Tag Archives: South Indian temples

The Povvadi Namme of Ibbanivalavadi

It was back during my school going days, that I had an opportunity to visit the Haleri (Paaleri) Bhadrakali temple in Madikeri taluk. I was especially intrigued by several antlers hung on the wooden beams through the length of the temple verandah. Upon enquiry, the temple priest fed my curiosity by letting me know that the antlers are used during the temple festival to perform ‘Kombaat.’ Kombaat is a word derived as a combination of two Kodava words, Kombu (antler) and Aat (dance). It is one of the ritualistic dances performed during temple festivals of Bhadrakali, a local deity of Kodagu. Ever since then, I was trying to get details or the schedule to witness one of these festivals where Kombaat is performed.

Finally, it was in the year 2024 when my friend informed me that the Povvadi festival at her native village was scheduled to be held in April. After a long wait, I had finally arrived at the ‘Kaitale’ (ground) attached to the ‘Bhadrakali temple’ of Valavadi village. ‘Ibbani’ and ‘Valavadi’ are two sister villages in Madikeri taluk. The annual temple festival is hosted by each of these two villages on alternating years at the Bhadrakali temple premises of the respective village. This year, it was the turn of Valavadi villagers to host this festival. There are eleven clans that are the original inhabitants of Ibbanivalavadi. Therefore, they take precedence in the conduction of the overall festival.

Bhadrakali, also known as Bhagavathi or Povvadi, is a local deity worshipped in every village of Kodagu with dedicated temples. The annual festival celebrated in her honor is the Povvadi festival. There are several native communities in Kodagu and each of these members have their own significant roles and responsibilities to be performed at these festivals.

‘Maadayi Kaavu’ is a Bhagavathi temple located in the Malabar region of Kerala. It is believed to be the Aadi Neley (primary destination) from where the deity took station at several places across Kodagu. Among these places, is a group of temples called as the ‘Elu Neley’ (seven station) Bagavathi located across the northern and western parts of Kodagu. This group comprises of one brother- Appangeriappa at Kaatakeri and six sisters, namely- Poramalenaad Povvadi at Galibeedu, Karavale Badaga Povvadi, Paaleri Povvadi, Ummeti Povvadi at Makkandur, Kedakal Povvadi, Ibbni and Valavadi Povvadi at Ibbanivalavadi

Peeli aat

The beginning of the festivities is marked by a ritual called as ‘Kett boovo’. Thereafter, none in the village is allowed to consume non-vegetarian and alcohol over the next fifteen days. The festival is celebrated towards the last seven days with specific rituals on each day.

Kombaat

On the first day, the Ooru-thakka (Village-keepers), Deva-thakka (Keepers of the temple administration) and Bandara-thakka (Keepers of the temple’s valuables) all arrive in a grand procession, carrying the Bandara-Potti (Donation box) and the jewelry for the deity from its treasury to the temple. This marks the beginning of the festival. The people are accompanied by the music of the ‘Dudi’ and ‘Poda mani’ kott (traditional percussion instruments). There are noteworthy rituals like the Boad kali, boad aat etc. among others.

There are other rituals performed over the next three days. The fifth day is the most interesting as several traditions unique to the ‘Elu Neley’ Bagavathi temples can be witnessed. The day began with ‘Kadi-aat’ followed by a ritual called Aangola-Pongola. It is performed by married couples as an offering to the goddess after their prayers for having children are fulfilled. The vow is fulfilled by their kids by cross-dressing in a wedding ceremonial attire any time before they hit puberty. A son dresses up as a traditional bride (Pongola) and a daughter wears a groom’s costumes (Pongola) as the family together offers their prayers to the Goddess.

Kombaat

Then, all the men of the native clans get dressed in ‘Boltha Kupya’- The white robe worn only on auspicious occasions. They then hold a bundle of peacock feathers (peeli) in their hands and perform a rhythmic dance to drumbeats in a circular formation around a ‘Kutthi bolcha’ (traditional lamp). This dance is called ‘Peeli-aat’. Post the performance, the crowd dispersed from the kaitale and gathered around the temple.

Here, the men in white kupya again perform the Kombaat to the beats of the traditional drums and Valaga (traditional wind instruments played by the members of the Meda community). Along with the ‘Ajjappa,’ (a person possessed by the spirit of ‘Ajjappa’, another local deity), all the other men in white Kupya circumambulate the temple while dancing with the Kombu and Chowri (a cluster of yak hair).

After that, all the villagers gathered to offer bandara to Ajjappa and Bhadrakali. After everyone had finished offering their prayers, they then went back to the podium with a spirit that was competitive. Competitive, because the next ceremony was like a competition of sorts. All the native clans of the village competed against each other in a coconut shooting competition. Three coconuts tied to a distant high pole were to be shot at as targets. It was a fun event to end the day of festivities.

After the sun went down, the men came together in an area nearby to the temple to offer animal sacrifice to the deity. Women are not allowed to this space. The food is then distributed among all the village folk.

Povvadi Namme, Kodagu
Povvadi Namme, Kodagu

On the following day, there is a similar celebration with Kombaat and Valaga, but on a smaller grandeur. on the seventh day of the festival, a pooja is offered to the goddess by all the thakkas, before returning the bandara potti and the temple jewelry to the treasury. The last and the final day of the fortnight long festival was marked by a ‘Kalasa Pooja’ offered to the goddess before drawing curtains on such a beautiful festival until next year.

Disclaimer: The purpose of this article is for documentation of lesser known festivals of India. The above information is only based on what I could gather by discussing with people who had come together at the temple. My apologies for any wrong representation. Readers are welcome to contribute any information that is deemed important and useful to be shared here.

This post was featured  on 24-Oct-24 edition of ‘Spectrum’ in Deccan Herald National daily.

A festival to celebrate rebirth- Valangaiman Padai Kavadi

It was an online link that led me to a few photographs of a rare celebration. The images were accompanied by very little write-up for me to get a clear idea about the occasion. All I could infer was that it was a festival called ‘Padai Kavadi,’ celebrated in a village called Valangaiman, near Kumbakonam in Tamil Nadu.

I reached out to a few friends from Tamil Nadu who, in turn, connected with their acquaintances from the region and gave me information that the festival is celebrated annually, on the second Sunday of the Palguni month as per the Tamil calendar. Since I had ample time, I could meticulously plan my itinerary for that weekend and wait for my arrival at Kumbakonam. I had earlier visited Kumbakonam, so I included a few places that I could not cover in my previous trip. But that is for another story. For now, the focus is on ‘the Valangaiman Padai Kavadi festival.’

What is the festival about?

For a South Indian in general, one might think the Kavadi festival happens in every other village during this season. So, what got me curious about this place? Well, this Kavadi festival at Valangaiman celebrates the rebirth of a person. As per the local belief, people suffering from smallpox (still considered a deadly illness in most parts of India) make a vow at the Sri Padaikatti Maha Mariamman temple to perform the Padai Kavadi if cured. Once completely cured, they believe they have seen death and returned. Therefore, the convalesced person is made to lay on a bier or a handbarrow, lifted and carried by pallbearers, and the entire ceremony or the ritual of a traditional funeral is conducted as if he/she were dead.

There are primarily two types of biers. One, a simple yellow cloth tied to a bundle of sugarcanes or a single sturdy bamboo that is used as a cradle for kids and carried by two men on either end; second, a handbarrow with two bamboo culms knitted together with coconut fronds on which an adult convalesced is carried by four men. The adult bier is made more elaborate and decorative depending upon the interest and financial status of the person offering his vow.

Valangaiman Paadai Kavadi festival
An adult-female laying on a bier at Valangaiman Paadai Kavadi festival

I was told that three sister goddesses are living (at dedicated temples) in parallel streets of the village. The kavadi (usually body piercings or holy water carried in decorated pots on heads) is offered as vows to all three sisters, but the Padai Kavadi (the resumption of the dead, celebrated by sleeping on a bier) is offered only to Sri Padaikatti Maha Mariamman, the second among the three sisters, during the auspicious day of Palguni month.

Valangaiman Paadai Kavadi festival
A child being carried on a bier at the Valangaiman Paadai Kavadi festival

What happens on the festival day?

The procession of the convalesced people lying on biers starts early morning, mostly to avoid the noon sun. One can find hundreds of devotees who gather either at the small shrine of Vinayakan on the banks of the river Kudamurti or at a dozen makeshift temporary shrines set up by various local priests on the dried riverbed. Here, the bier, the person supposed to lay on it, and the respective kith and kin assemble for the rituals. Each person offering their vow is made to sleep on the bier after their family deity is invoked. Their eyes, nose, and mouth are closed with yellow cotton fabric, hands and legs are tied together as if those of dead people lying in coffins. Holy water is sprinkled around, and all the people gathering touch the feet of the sleeping person to take his/her blessings before the pallbearers carry them for the procession towards the Mariamman temple. For as long as a convalesced person is sleeping on the bier, he/she is treated equivalent to God as they are someone who has neared death, seen God, and returned. Then, a person carrying a clay pot with burning wood and incense leads the procession, and one with a pot full of water trails them, all being accompanied by drumbeats and flower throwers.

Valangaiman Paadai Kavadi festival
A funeral entourage going towards Padikatti Maha Mariamman temple

The procession circumambulates the Mariamman temple thrice, and then the bier is lowered down in front of the temple. Rituals are performed, post which the person descends from it and goes inside the temple to see the goddess and complete his vow. This is about the Padai Kavadi for people who survived death.

Valangaiman Paadai Kavadi festival
An adult man being carried on a bier at Valangaiman Paadai Kavadi festival

However, people who have suffered other ailments also make vows to offer a replica of the body part/ organ that has been cured through their prayers to Mariamman. One can see models in clay or silver, like eyes, legs, hands, etc., being sold around and offered by people at the temple, depending on their cured illnesses.

Apart from this, one can also see several people with various kinds of body piercings walking on the road (which is also a form of Kavadi) and circumambulating the three sister temples to offer their vows and prayers. A man suspended from a crane with his back hooked with metal loops and circumambulated around and in front of the temple, some men with full torsos pierced with lemons, long and heavy tridents passed through both cheeks, etc., were some of the unique and different Kavadi offerings I witnessed here. A detailed post of a dedicated festival of body piercings called ‘Mayana Kolai’ is available on my blog for further reading.

Valangaiman Paadai Kavadi festival
Body piercings at Valangaiman Paadai Kavadi festival

After all the kavadi offerings are over, the presiding deity, Goddess Padaikatti Maha Mariamman, is then brought out of the temple by around 03.00.p.m. on a procession. Around that time, cattle (goats and sheep) and poultry donated by the devotees are tied to another central post that is erected in front of the temple and suspended up and down with their bodies held firmly in the center. I could not gather sufficient information about the significance of this ritual, but I would be glad to learn from any of my readers here.

Valangaiman Paadai Kavadi festival
A devotee with body piercings; Also the wooden post used to swing cattle hoisted infront of the Padikatti Maha Mariamman temple

The festival then culminates after the deity returns inside the temple.

Valangaiman padai Kavadi festival

India’s largest Cattle fair- Anthiyur Gurunathaswamy temple

When a friend mentioned taking a road trip to a fair at Anthiyur village, neither of us had many expectations. What can one expect at a village festival in India, after all? All that we had learnt before commencing our road trip was that it was a cattle fair, which was held as part of the annual festival of the Gurunathaswamy temple at Anthiyur village. Supplemented by a handful of YouTube videos in Tamil, we decided to take the long drive from Bangalore to spend a weekend.

We started from Bangalore before dawn to reach Anthiyur at the earliest and get sufficient time to see all the cattle stalls before returning. But only to our surprise, the scale of this temple village fair was anything beyond our imagination. Neither of us had seen or heard of a small village festival to be of such a large scale and spread.

The beautiful hills around Anthiyur village
The beautiful hills around Anthiyur village

The story dates to around 600 years, when there lived a clan near Pichavaram forest, that worshipped three stones known as ‘Kutty Aandavar’ (translates to ‘Small God’, in Tamil). The local ruler wanted to marry the priest’s daughter. However, the priest’s family was against the marriage proposal. Meanwhile, one of the members of the priest’s clan gets possessed by their deity’s spirit, and the family is told to abandon the village along with the three prayer stones to avoid the outrage of the ruler’s anger. Following this, the family started to move north until they found a safe place to settle down. At some point, the family felt that their survival was going to be difficult and that the stones being carried by them were an additional burden. Hence, they continued their journey by throwing the stones into a nearby pond. They halted at Anthiyur for the night.

On the following morning, Santhakumaran (one of the family members) was surprised to find the same three stones back in his bag. They realized the powers of their deity and resumed worship of the stones by giving them three different names. The first stone was called Kamatchi, the second one was Perumal (Vishnu), and the last one was Gurunatha Swamy (a combination of Shiva and Kantha).

During the festival, three deities are taken on a procession from the main shrine at Anthiyur village to a temple in the nearby forest. As per mythology, a demon is believed to have occupied the forest in which Goddess Kamatchiamman wanted to reside. A fierce war was then fought between Veerabhadra (the warrior assistant of the Lord, protector of Kamatchi-amman) and the demon, in which the demon eventually surrendered. It is said that instead of leaving the forest, the demon requested lord Gurunathar to allow him to stay there on a condition that Kamatchiamman came there once a year to visit him. However, Veerabhadra agreed to this on the condition that he, too, was allowed to stay in the same forest. This temple is today called Vanakovil (translates to ‘Temple in the forest’ in Tamil), where Kamatchiamman is brought in a palanquin from the main temple.

The current temple structure is believed to have been built by the Pandya kings. The Gurunathar temple houses an 11*11*11 feet kulukai. A kulukai is a large earthen storage container mainly used for storing food grains, with a large opening at the top (to fill the container) and a small vent at the bottom (to take the grains out for consumption). It is believed that the kulukai in this temple is used to store the jewels and other items related to worship, and is guarded by snakes. Only the head priest is allowed to enter the container and access the stored things, and is unharmed by the guarding snakes. Therefore, this kulukai is worshipped by the local people and it is believed to keep them safe from reptiles, scorpions, etc.

The month-long temple festival held during the Aadi month of the Tamil calendar hosts a range of unique rituals and celebrations during this time. Temple cars built for each deity are prepared and managed by the respective caste of people. Two large, towering, nicely decorated temple cars (the largest is of Gurunathaswamy and the smaller is of Perumal Swamy) are pulled by thousands of devotees who gather from across the nearby villages, from the main Gurunathaswamy temple to the Vanakovil and back. Today, animal sacrifice is practiced in Vanakovil.

A four-day-long cattle fair is, however, the highlight of the festival for which people come from across the districts of Tamil Nadu and the states of India. There are only two cattle fairs held at this scale in India. First, at Anthiyur (more popular for the horse fair) and second, at Pushkar in Rajasthan (Primarily a Camel fair). The history of the ‘Kudurai Santhai’ (the Horse fair) dates to the times when Tipu Sultan was the ruler of Mysore. He visited this cattle market to buy the best horses for his cavalry and sold his horses that were no longer fit for battles.

It has, over time, gained popularity among horse enthusiasts across the country who consider buying horses from this market as a matter of pride and prestige. The cost of each horse can range anywhere between 50 thousand to 50 lakhs rupees. Today, apart from buying and selling horses at the ‘Kudurai Santhai’, many horse owners come here to simply display their prized possessions. One gets to see stallions, mares, sires, and ponies of various native indigenous and pure breeds here. Some horses are made to perform to drumbeats and kept on exhibition. On the last day of the four-day-long ‘horse fair’, Geegees are judged based on their structure, build, and looks, and finally, awards are given away. On the day we visited in 2023, there were over 1000 horses at the fair brought in for various purposes.

All accessories, equipment, and other things that are associated with horse-keeping and equestrian training can be found and are sold here. Apart from horses, this fair is also the largest marketplace in India for other breeds of cattle and livestock like cows, goats, sheep, camels, rabbits, dogs, and birds. With encouragement given to native breeds, it is a great experience to see cattle across the 34+ acres of land.

To supplement the cattle markets, there is a makeshift amusement park set up, which is also by far the largest makeshift amusement park I have ever seen. Over ten giant wheels, rollercoasters, circus tents, and at least three globes of death are set up among several other types of amusement rides. The energy and ecstasy of this fair is all together only to be witnessed rather than to be read about.

Anthiyur festival
The makeshift amusement park at Anthiyur festival
  • Bamboo staff- You will find people buying them, as it is considered auspicious to keep this weapon of Gurunathar Swamy at home.
  • Colorful horse whips
  • Horseshoes- this is believed to absorb negative energy if hung at the entrance of houses.

Disclaimer: This article is posted to document folklore and lesser-known festivals of India. If any mistakes are found, it could be based on what was heard as stories. Kindly comment below or message directly for any corrections required.

The Boad Namme of Chembebellur

‘Boad’ in Kodava language means to beg/ request. ‘Namme’ translates to ‘festival.’ Thus, the ‘Boad Namme’ can be loosely called as the festival in which the people of Kodagu request ‘Goddess Bhagavati’ to grant their wishes.

The Boad namme is observed across Bhagavathi temples located in several villages in the southern part of Kodagu district, in series. The first Boad of the year starts at the temple of Kunda and the last one is observed at Parana village. Kudure (Horse) worship is an integral part of the Boad namme. In this, a young boy belonging to a designated clan from the respective village dresses up in the costumes of a horse and participates in the various ceremonies during the festival. Hence, it is said that ‘Kundath-ra Bott-le nenda Kudure, Parana mani-le ilinja Kudure.’ Translating to ‘the horse which rises at Kunda will only settle at Parana.’

I will talk about these two Boad festivals in separate posts. Among a series of all other Boad namme that are observed across villages in South Kodagu, I am starting from the middle, at Chembebellur village. The Boad Namme of Chembebellur is among the most popular of them all. It is observed over a period of four days and usually happens around the last week of April of each year.

Day one is Pattani. People belonging to all the native clans of Chembebellur observe ‘Fast’ on this day.

Day two is Kudure. Three young boys representing three clans of the three main Keris (areas) of Chembebellur i.e., Ajjinakanda clan of Podakeri, Coluvanda clan of Podakote and Chembanda clan of Nadikeri wear the costumes resembling horses (Kudure) and start from their respective Ain mane (clan’s ancestral home). They are accompanied by men impersonating other local deities of the village like Choundi, Aiyappa and the others during their march towards the Bhadrakali temple where they all assemble and hold the following rituals. Post this, there is a fire set up in front of the temple in which effigies are burnt.

Kudure at Chembebellur Bhadrakali temple
Day 2: Kudure at Chembebellur Bhadrakali temple

The gathering then moves towards the village’s ‘Eshwara temple’ where the rest of the men and boys of all age groups dress up in various costumes. This dressing-up is a form of a vow they make to invoke Goddess Bhadrakali’s blessings. The costumes could range from traditional Bund-kali (Mud-smearing), Pill-Bhoota (Hay man), Puli-vesha (Tiger costume) etc. to more modern forms of cricketers, Llamas, swamijis, seducers etc. These dressed up men folk visit every house of Chembebellur asking/begging’ for alms all night and it is a fun time for all the households who host these men in the houses.

Day Three is Boad. This part of the festival is the most awaited and the highlight of the four-day celebration. All the dressed men congregate at the Bhadrakali temple in the afternoon. They are accompanied by the men impersonating the local deities as well. They all together circumambulate the temple thrice and go around begging form alms from the thousands of people who gather there to participate in the festivities. The end of the circumambulation marks the end of the Boad where all the men collectively offer all the money collected through begging to the Goddess and seek her blessings.

Day 3- Boad festival at Chembebellur Bhadrakali temple

Day four is Choole. Young boys who are yet to reach adolescence, cross-dress in attire of Kodava women and offer their prayers at the Bhadrakali temple. This day marks the end of a fun and yet traditionally rooted festival of Chembebellur, paving way for a Boad namme to start at yet another village of South Kodagu.

Disclaimer: The purpose of this article is for documentation of lesser known festivals of India. The above information is only based on what I could gather by discussing with people who had gathered at the temple. My apologies for any wrong representation. Readers are welcome to contribute any information that is deemed important and useful to be shared here.

Weekend Hike- Bala Kodandaraya Swamy Temple

Although this destination is a recommendation for weekend and day hikers of Bengaluru, it is in Krishnagiri, a district bordering the two states of Karnataka and Tamil Nadu.

The views from an ancient temple had caught the attention of my friend and me, who are always in the look out for less crowded and less explored landscapes and places with cultural and historical importance. One such place was the ‘BalaKodandaraya Swamy temple’ whose history dates to the Vijayanagara era. Based on our online research, we found out that getting to the temple involved a short hike.

We started early on a Saturday morning by car. We had our breakfast along the way, in one of the several restaurants on the Hosur highway. From there, we followed the route on Google maps to reach our destination. A steep deviation to the left of the highway led us through villages. There were asphalted roads and good views of the surrounding hillocks for as long as the road passed through villages. The last couple of kilometers were through unpaved muddy roads passing through a slight forest stretch. We finally arrived at a small open space where we parked our car, at the base of the temple hill.

The forest trail
The trail through the forest cover, starting from the base to the temple arch

There was a small structure of brick and mortar (gudi) at the base, from where a flight of stairs led to the hilltop. People lit lamps, agarbattis and camphor here before starting their ascent. It took us about half an hour’s climb along properly laid stone steps leading to the top. These stone slabs bear the names of the devotees who have donated them and the count of their donations on each step. The ascent curved around at multiple places and offered amazing views of the valley below at every turn. The first half of the climb had a forest cover and large boulders on both sides, until we arrived at the welcome arch of the temple.

The path towards the left of the trail, towards the temple
The path towards the left of the trail, towards the temple

The forest cover ended after a few steps further from there and opened to a panoramic view of the valley of the villages and farms below. As one stands on a large rocky outgrowth, you will find the trail split into two paths. One, straight down through some Gulmohur trees. Second, up towards the temple. We decided to first walk the trail going straight. A few yards from there, the trees made way to a beautiful pond of pink lilies, dug right beneath a large rocky monolith. We later realized that devotees take a dip in this pond before proceeding towards the temple.

The path towards the right of the trail, leading to the temple pond
The path towards the right of the trail, leading to the temple pond

The view of the valley from there and the magical vibe of sitting by this pond of lilies could not let us go easily from there. My friend settled on the banks, with a book to read. Although the water was heavily littered with plastics, it was still a super calm spot to soak in some good energy. After spending a while, we then headed towards the temple, located on the peak of the hill, a short walk away. There was a panoramic 360 degrees view of Hosur and Krishnagiri from the temple, the green cover around, Krishnagiri dam and the Then Pennai river. The temple priest arrived much later at around 10.00.a.m. for the daily prayers.

Balakodandaraya swamy temple, Krishnagiri
Balakodandaraya swamy temple and the cleft for drawing water

Surprisingly, a small cleft in the rocky hill serves as a perennial source of potable water for temple use. The people who had gathered there by then, helped the priest in drawing water from this cleft and clean the temple premises before offering the day’s prayers. We sat there for a while and decided to head back to the base before the sun took over the skies and heated the rocks around. Overall, it was an incredibly beautiful place for a short trip from the city.

Other nearby places:

If you are looking at making it a full day trip, then you can explore the nearby places that include:

The Hoysala Trail 2- Belavadi

In my wish list to visit as many Hoysala temples as possible in this lifetime, this is the second documentation. I started this series with the temples of Belur and Halebidu, as these were the erstwhile capital cities of the Hoysala. I will move on from there.

Continued from The Hoysala Trail 1- Belur & Halebidu

Belavadi is a quaint little village located approximately an hour away from the Hoysala capital town, Belur. The Veera Narayana swamy temple of Belavadi is one of those where the main idol of the presiding deity is still intact and regular prayers continue to be offered. The intricacy of the artwork on stone is very similar to that of the temples at Belur and Halebidu.

Veeranarayanaswamy temple, Belavadi
Images: Veeranarayanaswamy temple, Belavadi Top: Outer entrance gate to the temple Below: Inner entrance to main shrine at Veeranarayanaswamy temple, Belavadi

Unlike the main Gopuram (temple tower) at Belur, the entrance gate at the Belavadi temple is small. There are two ornate statues of two elephants that greets you inside. The sculpture on the outer wall is simple and minimalistic. as you enter, you notice that the inner walls are plain. It is possible that these were stolen, vandalized, or lost over the course of time, only historians can tell me better.

Veeranarayana swamy temple, Belavadi
The sculptures on the exterior of Veeranarayana swamy temple, Belavadi

As you walk past this entrance gate, arch you pass the courtyard and are greeted again by a pair of standing elephant statues into the main temple that encompasses the shrines in the trikuta style of temple architecture. The three shrines inside houses idols of Lord Vishnu in three different forms. Huge lathe turned stone pillars and walls bearing fine and intricately carved figurines adorn the inner walls of the temple where photography is prohibited at the time of my visit (in July-2022).

Veeranarayana swamy temple, Belavadi
The Trikuta temple towers at Veeranarayana swamy temple, Belavadi

The outer walls are equally gorgeous too with intrinsic stone carvings and embossings all over. Due to limited permissions for photography, my photo story here consists only of photos of the exterior of the temple, but more than sufficient to give an idea of this marvel.

Veeranarayana swamy temple, Belavadi
The inner and the main entrance of Veeranarayana swamy temple, Belavadi

Also, a walk around the tiny hamlet of Belavadi is highly recommended. I loved the unique design of these traditional houses that emanated a vibe of an old world.

To be continued as Hoysala Trail 3

I Belong to Everywhere: Uttarahalli

This is an attempt to bring back nostalgia. Continued from- “I Belong to Everywhere: Napoklu

‘Uttarahalli’ translates to ‘Northern Village’ in Kannada. The irony is, it is located in the southern-most part of Bangalore. This is the current place of residence of my family and is also the last post in this series. This home seems like a perfect retirement plan for a family that seeks a little bit of nature in the midst of a bustling metropolitan city.

With very little vacant space available, my parents try to grow their own vegetables and fruits, welcome birds and squirrels to have meals with them and sip their ‘kaapi’ while watching the sun go down. These are some among many other things they do to keep themselves running through the day.

The sparrows in my portico
The sparrows in my portico

The area is soaked in rich history as well.. While the ‘Vasantha Vallabharaya swamy temple’ dates back to the Chola era, an adjacent cave is believed to be the place where Rishi Mandavya had meditated.

The Turahalli forest is a small patch of lung space nearby, that joggers, cyclists, conservationists and the realtors all seem to have an eye on!

The latest addition to the landmarks is ISKCON’s ‘Krishna Leela theme park’ located on the Vaikunta hill. The sunrises and rainbows on cloudy days are mesmerizing, adding a backdrop to the view of this temple from my doorstep.

Annual fair of Vasanthavallabha temple, Vasanthapura, Bangalore

This is the last post of this series: “I Belong to Everywhere“. I hope you all have enjoyed time travelling with me hopping on- and off from Bangalore to Kodagu. Which place did you like the most? What place would you want to go after reading my posts? What more do you want to know about, from these places?

I Belong to Everywhere: Napoklu

This is an attempt to bring back nostalgia. Continued from- “I Belong to Everywhere: Yelahanka

Napoklu is a small town located in Madikeri Taluk, in the northern part of Kodagu district. I have spent several memorable holidays here, living a high energy childhood. There are several places of interests for tourists and local pilgrimage that are centered around Napoklu. Some of them are ‘Sri Makki Sastavų temple’, ‘Chelavara waterfalls’ etc. The ‘puttari festival’ is one of the best and the most elaborate one celebrated by the Kodava clan native to Napoklu.

Puttari festival at Kolu Mand

If any of you find a tinge of madness in me, it is likely that it has been due to the influence of my cousin who hails from this town. He has been my closest friend as we both grew up together, roaming farms, fields and streams. On weekends when he didn’t come to our grandparents’ house in Madikeri, we would be roaming together, around the other places that are mentioned in this series of posts.

Although I have spoken about how I developed the awareness for conservation of wildlife in one of my earlier posts, but it is in Napoklu, that I originally imbibed the qualities of empathy for animals. Apart from the cattle, dogs and cats that I was surrounded with in Madikeri, my cousin had birds, fishes, tortoises, rabbits and poultry in his house. They shared a unique bond with him. While during the days, we caught dragonflies with aquarium nets, we chased fireflies at night and trapped them all together in empty glass jars to create a mini ecosystem of our own.

Beetles and ladybugs
Beetles and ladybugs

If you wonder how I know some names of celebrities from across the globe, it is because we followed them. I watched Formula-One, WWF, Tennis and Cricket without missing a single match or a tournament, because the TV remote would always be with this guy and I had no option. The craziest automobile geek I had ever known, much until I became an automobile engineer and met a few other geeks along the way, was this cousin alone. We traded ‘trump cards’ and fought each other over the ownership rights of the rarest WWF and Cricket cards. We still hold back some of these treasured collections and often reminisce those good days of innocent fun. These are the same things that trigger little momentous joy to me even today and that which helps me spread positive energy.

To be continued as- “I Belong to Everywhere: Uttarahalli

An Offbeat Day Trip from Bengaluru to Channapatna

The original plan for this short family outing was to make an early morning visit to Sanjeevaraya Swamy temple in Channapatna Taluk of Ramanagara district and return. But, since my workplace is located along the same route, I expressed my disinterest in traveling that way. I pitched in the idea to have a change of route at least for one-way. Hence, I added a couple of other landmarks, picked up an offbeat village road and created a circuit with aid from google maps.

For those of you who are not familiar with the geography of Karnataka, Ramanagara is popularly known for its Sholay hills that was featured as the village- ‘Ramgarh’ in the Bollywood movie Sholay. Channapatna is popular for its cottage industries of wooden toys. I am not going to write about any of these places, the search engines are already flooded enough! I am going to take you around some lesser known places in Channapatna, for a half a day’s trip from Bengaluru.

Our circuit route was:
Bengaluru – Bidadi – Kengal – Devarahosahalli – Neelasandra – Vittalenahalli – Bhoohalli – Kanakapura – Bengaluru

The Details:

We set out on a Saturday morning and decided to have our breakfast on the way. Sri.Renukamba tatte idly (translates to ‘Plate idli’ in Kannada) needs no introduction for the Bengalureans. So, after a filling plate of tatte idly at Bidadi, we proceeded towards our intended destination for the day. To reach there, we had to pass through Kengal, a village popular for yet another Hanuman temple. Moving ahead from there along a small deviation, we arrived at our first major destination: Sanjeevaraya Swamy temple at Devarahosahalli village. This is a small stone structure dedicated to Lord Hanuman and dates back to the Vijayanagar era. The deity is believed to be powerful and hence, we were there to offer or prayers following the recommendations of some well-wishers.

After spending some time there, we continued onward to our next destination, a little cave temple located atop of a hill. The drive, the scenery, the canopy of the majestic trees along the highway was a pleasant one. We stopped by to do some bird watching at the Neelasandra lake as well. We could see Pelicans flocking in large numbers.

Our next major stop came as a rather surprise to us. Gavi Ranganatha Swamy temple was a random destination included in our day based on an internet search result. The drive, the location of the temple, the valley, the village view from the temple porch and the overall scenery was just so stunning and unexpected. There was just no one else in the temple apart from our family and a few local kids playing in the hill, atop which this temple is located. You can watch the video of our visit to Gavi Ranganatha Swamy temple below:

Drive to Gavirangana betta

By this time, the sun was already up and beaming bright. So, we decided to drive back, of course through a different route. We descended the Gavi Ranganatha Swamy hill and took the route that connected to Kanakapura. On the way, we stopped at this beautiful location where the highway passes through green farms on one side, a large lake on the other side and the entire scenery was being overlooked by the temple hill.

Vittalenahalli highway and lake

Our drive from there continued through large stretches of rocky hillocks, mango orchards, paddy fields, coconut groves and mulberry farms. Ramanagara is also known for sericulture. Several households in the villages here are involved in silkworm rearing. As we passed through, we noticed that families were sitting out in the verandahs of their traditional houses and collecting the fully grown cocoons from the bamboo trays. We stopped by and walked over to one of the houses on our way and learnt a thing or two about sericulture from them.

Silk Cocoon trays

In a short while, we reached the Kanakapura main road where we had our lunch. Well, it was a late evening lunch before continuing towards home and thus ending a quick trip to the Bengaluru outskirts.

A sunrise hike to Kunti betta

As the lockdown is easing out and the Covid positive cases in India are on a rise, many people are opting DIY (Do it Yourself) day trips and hikes over organized group trips. Either with just family members or a closed knit of friends is what seems to be an option for some time more to come. Quite a few of them have been asking me to give them suggestions of where they can go for short drives or hikes. One such suggestion is ‘Kunti Betta’. Although I had done this hike with an organized itinerary by ‘Plan the Unplanned’, one can try this by themselves. However, a hike in daylight is suggested over our pre-dawn adventure.

We started from Bangalore at midnight as we wanted to reach the peak before sunrise. It was still dark, cold and windy when our minibus reached the parking lot of ‘Sri Shankarananda Bharati Vidyapeeth’ school at Kachenahalli village in Mandya district. We climbed a small flight of stairs, walked past a temple pond (we couldn’t see but only were told by our guide) and continued to walk in a single line following each other’s torchlights. While a couple of them tripped over small stones on their path, a few others got their shoes wet by stepping into water puddles in the dark. With torchlight, our guide navigated the path through thick shrubs, tall grasses and large boulders enroute. We reached the peak in a couple of hours.

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The view from the Kunti Betta peak: Before dawn, at dawn break and after sunrise

It was dark when we reached the top and it was unexpectedly cold. I hadn’t gone with enough warmers but that didn’t stop me from sleeping on the cold rock until dawn. I watched the stars in the clear sky and didn’t realise that I had surrendered to the sleep gods. I was awakened by a fellow hiker at dawn. The view of the distant lake and sugarcane farms looked nice from the top. Also, several other rocky hillocks dotted our view. The one we were standing at was named after Kunti, the mother of the Pandavas. History has it that the hill was earlier called as the ‘French Rocks’, named by the French army in the pre-independence era. Although it was partially cloudy by the time the dawn broke, we still got lucky to get a glimpse of the sun that morning. After taking enough photos, we started our descent.

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The Kunti Betta hike route

Since there are lot of loose rocks, there were possibilities of slip. Only during descent, we got a sense of the terrain and the view which we had missed while climbing up. We soon reached the temple pond at the base beside which there is a large monolithic rock. The localites use this as a giant slide. I too climbed up this rock and the kid in me had fun sliding down from this version of the desi slide.

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The temple pond at the base of Kunti betta

Our stomachs were grumbling by that time and there was no food around. With permission, we could use the washroom at the school. We then commenced our return to Bangalore with a breakfast stop at ‘Maddur Tiffanys’ for their signature dish- Maddur vadas with Masala dosa and filter coffee. The landscape was beautiful with green sugarcane farms extending on both sides of the countryside roads before we hit the highway.

A word of advice though:

  • Since there are too many hillocks in a cluster, having a guide would be better to find the right peak.
  • Since we hiked before dawn, there was also the fear of confronting wild animals like bears and leopards. Although, we didn’t see any, this was told by someone in the group.

Although we did only the early morning hike, you can make it a full day activity. These are a few things you can include in your itinerary:

  • Since Mandya is the ‘Sugar Bowl’ of Karnataka, you can visit any of the small sugar/jaggery making setups on the farms enroute and savor freshly made jaggery.
  • A lot of people visit the Tonnur lake (about 10kms away) from Kunti Betta and take a dip there. Alternatively, you can visit Manchinabele dam or Kanva reservoir. We skipped it as we were told that the soil on the banks was marshy at the time we visited.
  • You can visit Ranganathittu Birds sanctuary and take a ferry ride in the river.
  • You can also visit ‘Janapada Loka’ to get an overview of the folk-culture from across Karnataka.