The heritage of paintings- a list from all Indian states

Art is an integral part of human life. Paintings are yet another form of expressing imaginations. The history of paintings in India dates to pre-historic times where there are several rock and cave paintings scattered across the sub-continent. Painted pottery on terracotta and ceramic too have been excavated at several sites. Eventually, it became an attempt to bring the storytelling of the Indian epics to a visual form, each one using the material available locally for colour and canvas. Some forms were patronized by the kingdoms that ruled India and yet a few, used by the local tribes to decorate their dwellings. The use of natural colours on naturally available surfaces has evolved with the generations, picking up influences from various events, people along the way.

This is the land of great artists like Nainsukh, Raja Ravi Varma. Bright and rich colours are now an inseparable part of vibrant culture and lifestyle of being Indian. Here is my attempt to enlist the traditional and folk paintings from all the states of India that can help you as a ready reckoner while you are out travelling in this beautiful land. A few, I would like to crowdsource the details wherever I failed.

These paintings can be strategically used in our daily life that will help revive, sustain and promote these ancient art and rural economy.

Andhra Pradesh:

  1. Deccani paintings– are miniatures which predominantly feature palm trees, men & women. The art has a significant influence by the Deccan sultanates who ruled around this area.
  2. Nirmal art– is where the artisans have developed their own canvas using cardboard and luppam. The striking designs in the form of creepers, flowers etc. have evolved on furniture today.
  3. Savara paintings– This wall art is practiced by the Savaras tribe around Vishakhapatnam. The wall is readied with a mixture of red soil and paper. The painting is done with brush prepared by chewing tender bamboo into various thickness. White colour is derived from rice powder and black colour is derived with a mixture of coconut ash & castor oil.
  4. Kalamkari– This is a fabric painting form popular in the rural parts around Machilipatnam. Primarily human faces are block printed using vegetable colours.
  5. Tholu Bommalaata– This is an art of making leather puppets that are hand painted using vegetable colours, mainly found in the region around Adilabad.

Arunachal Pradesh:

  1. Kuthang strolls– These are intricate religious paintings of the Buddhists. These are derived from the Tangkha paintings that are auspicious symbols hung in every monastery and houses.

Assam:

  1. Khanikar art– These are religious paintings that adorn the monasteries & Satras around the state.
  2. Assamese silk scrolls– Traditional colours of Hangool & Haital are used to draw representations from Ramayana and Mahabharata on silk strolls. This is practiced in the upper Assam region.

Bihar:

  1. Mithila or Madhubani– These are originally intricate wall paintings that depict Ramayana & Mahabharata adorning walls across the rural parts of Mithila region and have now become synonymous with the state.
  2. Patna Kalam– this is also another art form largely patronised during the Gupta era. Several paintings have been found in the Nalanda excavations.

Chhattisgarh:

  1. Godna– This is a primitive art form that has been largely in practice as body tattoos by the women folk in the Jamgula and Bastar region. It has found acceptance in the form of motifs on textile with natural colours mixed with acrylic paints.

Goa:

  1. Kaavi mural paintings– is largely popular in the Konkan region. As the colour says, Kaavi is a single colour- red pigment derived from laterite soil. Several structures, churches and temples are coloured with red paint on a white background.

Gujarat:

This state is sort of a mélange with vibrant colours used across a range of art forms.

  1. Pithora– These are wall paintings practiced by the Rathwa & Bhilala tribes
  2. Miniature paintings– This art has been used to depict epics and large stories under the Jain patronage in 11th century.
  3. Glass painting– It is believed that the earliest form of painting on glass (Belgium glass) originated in Gujarat.
  4. Kalampari art– This is a fabric painting technique practiced by the Chitara community.
  5. With many tribal communities living around the Kutch area, each tribe have their own unique art, patterns and colourations used in their daily life like walls, huts, attire, jewellery, pottery etc. It is an endless list but here are some of them from the Rann of Kutch.
  6. Rogan painting
  7. Terracotta paintings like Kavda pottery is believed to have techniques dating back to the Indus Valley civilization.

Haryana:

This is probably the only Indian state that doesn’t have a native art form. With several dynasties and rulers who came and went in this region, there has never been any specific art style that found patrons among who were always busy in fighting battles.

Himachal Pradesh:

  1. Kangra & Chamba miniature painting– Although largely spread across all the Himalayan states and largely coming under the Pahari paintings umbrella, the region of Kangra gave its name to the paintings that was largely promoted and patronised by the Rajputs. However, each ruler gave the art form its own twist and called it a different name.

Jammu & Kashmir:

  1. Basohli miniatures– Again a part of the Pahari painting, the famous artist Nainsukh is believed to have moved from Chamba and have settled in this region during his last days. Thus, giving its name to the bold and intense form of painting the Ramayana and Mahabharata. Hence, Basohli is the first school of Pahari paintings.

Jharkhand:

  1. Paitkar scrolls– Ramayana & Mahabharata stories are depicted on paper with colour made from vermillion. Fine brush is made using goat hair.
  2. Jadopatia scrolls– This form of paintings is used for story telling which are believed to have healing effects on people.
  3. Sohrai, Kohver, Ganju, Rana, Teli, Prajapati, Kurmi, Mundas, Turi, Birhor & Bhuiya, Ghatwal- these are mural paintings used to decorate the walls of the tribal houses. Each, representing a tribe and have their own style. The common factor between all these styles are that the designs comprise of animals & plants depictions thus indicating the connection of nature and the tribe.

Karnataka:

  1. Mysore Royal painting– influenced by the Vijayanagar school of painting, this art flourished under the Mysore Wodeyars. Bright natural colours obtained from vegetables, organic, minerals were painted using natural brushes. Squirrel hair was used for finer strokes and brushes made with a specific grass was used for various thickness and strokes.

Kerala:

  1. Kalam– This is a short name for Kalamezhuthu, a rural art of painting.
  2. Face painting– with various traditional dance forms and ritualistic prayers, face painting is an essential part of art in Kerala. Largely seen in its vibrant designs and patterns during Theyyams, Kathakali etc.
  3. Oil paintings– These murals are very elaborate piece of portraits largely practiced in the Northern part of Kerala.

Madhya Pradesh:

  1. Gond art– A painting style that is used by the Gond tribes. This largely comprises of finely drawn lines in a picture that encompasses animals and plants.
  2. Pithora wall paintings– this form of art is inspired by various myths and is used by the Bhilala tribe to keep away evils. You can often see walls and both sides of the doors painted with patterns that are believed to protect them.
  3. Malwa painting– This folk art can be found on floors and walls and practiced by the Chitera community. Chalk powder blended with turmeric & saffron for suitable shades of the colour is used in doing these paintings.
  4. Mandana paintings– This art is used to depict special occasions and festivals and used only during specific events.

Maharashtra:

  1. Warli– Used to adorn walls by the tribe, this painting uses patterns like triangles and circles to represent community living, human being, trees, animals and everything in general.
  2. Chitrakathi paper paintings– as the name suggests, Chitra (picture) + Katha (story)- These are single sheet paintings used by a specific migrating community of Thakkar tribe for storytelling. Local version of Ramayana & Mahabharata and other myths are painted using colours made from stones. These are also called as Paithani paintings.
Warli paintings used in modern gifts
Compliments cards for gifts with Warli art

Manipur:

**Need help**

Meghalaya:

**Need help**

Mizoram:

**Need help**

Nagaland:

  1. Naga cloth painting– Several Naga tribes reside in Nagaland and each have their own designs in their houses, dresses and morungs. However, the Lotha, Ao and Rengma tribes have their traditional designs painted on fabric. Fine bamboo brushes are used to transfer colours that are made by mixing tree sap, leaf ash and local beer.

Odisha:

  1. Patachitra– These are traditional cloth-based scroll painting from rural parts of eastern Odisha. It is inspired by Mythic elements like Lord Jagannath and is derived from ancient Bengali art which is used for narration in the visual form when a song is performed.
Pattachitra paintings in modern gifts
A Patachitra scroll based envelope- for giving wedding compliments

Punjab:

  1. Sikh miniature painting– This an influence of the Kangra paintings and is used as a narrative of various stories from the life of Guru Nanak. Hence, has a vital role in Sikhism.

Rajasthan:

The list of painting related art forms from this state is endless. Here is a small compilation of the same.

  1. Phad cloth scrolls– These paintings are based on stories from Ramayana & Mahabharata. They have influences of both religious and folk performances by the local priests.
  2. Rajasthani miniature paintings– When the Mughal artisans dispersed from the Northern India, they were sheltered and patronised by various Rajput kings. Individual ruler had his influence on the style, and it evolved into individual styles, largely coming under a common umbrella called as Rajasthani school of paintings.
  3. Wall & ground paintings– Various styles like Devra, Pathwari, Sanjhi, Mandav etc. can be seen based on the individual communities.
  4. Cloth paintings– like Pat, Picchwai, Phad scrolls etc.
  5. Paane paper paintings.
  6. Kavad wooden paintings.
  7. Body paintings– various designs are drawn on human skin using natural colours like Mehendi & Godana
  8. Thape paintings– This is a wall & door painting style that is used to invoke deities. Natural colours like turmeric, henna, vermillion is used.
  9. Badaley paintings– These are either cloth or leather paintings that are used to cover metal utensils. It is prominent around Jodhpur.
  10. Thewa art– This is a form of painting small pieces of glass with gold. It is a famous art around Pratapgarh in Bhilwara region.

Sikkim:

  1. Thangka painting– These are religious strolls that depict important lessons from Buddhism. This uses organic colours and even gold dust and adorns walls, roof and mural in Buddhist houses and monasteries.
Tibetan art in modern gifts
Envelopes with compliments & paintings from Buddhism

Tamil Nadu:

  1. Tanjavur paintings– This is a classical art form that has a 3-D effect with embellished with precious stones, glass pieces & pearls. It has been largely patronized by the Cholas and then have influences from the Marathas and others who ruled the region.

Telangana:

  1. Cherial scroll painting– This is a folk art on very long cloths used for story telling that can sometimes run into several meters. It is painted specifically by the Kako Padagollu community.

Tripura:

**Need help**

Uttar Pradesh:

  1. Mughal/ Persian painting style– The Mughals got artisans from Persia and used their designs and patterns in all their structures across. Art flourished especially during the reign of Jehangir.

Uttarakhand:

  1. Garhwal painting– Again, something that has been a part of the Pahari school, this form largely uses characters that depict romance.

West Bengal:

  1. Patua art– This is a traditional narrative cloth scroll painting style done by a community called the Patuas. An entire story is depicted on a single scroll with several panels for each chapter. The speciality of the art is its people who are mainly Muslim and paint Hindu religious figures in their artwork. These are same as Odisha Pata paintings in theme selection but entirely different in their style and composition.
  2. Kalighat painting– This started as paintings in items that were taken as offerings to Kali temple at Kalighat and has now become a specific form of painting. This is also a form of scroll painting but main difference is that this is done on paper.
  3. Tribal paintings– This is primarily popular among the ‘Santhal tribes’ around the areas of Purulia, Birbung and Barbura.
Continue reading The heritage of paintings- a list from all Indian states

A day at the doors of a holy place at Spiti valley- Nako

I missed the morning bus from Reckong Peo and that gave me some time to take part in the annual mela in the district headquarters. I boarded the next bus at noon, from Peo towards my destination for the day- Nako, a small township in the Hangrang Valley, a part of the Spiti valley. The place gets it’s name from a Tibetan word ‘Nego’ which translates to ‘The Door to a holy place’.

IMG_20181031_161950
The road from Kinnaur valley, leading to Spiti valley

The transition from Kinnaur valley to Spiti valley was evident in its landscape. The road changed from green to rocky to barren along the way, each being spectacular. The snaking road was accompanied by the crisscrossing Spiti river amid a mind-blowing scenery all along the way. Although I was travelling solo, I felt accompanied through warm conversations with the driver and the conductor of the HRTC bus. They were quite surprised and amused to hear that I was from South India, spoke fluent Hindi, was travelling alone and without a fixed itinerary. The bus was stuck in a couple of roadblocks caused by landslides for almost 3 hours in total and that meant- I arrived late at my destination. From all the online research I had done about the place, I knew that Nako was decently popular on the tourist radar and finding a place to stay wouldn’t be difficult. When finally the bus stopped at the Nako bus-stop at 07.00.p.m., I was in for the BIGGEST surprise of my life!

The bus stop was on the highway. That was the LAST public transport of the day. It was pitch-dark already. All the civilization I had read about, did not seem to exist there. Apart from the bright stars twinkling in the clear sky, the only light I could see was that of a dimly lit lantern hanging in a tiny shop. The conductor looked at me blankly and said- this is Nako. “Talk to the shopkeeper and he might help you to find a place to stay”, he said and signaled the driver to proceed their ride.

“Where am I going to stay tonight? Can I trust the shopkeeper? Do I have any other option apart from approaching the shopkeeper?” A million things were running in my head. I stood there for a moment to let my thoughts settle down first. But before that, the biting cold and the rough winds rushed me to the shop for some warmth. In the dim light, I saw hope. The shop was run by an old man and the wrinkles on his surprised face multiplied when I asked him if I could get a place to stay. He nodded a yes and asked me to wait until he attended his last customer and lowered the shutters of his little grocery store.

He walked me through steel shutters behind his shop, got a bunch of keys from his house and asked me to follow him to the floor above his house. He said he runs a homestay (Somang dhaba, hotel and homestay) during summer. Since I was there during offseason, the room wasn’t used for a long time. The room had a low voltage bulb and had no running hot water. I could stay there for the night if I could manage with whatever was available. He was not going to charge me for it. The room had a decent washroom, carpeted floor, enough blankets and a comfortable looking bed. The thought of saying no to the old man and getting adventurous in pursuit of a better homestay in the cold night did not even pass through my head. This place was more than what I had expected to get. I agreed to stay there and grabbed the room keys from him.

As I unpacked my bag to pull out my thermals, Mr.Somang knocked at my door with a bucket of hot water for me to freshen up and told me that he had informed the small dhaba next door to stay up for me so that I can go have my supper. If there was any other problem, I could knock at his door, Mr.Somang lived with his wife in the ground floor. The dhaba was a tiny shed put-up with sheets, was run by a Nepali family and fed the occasional truck drivers who stopped by for chai and Paratha. I had the same for my supper too. As I answered the family’s curious questions, I sat warming myself around the fireplace in their kitchen for some time before heading back to my room.

DSC_0603
The township as viewed from the Nako helipad

I was in for a surprise when I woke up in the morning. The view from the window transcended me to another world that I had imagined only on Microsoft Window’s wallpaper. Barren, dry arid landscape and distant snowcapped mountains. A lonely road ran uphill, and I had slept in a roadside house that had this magnificent view. I immediately jumped out of my bed, fetched a bucket of hot water from the host’s house, freshened up and got out quickly, to sink in the morning vibes of the place. I took a walk to the nearby helipad from where I could get a 360deg view of the surrounding mountains. That was the first time I was seeing a landscape so arid, so dry, so different and so beautiful.

DSC_0626
The view from Nako helipad

As I walked further, is when I realized that the real civilization of Nako village existed only if I walked further away from the main road. Doing this on a moonless night, in order to find a place to stay would have been next to madness. I was greeted by tiny tots with their heavy backpacks and playfully jumping on their way to school. The sounds of mooing cattle and crowing roosters echoed in the silent streets.

DSC_0661

The sweet smell of incense arising from the monastery had engulfed the ambience as I walked towards a small red structure made of clay and red oxide. Prayer drums on its outside indicated that it was the ancient Buddhist monastery where people seemed to be coming to offer their morning prayers. An interesting structure caught my attention to up in the hills. “That’s the old and the main monastery from the 11th century ”, a passerby answered to my question. But it seemed quite far for a lonely walk, so I decided to keep it for some other day. When I have company, perhaps!

IMG_20200426_223708
The Old and the new monasteries at Nako

The further I walked into the village, the more magical it started to seem. The structure of the houses was unique to Nako, from what I had seen all this while. The houses are built at an elevation from the ground with wooden beams holding the dry stones, slate roofs covered with hay and all houses painted with white lime. While I was finding my way to the Nako lake through the muddy lanes, reaching random dead ends and taking blind turns, I felt lost in the maze. Just then, a man appeared in front of me and greeted me with a warm smile. He saw me taking photos on my cellphone and asked me if I minded a selfie with him. Although bad at taking selfies, I did not mind getting myself pictured in that unique looking place.

IMG_20181101_105225-01
The Nako village

He invited me to his house for a cup of chai and not for a second did I think again. I nodded a yes with joy and followed him to his pretty haven whose courtyard overlooked the Nako lake. His wife got excited at the alien visitor in their little abode and got me chai and biscuits along with some hearty conversations. She took me around her home, and I was quite amused at the style in which it was built (almost entirely of clay, stones and hay), a first time for me. Apart from a heartfelt thank you, I did not have anything to give them back for their wonderful hospitality. And neither did they expect anything in return. I bid goodbye and walked down the lane to the lake, a holy place for the villagers.

IMG_20181102_172816
The Nako lake / The sacred pond of Nako

Apart from a few grazing horses, I was the only human there that morning. It was the first time I felt like meditating and decided to sit by the waters for some peaceful moments. The Nako lake is considered holy among the Tibetan Buddhists as Lord Padmasambhava is believed to have meditated here. It is no surprise why I was feeling the unusual calmness and serenity at that place.

A few running kids got me back to reality that I had been sitting there for a while by then. I woke up and got back to the homestay to figure out a way to get to my next destination. But that’s going to be another interesting story (Click her to continue reading)….

This entire journey has been compiled into a book. You can avail it on Amazon or read it for free using your Kindle. Use the link below:

Travelling down the memory lane- Malgudi days

The unfortunate lockdown that the pandemic has brought has sure got the netizens busy. I’m not a TV person but sitting in a spot for video conferences all day (for work) gets me worked up sometimes. My terrace is too hot to go out in this hot summer month. This has given me some time to indulge in watching some series online. Not to fall into the fancy of the latest trending series on OTT platforms, I preferred to catch up on some old classics that were a hit on Doordarshan, back in the days of my childhood. That’s why I chose to start with Malgudi days.

While some claim that Agumbe was the ‘Malgudi town’ and there exists a ‘Malgudi house’, nobody really knows where the entire ‘Malgudi days’ serial was shot. However, since most of the episodes were predominantly shot in and around Shimoga, the present-day railway station at Arasalu (near Shimoga) is named as the ‘Malgudi station’ in honour of the famous serial. One of the trains too is named as the ‘Malgudi Express’ by the Southern railways. The popular serial telecast in the late 1980s comprised of 39 episodes shot and directed by Late.Shankarnag. Banking in on its popularity, the other 15 episodes were later directed by Kavita Lankesh in 2016. From what established a cult in Indian cinema, I am keen on taking a trip down the streets of Shankar Nag’s Malgudi because that is what I grew up watching.

Based entirely out of Karnataka, the rural setting, the culture and top-of-the-notch actors were totally relatable for me as I watched it. As I continued to watch the episodes, what started to intrigue me were the familiarity with several places featured in the episodes. I also started to take note that all were not in Shimoga. ‘Armchair travelling’ is a fancy outcome of being locked down by the pandemic and that got me to travel through my home-state Karnataka and map some of the heritage structures that have been featured in the classic ‘Malgudi days’. So, here are my relative screenshots from the serial and photos of the landmarks, as they stand today. You too can contribute your findings and let us unravel the mysterious locations of the old-timer 😊

1. Episode name: Oldman of the temple- Mandir ka budda
The episode opens with the author R.K.Narayanan himself telling that Malgudi is a fictitious town. It being located in Southern India is only half truth. The truth is, it is applicable to anyone anywhere across the world. Here, starts my quest to map the locations of Malgudi, spread across the state of Karnataka.
a. Ofcourse, Sheshadri and his friends are seen sitting on a platform of a tree that is present even today, at the town centre of Agumbe.
b. The old dilapidated temple that the Old man- Krishna Bhattar’s spirit lived in the episode is the ‘Thimmarayaswamy temple at Bettadadasanapura’ on the outskirts of Bangalore.

2. Episode (serial) name: Swami and his friends.

a. This is an 8-episode long story and is one of the most iconic part of the series. The ‘Doddamane’ in Agumbe perhaps is what was Swami’s house. We still need to look at several other structures that have been featured in the serial.

b. Although I am unable to locate the structure that housed ‘Albert Mission School’ in the series, I sure know where the School logo ‘Fide Et Labore’ featured in it came from. It was easy for me to point it out as my brother happens to be an alumnus of the 150+ years old ‘St. Joseph’s European High school’. Given the setting of pre-independence days in the serial, it was obvious for a Bangalore based director to be inspired to borrow the school logo from here.

c. Swami’s Friend- Rajam lived in a huge bungalow. This is the Thippagondanahalli IB (Inspection Bungalow)

d. Yes, most part of the series was shot at Agumbe. But when the team had packed up and Director Shankar Nag felt that a few scenes needed a re-take, the entire street of Malgudi was setup at a street adjacent to Yediyur lake in Bangalore.

img_20200419_1558003885394149311384243.jpg

Top- The map of Malgudi as conceptualized by Shri.R.K.Narayanan; Below- The present day Arasalu railway station

3. Episode name: A Hero
With some actors replacing the characters of ‘Swami and his friends’, it somewhat is a continuation of the 8-episode series. Though the house indicated as Swami’s house in this episode may not be wholly same as the 8-episode series, it is true that a large part of this episode (The attic of Swami’s house and the riverbank) are common.

4. Episode name: The hoard- Maha Kanjus
This too has been shot in the ‘Doddamane’. The main road facing entrance, the sit-out on either side at the entrance with wooden pillars and doors and the central courtyard indeed are from the ‘Doddamane’ of Agumbe.

img_20200419_1558408646436733945467627.jpg
Episode: The Hoard; Location: Doddamane, Agumbe

5. Episode (serial) name: Mithai Wala- The vendor of sweets.
All I have heard is that ‘Malgudi’ itself is a fictional town created for the serial. The name was derived as a combination of two prominent townships of Old Bengaluru: Malleswaram and Basavanagudi. The story of its origin can’t go away from its offspring, right? What has always been popular as the ‘Shooting house in Basavanagudi’ is in fact the house where the Mithai Wala lives in this 8-episode long series.

img_20200419_1820188489192852779148580.jpg
Series: The vendor of sweets; Location: The shooting house of Basavanagudi

6. Episode name: Nitya
Nitya, the protagonist is taken to a distant hill-temple where his parents had a prayer to be offered. The entire setting of the hill-temple is the present-day popular trekking destination- Devarayanadurga’ in Tumkur district, on the outskirts of Bangalore.

img_20200419_1556242313197449996913817.jpg
Episode: Nitya; Location: Devarayandurga

7. Episode name: The seventh house- Saathvan ghar
This episode has been shot across multiple locations. However, there were a couple of them I could identify.
The scene where the couple and their families go to offer pooja in a temple is Devarayanadurga, same as the one in the episode Nitya.
a. The scene where the couple meet after college has the Town hall building of Mysore in the backdrop.
b. The scene where the protagonist rides to see an astrologer is the temple at Kaiwara. It has largely been renovated as on today. But the Narayanappa temple in the background, the rocky hillock on one side and a motorable road seen in a glimpse indicate it is indeed Kaiwara.

img_20200419_2359087779830708236567927.jpg
Episode: The seventh house; Location: Top- , Below- Kaiwara

8. Episode name: Iswaran
a. The college or the senate hall with its Gothic style of architecture featured in the episode is the ‘Central College of Bangalore University’ located in the heart of Bangalore.
b. The Protagonist, Iswaran watches a movie at a cinema. The palace featured in the movie is the ‘Bangalore Palace’.
c. Time and again, Sarayu river has been mentioned in the episode. Given the typical setting of Karnataka and the writer’s hometown of Mysore, the lifeline of this region is river Kaveri. I believe that the river where the protagonist drowns in at Sangama, near Srirangapatna.

img_20200419_1557072785711876990109400.jpg
Episode: Iswaran; Location: Top- Central college, Below- Bangalore palace

9. Episode name: The performing child- Abhinetri
Given the fact that it is still one of the iconic lung space of Bengaluru and there runs a toy-train amid a lot of greenery, the train journey featured in the child’s dream is in Cubbon park.

10. Episode name: Roman image- Rome ka Murthi
a. The stone temple that Sheshadri and Professor walk around after climbing up a rocky hillock that overlooks green meadows is the ‘Mantapa’ located at the peak point of Kodachadri.
b. The red structure where professor Bandopadhyay is indicated to be working on a renovation of a Jaipuri palace- is the Shivappa Nayaka’s Palace located near Shimoga.

img_20200419_1559211829629155025381725.jpg
Episode: The Roman idol; Location: Top- Kodachadri, Below: Shivappa Nayaka’s palace, Shimoga

11. Episode name: The watchman- Chowkidar
Although the structure and the surroundings seems to be in a dilapidated condition in this episode, it has been largely renovated and restored as on date. The entire episode has been shot in the ‘Thimmaraya swamy temple complex at Bettadadasanapura’ in Bangalore. The large trees in the premises, the temple pond, the entrance stone pillars and the fortress like wall encompassing the temple premises on a rocky hillock are the things that stand testimony to the famous episode.

img_20200419_1603378700133774239826933.jpg
Episode: The watchman; Location: Bettadasanapura temple

12. Episode name: A horse and two goats- Muni
Given the rural setting of the protagonist’s house and the fact that he eats Ragi mudde, it is a story from the Mysore region. The place where he goes to graze his goats daily in a eucalyptus grove and the slopy terrain of the hills where the road passes, could it be the road that leads to Chamundi betta? Or could it be Nandi hills? (as guessed by ‘The light baggage)

13. Episode name: Trail of the green blazer – Pocket maar

The temple where the protagonist offers his prayers with a coconut before heading for stealing is the Panchalingeshwara temple at Begur, located in the outskirts of Bangalore. (Information contributed by ‘The Light Baggage‘)

img_20200421_0011247701976065440120278.jpg
The Panchalingeshwara temple at Begur

Are there any familiar locations that you could identify in the serial? Let me know..

Here are the remaining episodes 🙂

14. Episode name: Leela’s friend- Siddha

15. Episode name: The missing mail- Dhakia

16. Episode name: Engine trouble- Engine Ki kahani

17. Episode name: Forty-five a month- 45 rupiya

18. Episode name: The career- Ramji Ki Leela

19. Episode (series name)- Naga

20. Episode name: Sweets for angels- Kaali

21. Episode name: A willing slave- Aaya

22. Episode name: Cat within- Paap ka gada

23. Episode name: The gateman’s gift- Govind Singh Ki Bhent

24. Episode name: The edge- Dhara

The truth that Travel influencers will NOT tell you

Being an Influencer is a BIG responsibility. It means, that person has the power to ‘INFLUENCE’ people. It doesn’t matter if you are a nano, micro or a mainstream- fully-fledged influencer, it only means that you have the POWER to influence a certain group of people in a domain of your expertise. So, every person with this power has to be EXTREMELY careful and responsible about what you are going to communicate to your followers because they follow you for the knowledge that they will gain from you in YOUR area of expertise. (Click on the below image to know how social media influencing is used for marketing products & services)

20200411_205329

I am a travel influencer. I write about travelling in INDIA!

So, when I write, I shall be RESPONSIBLE to share what is relevant and falls within my forte ONLY. That said, I’m writing this long post because I am deeply saddened about how travel is taken for granted and how the generation is being WRONGLY misguided by some of the top Travel influencers. So, here are some SERIOUS Stuff that I want to discuss about becoming a travel blogger! Let me break them down into parts…

Part 1: Becoming a Travel blogger

1. Myth: They left their high paying corporate job to travel the world
Fact: A paratrooper or skydiving trainer will take you high up in the air and teach you how to jump or fly. But what he never tells you is that if things go wrong, he will have a backup parachute. Similarly, what these top travel influencers don’t tell you is they are ALL from affluent families who have strong financial backup. If their experiment on the road fails, they always have a family to support them financially and to help them start afresh. Ask me- I have a full-time job and I slog my ass through the entire week to make ends meet and to support my family financially. I save up a portion of my salary to travel and build connections with local people about whom, I can then write.

2. Myth: They sold their house and all the belongings and lead a nomadic life with just two backpacks
Fact: Not every monk will sell his Ferrari! Now that all these nomads without houses are not travelling because of Covid-19, tell me which road are they sleeping on? They are ALL back in India, living in their parents’ houses which probably you hadn’t given a thought prior to this lockdown. So technically, they have a house of THEIR own. They did not have to buy one or spend on renting one because they are not going to be using it while they are travelling. But you perhaps thought it was easy to give up everything and go one day.

3. Myth: They get to travel to all fairy tale places.
Fact: No doubt traveling offers surprises at every step, but what a follower doesn’t see is that MOST of these travel posts are sponsored. Hence, the influencer comes under an obligation to write all things nice about the place where they are getting their payments from. Social media influencing is their “Profession” at the end. They must abide by their sponsors’ terms and condition, no matter how natural their smile in the photo may seem to be like!

Part 2: Becoming an influencer

Creating content and manipulating behavioral patterns of followers using data Analytics: This is the single most important factor that brands ask for while working with an influencer. Their target reach and engagement ratio (You can look up on google to learn more on these terms). Take for example, the below graph of the analytics of my Instagram page. It shows the age group that is MOST responsive to feeds from all TRAVEL bloggers. So, the content created will be considering the psychology of people who fall under this target group. These insights are the basis on which these professionals (Social media influencers) try to manipulate the thoughts of their followers and thus influence them into buying whatever they want to sell (or Tell)! Remember, they are showing you what they are paid to sell.

IMG_20200411_211926

Part 3: Indian travel influencers on Social media

1. They are not true experts: Yes, they have gained certain experience over time, but they are glasses that are half empty. For example, here is a screenshot (taken on 11-Apr-20) of my reply to a TOP traveler’s post. The person had posted an animal’s photo and said how (he/she) empathized the spotted deer’s death. I corrected the influencer telling it was a sambar deer. Do you see how well informed they are about their posts? If probably wildlife was your forte, you would perhaps know the difference and know how one of the most commonly seen species of wild animals looked like!
PS: You shouldn’t post something that is not from your field of influencing.

20200411_211150

2. They do selective replies and reposts: They don’t like to acknowledge when they are corrected. They get offended when their mistakes are being pointed out. My message above has never been read (even after 2 months!). But every day, I see them reposting stories and appreciation about them that were in someone’s story. (FYI, story lasts only for 24hrs and all the tags get delivered as messages in the inbox). How possible is it that my message went unnoticed, till date? No, they did see it. They chose to keep it unread. I get replies from influencers who probably have 3-4 times more followers and spend most of their lives without network.
PS: Be just and fair to all followers.

3. India and its’ government have NEVER given them enough: Tell me how often do they travel in India, on a self-sponsored trip? As fancy as their life seems, they have travelled the GLOBE on freebies. Tourism promoters of various countries invite them with free tickets, free stay, free food and everything else that’s nice, for FREE. Which happy person doesn’t speak nice things when they’ve been given a free meal? Another country and its people will SURELY seem better than theirs, because their poor country doesn’t give them freebies to explore it.
PS: Don’t mis-lead your followers about India and its capacities.

4. They care SHIT about Indian economy: I took the ‘Dekho Apna Desh pledge’ to travel to at least 15 places within India. It is my service to MY country to promote tourism and thus aid local economy (Click here to read how traveling local contributes to economy). Can you name at least five among the TOP travel influencers of India who pledged this for INDIA’s economy? I save up my leaves (and a portion of my earnings) every year and manage my exploration of INDIA as much as possible. I want to do my bit to promote domestic tourism by writing about how MUCH more my motherland has to offer, that no one place in the world has.
PS: I don’t take free tickets to travel and I promote local artisans in India, sorry!

Screenshot_20200411-212152_Gallery

5. They never feel ‘belonged’ in India: The feeling of belongingness should start from “HOME”. As the saying ‘Ghar Ki baat Ghar main hi rehna Hai’ goes, ‘we should not bring our family matters to the streets’. We should rather sit at home and discuss jointly and find a solution. But the people who refused to call their parents’ home as theirs, would never feel belonged to a ‘Motherland’. If you feel there isn’t enough justice, there isn’t enough equality, there isn’t enough security in India, will you give up your Indian passport that bears the emblem of integrity and sovereignty? Nope, I’m sure you flaunt around the passport when you are abroad.
PS: I would never let go of the perks and the attention I get of being called an ‘Indian’ after all!

6. They give a damn about India’s image in the global front: They sit in foreign countries either with a free ticket or have fled India to work for another country. But what they do is, call out on mistakes from their home country’s governance. Can you imagine the amount of negativity this is spreading about your home? They sit in a distant country and instigate their followers to participate in protests for which they won’t be able to come. Why? Because their tickets are not sponsored, know? Rather than picking out mistakes, how often have these people suggested solutions?
PS: If you can’t be a part of the solution, then you are the problem!

With reference to influencers off-late posting about politics, You can’t always pick on ONE person in the government for all the wrong that happens. Do you think the team of technical experts across all domains who are in the advisory team of the government are also half empty glasses like you? Do you think the 100+ million citizen of democratic are dumb to have unanimously elected their representatives? And you are the ONLY intelligent alien here?

It is disheartening to see influencers leaving their field and misusing their powers to call out anti-national slogans (against the ruling government) even in this testing times where the entire country is required to stand as ONE! Oh, come on… to err is human. Small minds discuss people, Average minds discuss events, Great minds discuss ideas! As Gurdas Maan sings in ‘Ki Bannu Duniya da’, the lines ”Par pakki vekh ke kacchi nai dhai di” translates to: Don’t demolish the old foundation for the new and fancy.

As responsible influencers, we must subside picking up negativity. This creates sense of differences. Instead, pick up positive stories and try to unite the people. Both are different ways of approaching the same problem!

Five ways to experience travel during lockdown

Continuing my posts on managing anxiety and keeping up self-morale during the lockdown, here’s some more on self help..

Binge-watching on Netflix, Hotstar or other OTT platforms, reading books, Cooking, meditation are so cliched. Doing these things daily too can get monotonous. Doing something for 21 days can lead to a habit. So, by the end of this lockdown period, we all don’t want to become couch potatoes..

Yes, every Sunday evening of our lockdown period has been made interesting by our Honorable Prime Minister. His tasks have made sure that we all came out to our balconies to get some fresh air and break the monotony. The clapping, clanging of plates, bells and blowing the conches from the confines of our balconies with an aim to Thank the frontline warriors of the Covid-19 Pandemic on 22-Mar-20 was a nice exercise to come out of our couches. Similarly, I’m sure the nation showed its unity and solidarity in hard times by switching off lights and lighting up lamps, candles, torches and flashlights on the evening of 05-Apr-20.

But, what about the other days of being locked down at home? Do your itchy feet rare to travel? And oh, those with little kids must be having the hardest time to keep them indoors. So, if you are looking for an offbeat travel experience to break your routine, while being locked up inside your house, here are five handpicked DIY ideas for you 😊

  1. Have your own bedroom rave party: An endless playlist is available either in your collection or on the OTT platform. Use the apps that also provide disco flashlights. Place your mobile screen between two mirrors that are placed at a distance away, facing each other. Switch off all the lights at home and let your playlist take the center table. Voila, you have your own dance floor! Make some drink or look online for some cocktail ideas with whatever ingredients are available in your kitchen and your party is good to go!
  2. Pitch your own tent or pillow fortress: For those of you who are frequent hikers, chances are that you have your own tent. You can pitch it in your own balcony or terrace and experience the outdoors in your own little campsite. For the others who don’t have a tent, fret not. Remember the ‘Pillow fortresses’ we made as kids? Why not let that kid out of yourselves now? Fold up your beds and stack up you pillows. You can even tie a string across your room and hang down a bedsheet from it. You have your very own DIY tent.
  3. Set-up your travel corner: Re-living old memories by digging up the old photo albums itself can be a great way to time-travel. You can pick up some of your favorite photos and hang-it up with lights in a DIY corner of your house. All you need is some strings and clips to hold your photos in place. You can also draw a huge map and mark the places you have been to and have it in your travel corner. Arranging your collection of souvenirs from your travels around this place too is a great idea.
  4. Star gazing from your balcony or terrace: Now that the skies have cleared, it’s a good activity to hone up your skills of star gazing. There are several apps and websites that can help you in identifying the stars and constellations. It’s a great idea to go out to your balcony and admire the vast expanse of the night’s sky. Who knows, you might even get a glimpse of the ISS (International Space Station) which is believed to be going around the earth- 16 times a day! There is usually one major meteor shower every month. Look up on the dates and catch the shooting stars 🙂
  5. Celebrate a festival: Light up your house as if you would do it for Diwali or for Christmas. Make up a mock festival at home. Festivals have always been a great way to bring in fresh energy and pep up the mood. I’m a sucker for diyas and candle lights and totally in love with the positive vibes it brings with it. No mood for festival décor? Why not cook up a nice meal and have a candle lit dinner?

Sounds fair? Let me know how you are dealing with the lockdown…. What ideas do you have to experience travel without leaving your doorstep?

Five ways to manage anxiety during a lockdown

I know the entire world is going through a deep crisis with the outburst of the CoViD-19. But that does not mean that the world is going to end, right? Anxiety can hit anyone, any time… that too when someone is locked up inside the house for so many days and weeks. While ‘How many days more?’ has a very uncertain answer, until may be a proven vaccine or cure is invented, nobody is certain- is all one can say. It is human to get hit by anxiety about what’s going to happen next. But let us see the positive side: nearly 50% are recovering. Let’s not panic and do self-care by staying indoors.

I’m someone who has always found company amid nature. Any problem, I believe ‘NATURE HEALS’. For all the abuse and exploitation that man has done to the planet, it is wonderful to see how nature is healing herself (Click here to see the video). That’s said, I am a “Cliched” travel freak who grows restless when I stay confined to a place for over a few hours. I’m sure I’m not alone in battling anxiety. The whole idea is to keep myself away from social media, from where I’m getting all forwards causing more anxiety. Here are a few things that I’m doing to keep myself calm as I continue to stay indoors.

img_20200323_2333535244209422041247218.jpg
The honey bee-box in my balcony

5. Watch the honeybees toil in my balcony: I have set-up a box for them in my balcony and It is therapeutic to watch them work. It is spring season now and no better way to spend a day than sit and watch nature in her calmest ever. The only noise I can hear is the chirping of the birds and the buzzing of my honeybees.

4. Watch the birds flock to the feed and water bowls: The temperature outside has started to rise slowly. As we continue to stay indoors, the birds and squirrels have started to come outside. They will now start frequenting your balconies, only if you’re kind enough to give them a place to sit and take a dip in a water bowl. You will soon become good friends and begin to enjoy each other’s company. I have a good number of sparrows, red-whiskered bulbuls and squirrels occupying spaces in my balcony.

img_20200323_2315403861891558849518319.jpg
The sparrows in my portico

3. Learn birding: As I continue to sit in my balcony and watch the flowers bloom outside, I have started to realize that I live in a place that is no less than a bird sanctuary. At least 40 varieties of birds have been spotted from here and I’m continuing to learn their names, habitat, bird calls and behavioral patterns. Some of them have been photographed and the photo-story is made (Click here to view the photo story)

2. Do up a vertical kitchen garden: While going out should be reduced to as minimum as possible, we can grow our own greengroceries in our balconies. I have converted an old ladder / stand, hung old mugs and tied used plastic cups where I’m growing green-groceries and small flowering plants. Some wet waste from the kitchen too is going into these DIY pots for decomposing. Mustard, tomatoes, brinjal, kothimir, beans etc. are some of the seeds you can easily find in your kitchen without having to worry about buying the seeds separately.My DIY vertical garden

1. Re-kindle a dead hobby: Found stacks of water paint that’s been shelved since school days 😛 most of them have dried up in the bottles. I’m finding new ways to make them useful and kill-my time by doing abstract paintings using abstract techniques. Running out of poster colors? Try organic colors. vermillion, turmeric, indigo, leaf extracts… Don’t’ you think its time to explore something new?

Tell me how are you helping yourself to beat anxiety?

How are you killing boredom at home? Share your ideas…

A gastronomic walk tour of South Bengaluru

You have probably read my earlier post on exploring the offbeat landmarks of Old Bengaluru. Here is another one. This time, it was a culinary trip of Old Bengaluru to a friend who had flown down to this southern metropolis, from the so-called Northern part of India. I had been asked to take him on a gastronomic tour of my city. For someone who has a penchant for everything old school, I thought Old Bengaluru would be perfect to call it a day. ‘From vintage automobiles, architecture, iconic restaurants serving traditional recipes to by lanes and alleys that narrate their own individual story of the city, this section of Bengaluru has everything that would tickle a bone or two of this mad man’, I thought.

Having largely spent my teenage in North Bengaluru and given my familiarity with the area, Malleswaram was my first choice. However, given the convenience of commutation from my current place of stay, I chose to show him around South Bengaluru. But when one says South Bengaluru, it is a world in itself and the geographical area is large to fit all in one day. Hence, I took time to mark a quick map of restaurants to cover, along with giving a peak into the cultural heart of the city. This part of the metro lays in stark contrast to the Bengaluru, that the millennials from Whitefield and Marathahalli know of.

The obvious choice was a walk tour of Basavanagudi and the Pete area. These are the two most important clusters of true Bengaluru that have held onto the roots, despite the rapid and traumatic transition this city has seen in the last decade in the name of urbanization and modernization. Under the canopy of massive native trees, the aroma of the by-two filter kaapis shared at the numerous Shanti Sagar and darshini food joints, the air here feels different from anywhere else. With almost every street dotted with Classical dance and music schools and happy nonagenarian couples whizzing in their Padminis and Ambassadors, it has a different vibe here. One can find some of the traditional old houses and landmark restaurants only in these localities to really experience old Bengaluru. Each of these iconic eateries have a near century old history and their old school ambience is still intact inside the heritage structures that house them. With a small appetite for food and a big quest for exploration, the portions of food were limited only to the signature dishes of each restaurant, to accommodate more places. So, here is my itinerary of a gastronomic tour of Bangalore of yore.

20200223_162027
The Big bull temple, Basavanagudi

Meet-up point: Basavanagudi is the name of a temple (It translates to ‘Bull- Temple’). Basavanagudi is the name of a locality in South Bangalore, named after the temple. It is an extension of the Pete area, which was specifically created to accommodate the upper class, and more-specifically the Brahmin community. No trip to South Bengaluru is complete without a visit to this landmark temple built by Kempegowda, the founder of Bengaluru. Apart from the Big Bull temple, the Dodda Ganapathi and the Bugle rock (a small watch tower from the Kempegowda era) are a must visit on the same premises. If you time it up well, you can part-take in the annual groundnut fair in the locality. (Read here to know more about the history of the Kadlekai Parishe). After meeting my friend here, we started our gastronomic tour to our first food stop.

Food stop 1 (Breakfast): As synonymous as Dosa is with South India, Vidyarthi Bhavan is with South Bengaluru. Ask anyone for the best Dosa in the city and this place scores on top unanimously. It is a restaurant started initially to cater to the student community of the area which started a new culture of a hangout place for friends in those days. On most days, the queue can extend well up to a kilometer. My friend and I wiped off our plates of their signature Masala dosa for breakfast. (Click here to read further about the history of Vidyarthi Bhavan)

img_20200224_1412454363645349424467729.jpg
Vidyarthi bhavan, Basavanagudi

Food stop 2 (Light eats): No foodie who visits Bangalore is satisfied without taking an evening walk on the Eat street at VV-Puram. However, I decided to go here in the morning, in order to avoid the maddening rush. Honey cake and Congress bun at the iconic VB Bakery was what we needed. This is the first Iyengar bakery to be established in Karnataka which has paved a new culture in baking (Read here for more about V.B.Bakery). Avarebele (Val bean) is a favorite ingredient of the Bengalureans, who have a dedicated annual fair to celebrate this pulse (Click here to read further about Avarekai mela). Hence, picking up a packet of avarebele mixture for home from one of the stores there was an obvious choice.

Food stop 3 (11 o clock, coffee): It is an important break time for the employed section of the society. Brahmin’s Coffee bar is a household name for their filter coffee and the delectable chutney served with idly on their very limited menu. This tiny eatery is in a corner of Shankarapuram, which is also famed for the Shankaramatha, a learning center of the advaitha philosophy. We had a quick stopover for a hot cuppa this little place is known for, before heading to Pete. (Read further about Brahmin’s coffee bar here)

Food stop 4 (Lunch): To satiate the hunger pangs, I planned to treat my friend with an authentic Bangalorean affair. With multiple theories surrounding the origin of the military hotel culture, the history of these restaurants dotting across the southern part of Karnataka is unclear. Bangalore is home to some of the best in the state. I don’t think there would be any better meal than ‘Ragi Mudde oota’ savored at a military hotel to get a peek into the local flavor, including the ambience. Hence, we were lunching that afternoon at S.G. Rao’s military hotel, located in the cotton Pete area. A typical military hotel meal includes Kaal soup, Ragi Mudde and Mutton biriyani. (Click here to read further about S.G. Rao’s military hotel)

img_20200224_1409468968974703455226303.jpg
S.G.Rao’s military hotel, cottonpete

Food stop 5 (dessert): A meal is complete only with a nice dessert. If there is one sweet meat that is synonymous with Karnataka (Mysore state), it is Mysore pak. Since I couldn’t take my guest to Mysore for that, the closest I could get is at Sri Venkateshwara sweet meat stall located at Bale Pete, a short walk away from cotton Pete. Their Mysore pak and dumroot are the sweets my friend packed for his roommates back in his hometown. (Click here to read about Sri Venkateshwara sweet meat stall).

img_20200224_1408538818613838394713036.jpg
Sri Venkateshwara sweet meat stall, Balepete

The Pete walk: An old Bengaluru exploration is nothing without a walk along the narrow snaking lanes of the Pete area, the true business epicenter of both New and Old Bengaluru. This area is segmented into various sections and named according to the commodity sold and the communities that resided there in the yester years. From green groceries, handloom, steel, plastic to precious metal, everything is available in this locality. An early morning walk in the famed flower market is an experience in itself. We limited ourselves to just the mainstream sections while exploring some of the ancient temples, mosques and heritage houses of the Kempegowda era. In the meanwhile, we kept munching on numerous snacks from several popular stalls on our way. Although these eateries are old, the flavors are largely north Indian, owing to the Marwari and Baniya community that reside here in majority.

The heritage structures of the Victoria hospital, Bangalore fort and Tippu Sultan’s summer palace all lay on the side of the road for the history and architecture buffs who have a little more time in hand. But this is all we could fit in our day. Thus, ended a gastronomic tour of South Bengaluru.

I hope you enjoyed this virtual tour with me too… did you? Or did you not? Share your thoughts with me…

There are many other iconic restaurants in Basavanagudi if you have a larger appetite. These are a few other places that you must check out when you are here: The new modern hotel, Mahalakshmi Tiffin room, Janata Tiffin rooms  are a few among many others.

Souvenirs to buy:

  • Coffee filter and freshly roasted coffee powder: The best filter coffee is available only in South Bengaluru, and hence my friend thought this was a more significant thing to buy from here.
  • Channapatna wooden toys: These are GI tagged handicrafts made with organic colors and largely popular in the western market, it comprises a large collection of traditional toys.

As the Neelakurinji blossoms, the Nilgiris spectacles

Heard of the blue hills? Does the name ‘Nilgiris’ strike any bell? For those who know less, it is a part of the Western Ghats, a UNESCO World heritage site in the southern peninsula of India. The ‘Neel-giris’ literally translates to ‘Blue-Hills’ because these hills get their colour from a particular phenomenon. A particular species of the Strobilanthes kunthiana flowers, locally called the Neela-Kurinji bloom once in twelve years. When in full bloom, the entire hill range looks blue, thus giving the hills their name. The last mass-flowering of the neelakurinji flowers happened in 2018 and I left no leaf unturned to witness this spectacle. There were a couple of hotspots identified by the Kerala forest department where arrangements were made to allow visitors to see the flowers.
My friends and I decided to visit the Eravikulam National park, located close to Munnar. This stretch of the hills was where most of the blossoms were supposed to happen. After finalizing the visit dates in Sept’18, the Delhi friends had booked their flight tickets to fly down and the remaining of us booked our bus tickets from Bangalore to Munnar. I had got all the necessary entry permits from the forest authorities and booked accommodation in Munnar for all of us. All this was done months in advance to have a confirmed entry anticipating the tourist influx for such a spectacle, if we waited until later. We were all set and waiting for the travel to finally happen.

Come July’18, the rain gods had wreaked havoc in the western Ghats. The entire stretch of western Ghats in Karnataka and Kerala had been damaged by the heaviest rains in eight decades. The damage done was massive to geography, property and life along these areas. In the event of things, damage was done even to the neelakurinji plants and the blossoms were feared to be washed out. Once the rain gods had calmed down and the ground situation of floods seemed to have receded, we waited to see if there was any luck in waiting until September. We were in constant touch with a few locals who gave us the updates on the status of the blue hills. Come September and we decided to go ahead with our original plan. We all had finally arrived at Munnar and were heading towards Eravikulam National Park.

Once there, Yes, there were enough plants destroyed. The stronger few, had managed to bear flowers. We walked along the laden path, feeling grateful for at least so many of the plants had survived. Since these plants blossom only once every 12 years, it means that their reproduction cycle is longer than usual. This also means that, most of the Neelakurinji vegetation is lost in the 2018 monsoon and the next flowering cycle of the year 2030 may not happen at a mass-scale as it is usually supposed to happen at all!! Anyway, we enjoyed whatever we were witnessing.

img_20200216_1230514763208106210940115.jpg
The Neelakurinji flowers at Eravikulam National park

Also, Neelakurinji is only a sub-species of the larger group of flowers called the Kurinji. The Kurinji flowers come in several colors- white, peach, purple, etc. Here is a collection of the Kurinji flowers from Eravikulam National park that we saw during our visit.

img_20200216_1232387674453963735820057.jpg
The various Kurinji flowers at Eravikulam National park

So that said, I was back in my hometown the following week and visited our piece of farmland to check on its status after the monsoon. It used to be a spice plantation that remained unmaintained for a long time before we, siblings ventured into developing it. our farm is a short walk away from the main road. When we arrived there and decided to walk, the entire path was filled with what seemed like some weed that had overgrown during the monsoon. We used a machete to make way for ourselves to walk further. Just a few steps into the area, we were surrounded with pink/ maroon flowers all around us. ‘These weeds had flowered expansively’, we wondered. We took a lot of photos, made way for ourselves, finished our work and returned home. When we discussed about the weeds with the elders in the family, we were surprised to hear that these plants also belonged to the Kurinji family.

img_20200216_1228147702483363187051058.jpg
The Kurinji flowers from our farm in Kodagu

Further, an important month in the Kodava and the Tamil calendar is the month of Kakkada or Aadi. In Kodagu, on the 18th day of this month a special dish is prepared using a locally available herb. Its juice is believed to contain 18 medicinal values. It leaves a very deep blue/violet pigment when cooked and consumed only on this day. And what is this plant called? Don’t even guess… Locally called ‘Maddh thoppu’ or ‘Aadi soppu’, it is also a variety of Kurunji.
So, Kodagu primarily has three types of Kurinji; the flowering weed(Maley Kurinji(as in hill), Etth Kurinji(as in cattle) and Maddh Kurinji(as in medicine).
A little bit of googling allowed me learn that there are many sub-species of the Kurinji and each have their own flowering cycles. While some bloom annually, some bloom once in six years and some take a couple of decades. Neelakurinji was just one among them.

Lesson learnt: How often do we tend to ignore the little things from our own backyard? We think these are too trivial to spend time and look for things elsewhere. It is often that people associate that better things come only when money is spent and distances are travelled, but the truth may be that it is something that we have been conveniently ignoring in our own vicinity.
What is your take on this thought?

A festival to Raid the graveyard- Mayana Kollai

Come the night of Mahashivaratri, there will be festivities across the country. People stay up all night and participate in bhajans, pooja offerings, chariot pulling etc. all to keep themselves awake for the night, so that their beloved Lord, Shiva gets good rest after taking care of them all year. But it is the day that follows the revered night, that is the essence to this story of mine. The day that follows Mahashivaratri is when Shakthi, the consort of Shiva and thus, the female power is celebrated across the Northern part of Tamil Nadu. The companionship of Mother Angalamman to Shiva, the graveyard dweller is celebrated with a festival called the ‘Mayana Kollai’. As a friend explains, Mayana Kollai translates to the ‘Raid of the graveyard’ in Tamil. I had planned to witness this festival at one such temple dedicated to Angalamman, closer home, at Kaveripattinam.

The festivities had started as early as the sunrise at the Angalamman temple, with the Goddess being taken on a temple car/ chariot. She is supposed to travel along the streets of the town, to the graveyard by evening from where she returns to the temple by night. All other rituals that are part of this journey of her’s are what make this festival more interesting. It is a festival where the entire town / village participates with no barrier of caste or societal status. The chariot leaves the temple with the idol of Angalamman.

20200222_1339022711065229733285812.jpg
The diety- Angalamman being taken on a procession on the temple car / chariot

She is greeted by devotees who throw a mixture of salt crystals and black pepper or beans all along her way. She is hailed as a symbol of fertility who is calm throughout the year and takes on her powerful form on this day, once in a year. The villagers get their body pierced with various things near the temple premises and walk across the village to the graveyard, where the piercings are removed. This body paining is what they believe, is a gratitude to the almighty for the wishes that have come true or as a part of a prayer that needs to be fulfilled. The size and things pierced can vary depending on individual’s prayers. While those with tridents pierced around their mouth are a very common sight, the more pious go further to get their torso pierced with hundreds of lemons. Yet, a few pull cars, buses, trucks or large stones with ropes that are hooked through their bare skin.

20200222_1103493355118405534738936.jpg
Stones being readied to be hooked to the body as a man with a trident pierced to his cheeks walks past

If u peek into one of the many shops (I don’t know if that is the correct noun for such places) around the town, apart from those getting the body piercings, you will find another set of people. Men and children will be getting their faces painted and dressed up in sarees, a representation of Angalamman. With metal arms attached to the backs, elaborate costumes, jewelry and crown worn, Angalamman is impersonated by these people. They hold tridents and dance to the beats of drums across the streets. Several times on their way, they get possessed or get into a state of trance, until they all finally congregate at the graveyard. Animal sacrifice too is a common sight on the streets on this day.

img_20200228_1030393231357977862522692.jpg
Stalls where the body piercings and paintings will be done

It is evening by the time the temple car and everyone else reaches the graveyard. That is when the most interesting part of the rituals takes place. The folk impersonating the goddess gather around a random grave and dig it up. The bones from the grave are pulled out and chewed by them. This is called the ‘bone chewing’ ritual or what gives the festival its name: Mayana Kollai or the ‘Raid of the graveyard’.

20200228_104051-01534021689575161698.jpeg
Men and kids dressed up like Angalamman

There are several legends and references that explain the significance of this ritual, depending on the region. Here are some of the references I found on the internet.

  1. The significance of the costume (Click here to read further)
  2. The significance of the Bone chewing ritual (Click here to read further)

Post this ritual, the goddess calms down and returns to the temple on the temple car. The festival culminates when the it reaches its home.

While witnessing all this self-violence, I started to deeply think, why this is necessary to please the gods. Although I couldn’t find a convincing conclusion, what I realized is that this form of ritual is not unique to Hinduism alone. It has been largely practiced worldwide, across all major religions. Some of the closest references are:

Whichever faith be it and whatever the belief, the intentions of every person involved is the same. To get closer to god. Aren’t all our beliefs connected?

The traditional fire making of the Nagas

One of the earliest science lessons we learnt in school is that friction causes fire. We all have grown past reading how the early cavemen generated fire by rubbing two stones together and eventually how this accidental discovery lead to a massive turnaround in the evolution of mankind.

Leaving the past behind, the modern man uses a matchstick or a lighter to create fire, all based on the same science of friction. But, there in Nagaland, the culture still exits where albeit the formal education and access to matchboxes and lighters, the tribes continue to use their indigenous methods of lighting a fire. In order to keep this tradition alive, there are competitions conducted among the various tribes of the state to see who ignites the fire faster. I witnessed one such event during the hornbill festival-2019 in Nagaland.

img_20200216_1315148673833036174924531.jpg
The nine other participating Naga tribes at the fire making competition

The traditional method of fire making is done by using wooden log and fiber. Wooden saw dust is placed between small crevices made in the log around which the long fiber is then rapidly pulled along, to create friction. The log and the fiber are the two surfaces creating friction and the saw dust is the fuel/ catalyst. It was a very distinct way of lighting fire to watch. The person who first lights a candle using the fire ignited by him in this traditional method gets to take home the trophy.

dsc_08571738360150418706737.jpg
The winner of the contest (Naga fire making)

Here is a video to see how this fire is made in the indigenous Naga way.

getting lost in traveling through places and time…