vellore route with a stop at the Vellore fort and the Golden temple of Lakshmi. Yelagiri is a popular hill station among the urbanites and is just a short drive away from Vellore. I will personally not recommend it as I did not find worth in taking the effort to deviate from the highway.
If you wish to choose option 2 or 3 to reach Bangalore, do not forget to stuff yourself with some good Biriyani at Ambur, Bon appetite!
Ok, I know this is quite an elaborate itinerary which I usually don’t write about. But I did so, thinking it might help a lot of you out there who text me asking trip ideas from Bangalore. You can skip the temples if you are looking only for an offbeat drive route and I’m sure you will enjoy it.
Or do you want me to customize the itinerary based on fewer or more days you have at your disposal? Drop in your requests, doubts and comments below. I will be glad to help you 😊
With winter, comes in the dry cold winds over the great Indian Thar desert region. The great Rann of Kutch is a part of the Thar desert and is shared between India and Pakistan. The cold winds carry the surface water along with it and dry up the salt marsh. Thus, the entire marshland looks like this phenomenal never-ending stretch of white salt flatland. Rann of Kutch is one of the largest salt marshes in the world and the amazing sunsets over the white salt flats has made it to the bucket list of every traveler and rider.
With all my backpacking experience in other places of India, I wanted to explore ROK too… But when I landed there with a rough idea about the places to visit, I was in for a surprise. Backpacking in Kutch was not as easy as it seemed to me. Firstly, the connectivity through public transportation wasn’t reliable and accommodation options were very few and expensive. It is close to a year since I did this trip and I think I should post this before the ROK travel season starts for this year.
So to begin with, let me tell you the transportation options for getting around Kutch.
1. Pre-book a taxi for your entire trip if you are flying down to Bhuj (The option which I chose).
2. Get a self-drive car or bike from Ahmedabad if that is where you are starting your trip from.
3. There are government buses connecting each place. However, as on date there is only one bus plying each day with long to very long traveling time.
For the stay, I would recommend making Bhuj your central location as it is easy to travel to each place if you choose to follow my itinerary and the stay would be relatively cheaper. The Tent city is extremely expensive and overly commercialized. If you want to experience the tent stay in the salt flats like the way it is portrayed everywhere on the internet, I would advise you to spend your last night at Dholavira.
The roads in Kutch I must tell you are something that will amaze you with. They rip right into the horizon, they are super straight, and one would want to just stop by every other time and get the photos of the road with their car/ bike parked by the side.
Then comes the itinerary. This is what a typical itinerary for anyone traveling to Kutch looks like if the start and end point of your trip is Bhuj.
Day 1: Koteshwar + Lakhpat + Mata no Madh
You will be traveling to the western-most tip of Indian Sub-continent, Koteshwar. The Koteshwar Mahadev temple is of religious importance. Right after it is located the Narayan Sarovar which is popular for spotting Flamingoes if you are going there in the right season. You can have free lunch at the Narayan ashram located nearby.
You can then drive to Lakhpat. You will be welcomed by the large walls of an erstwhile fortress as you enter this town which is now a religiously important place for the Sikh community which maintains the Gurudwara Sahib that houses some of the relics of Sri.Guru Nanak.
Lakhpat, once used to be a buzzing port town and the economic center of the state until it was hit by a major famine. The entire town was abandoned for what it is today popularly known to be a haunted village. Anyway, it is guarded by the navy and the coast guards and with their permission, I enjoyed my walk there with some nice photos of the abandoned village, its houses and temples.
The deity at the Ashapura Devi temple located at Mata no Madh is believed to be a powerful goddess and hence visited by everyone traveling here. There really wasn’t much for me to do there and I preferred my 2kms drive up to the hill temple over this. We had reached there at sunset time and I decided to spend the remaining time watching the golden skies from there before heading back to Bhuj for the night.
Day 2: Dhordo + Kala Dhungar + Hodka + Dhorbana + Banni
Dhordo: For me, the photos of this exact place was what brought me here even before I knew what Rann of Kutch was. Popularly known as the tent city, it is a commercialized patch developed by the Gujarat government to promote tourism. You can spend some time enjoying the various folk dances, camel rides etc. along with various stalls put-up there.
Drive up to Kala Dungar. This is the highest point in the entire Kutch region and the view of 360deg salt flat is something you will not forget. There is a small temple on the top associated with a folklore.
Hodka, Dhrobana, Bhirandiyara, Ludiya, Kavda and Banni are some of the several villages along the edge of the Great Rann of Kutch where there are settlements of specific artisans and you can interact with these communities. Although the famous Kutchi embroidery is a generalized term, the patterns used in their stitching, their apparel and jewellery are unique to each community and thus is a representation of individual village. Each of their Bhungas (as the huts are called in Kutch) are uniquely painted and walking in these villages are experiences in themselves. This day trip is highly promoted by the Gujarat government as part of rural tourism.
Day 3: Mandvi and Vijay Vilas palace
You can take the route via Nalia to reach Mandvi. This route offers amazing views and a stretch with windmills might even blow your mind 😛
Stop by at the Vijay Vilas palace
Spend some time chilling by the Mandvi beach
Day 4: Bhuj Local sightseeing (Every place has an entry fee and specific open days and timings)
Aina Mahal and Parag Mahal are both old palaces of the erstwhile royalty located within the same premises. A visit here is worth your time because it offers a lot of insights into history and photo spots to the shutterbugs.
The biggest Swaminarayan temple in India is located in Bhuj. For those of you who don’t know, it is the same organization that manages the Akshardham temple in Delhi.
This is a dedicated day for shopping all your Kutchi embroidered souvenirs. You can buy all the handicrafts directly from the artisans and get good deals either at Bhujodi handloom village or Bhuj Haat.
Take a walk around the Bhuj Haat premises. A replica of the Parliament building is made here and houses stories from the lives of several leaders who lead India to freedom.
A small hike up the Bhujio Dungar fort offers you a panoramic view of the entire Bhuj town, an early morning or evening visit is advised to avoid the harsh sun.
Befriend a local and there are some offbeat spots in the town that you would not find on the internet. The Kutchi museum, the Khari Nadi canyon, Paddhargadh ruins, Chattardi ruins, Tapkeshwari caves are among a few of those unexplored gems.
Day 5: Dholavira
For me, this was the highlight of my trip. (Click here to read the detailed itinerary and my story in a separate post). An archaeological site from the Indus Valley civilization era, a fossil park from the dinosaur era, tribal settlements and the enormous stretch of salt flats- You need to time your stay here on a full moon night to get the best experience of the great Rann of Kutch.
Day 6: Head back to Bhuj for your return flight or proceed towards your next destination.
I assume this article was of some use if you were planning your trip to the Rann. Was it helpful? Is there something that I missed out? Tell me in the comments below…
03-Mar-19: I was extremely sad that I had missed the premiere screening of this much anticipated documentary. All I knew was it was a project based on wildlife and had no much idea about what to expect apart from the Tigers which grab the limelight in almost every other content made on conservation. ‘Even then, it was the first time a government organization had come forward with an ambitious project as this, that too pioneered by my home state’ I thought. I was excited! Luck came knocking at my door again when British council, Bengaluru center decided to screen it in their premises on 08-Jun-19. It was a Saturday, a workday for me. I registered, took leave and finally, there I was… I was going to watch a movie, solo 😀
Buckle up my dear readers, I’m taking you on a new journey through my ‘TRAVEL’ article. You can call it a movie review if you wish to. But for me, it is a journey across my home state, through the eyes of a wildlife enthusiast. Yeah, I thanked my previous travels for I was able to travel with the ‘team Wild Karnataka’ exactly the way they wanted its audience to travel along the storyline of its documentary. It is the story of the monsoons… It is the story of one year… It is the story of traveling from South to the north and then coming back along the coastline to where it all begins, in my home state- Wild Karnataka: It is a Travel movie!
The movie opened with aerial shots of the western Ghats, the breathtaking greenery and the mighty waterfalls these hills hold in them. And then, the story pierced right through these dense evergreen forests of the western Ghats. Welcome to South Karnataka! Location undisclosed, I assumed it was my hometown at the southern tip of the state. Somewhere, his majesty wandered with his family on their familiar trail in search of a watering hole. His familiar face with probably the longest tusks in India reminded me that he is an Instagram celebrity from the woods of Kabini. Not before the first drops of the monsoon reached his skin, his highness, the Royal Bengal tiger roared in a distant deciduous forest probably at Bandipur or Nagarhole. Karnataka has the largest population of the Asiatic elephants and the Royal Bengal tigers in the world! No, they didn’t grab the limelight and they silently disappeared into the mysterious jungle making way for the newer celebrities to grab their screen space.
The camera then traveled slightly north, with the langurs who were joyfully jumping across the rocky outcrops of the deccan plateau. A hundred times that I have travelled through this rocky terrain, I had never given it a thought that these scattered lifeless rocks could hold up so much life in them. Be it the peacocks who fought each other to woo their potential mate or the playful sloth bear cubs that were piggy backing on their mother at the Daroji sanctuary, they stole my heartbeats. As if these thieves weren’t enough, there was more awaiting in the grasslands of Koppala. The jungle cat mother was teaching her kittens to hone up their life skills in confronting a venomous spectacled cobra- and my heart was taken!
Giving due credits to the wolves and the blackbucks along the way, the familiar voice of the narrator visually transported me further north over to the western Ghats again, this time in Uttara Kannada. It was the season of love making and the great Indian hornbills had gathered for their mud bathing ritual with each one trying to win their mate. These high canopy forests are perhaps the only place where all 4 main species of the hornbills are found. Meanwhile in a nearby farm, there was another superhero marking his territory by gliding across tree trunks. Draco or the gliding lizards are like feathers on the crown of the wild heritage of Karnataka.
While the winter was over and the forests had bloomed in spring, the voice guided the audience under the water. The corals spawned and schools of fishes swam around freely along the 320kms long coastline of the state. Not many know that the Netrani island is one of the best dive spots in the country. By swimming through the Karavali, I didn’t realize that I had reached back safely to where I had begun. The elephant family joyfully welcomed the first rain of the next cycle!
As the evergreen watering hole of the Kabini began to revive with the monsoon showers, the plot went around the western ghats again, giving the Dholes their share of the screen space along the way. A yawning baby King Cobra emerging from its nest and the frog stretching its limbs to grab the attention of its mate were clearly the stars ruling the rainforests of the second wettest place in the country, Agumbe. A family of the smooth-coated otters somewhere along the riverbanks didn’t fail me to wonder where they had been hiding until then. The river terns from the Bhadra backwaters came in with a fresh breeze of air from across the borders.
After the unspoken celebrities of wildlife ruled the screen for the 52 minutes, it was as if god himself appeared before the audience in the end. Sir David Attenborough greeted the audience in Kannada. None of us present there could have asked for a better finish! A first for any Indian film, he has lent his voice for this movie accompanied with a heart thumping music score by Grammy award winning composer, Ricky Kej.
While justice is done with the team attempting to throw light to as many permanent residents of the state as possible, hopefully the dwindling numbers of Vultures at Ramnagara and Great Indian Bustard of Siruguppa along with the innumerable visitors who cross borders like flamingoes of Raichur, the pelicans and the spoonbills from Srirangapatna and so many others from the woods too find their screen space someday! A wildlife documentary, as the team may wish to call it, it is perhaps one of the best travel movies I have ever watched. It is that one which got closer to my heart because it took me time travelling around my home state with a new perspective and is all documented with a talented bunch of home bred filmmakers.